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  • MPI-MMG  (3)
  • OLC Ethnologie
  • 2020-2024  (3)
  • Cham : Springer International Publishing AG  (3)
  • Kultur  (3)
Datasource
Material
Language
Years
  • 2020-2024  (3)
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG
    ISBN: 9783030836818
    Language: English
    Pages: 1 online resource (viii, 237 pages)
    Series Statement: Consumption and Public Life
    Parallel Title: Erscheint auch als Campbell, Colin, 1940 - Consumption and consumer society
    DDC: 339.47
    Keywords: Electronic books ; modern consumerism ; fashion ; conspicuous consumption ; shopping ; consumption during COVID-19 ; pandemics and consumption ; Aufsatzsammlung ; Kultur ; Soziologie ; Konsumgesellschaft
    Abstract: This collection of high quality, largely previously published essays, analyses a range of controversies in the field of the sociology of culture and consumption. Campbell made a major contribution to the development of this field and he has a clear and coherent theoretical position which he employs to comment on interesting disputes among scholars seeking to understand consumer culture. Containing a brand new expansive essay reflecting on consumption in the age of a pandemic and drawing out some of the conceptual and practical implications of the relationship between wants and needs, science and norms, this synthesis will be an invaluable resource for students and researchers of consumption, consumer and cultural sociology.
    Abstract: Introduction -- The desire for the new: its nature and social location as presented in theories of fashion and modern consumerism -- Consuming Goods and the Good of Consuming -- Conspicuous Confusion? A Critique of Veblen’s Theory of Conspicuous Consumption -- The Meaning of objects and the meaning of actions: a critical note on the sociology of consumption and theories of clothing -- Shopping, Pleasure and the Sex War -- Consumption and the Rhetorics of Need and Want -- I Shop therefore I Know that I Am: The Metaphysical Basis of Modern consumerism -- The Craft Consumer: Culture, craft and consumption in a postmodern society -- The curse of the new: how the accelerating pursuit of the new is driving hyper-consumption -- A Matter of Necessity: Reflections on Need and Want in a Time of Lockdown
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    ISBN: 9783030842963
    Language: English
    Pages: 1 online resource (375 pages)
    Parallel Title: Erscheint auch als Cicchelli, Vincenzo, 1970 - The sociology of Hallyu pop culture
    DDC: 306.095195
    Keywords: Popular culture and globalization ; Popular culture-Korea (South) ; Korea (South)-Social life and customs-21st century ; Kultur ; Popkultur ; Musik ; Kulturindustrie ; Sektorale Strukturpolitik ; Kulturpolitik ; Fremdbild ; Ausland ; Jugendkultur ; Massenkultur ; Kunst ; Kulturraum ; Jugendsoziologie ; Soziologie ; Kulturkontakt ; Akkulturation ; Kulturübertragung ; Kulturaustausch ; Electronic books ; Frankreich ; Electronic books ; Südkorea ; Medienkultur ; Medienkonsum ; Popkultur ; Weltbürgertum
    Abstract: Intro -- Preface: BTS, Riding the Hallyu Crest -- Bibliography -- Acknowledgments -- Contents -- About the Authors -- 1: Introduction: Hallyu as an Alternative Aestheticized Global Pop Culture -- 1 Global Pop Culture -- 1.1 The P in Global Pop Culture -- 1.2 Creating a Common Landscape -- 2 The Korean Wave: From the Margins to the Mainstream -- 2.1 Hallyu 1.0: A Regional Success Story -- 2.2 Hallyu 2.0: From East to West -- 3 A Monographic Approach to Hallyu: Production, Circulation, and Consumption -- 3.1 Through the Lens of Hallyu: A Multiscalar Approach -- 3.2 Hallyu in France -- 3.3 Global Pop Culture and Pop Cosmopolitanism -- 3.4 Hallyu as an Aestheticized Pop Culture System -- 4 Conclusion -- Bibliography -- 2: Is Entertainment Capitalism the Ultimate Stage of Aesthetic Capitalism? -- 1 A Critique of Aesthetic Capitalism -- 1.1 The Tenets of Aesthetic Capitalism -- 1.2 Addictive Aesthetics -- 1.3 Emotional Aesthetics -- 1.4 The Aesthetics of "Cool" -- 2 South Korean Capitalism -- 2.1 Accelerated and Internationally Oriented Economic Modernization -- 2.2 The Jurassic Park Syndrome -- 2.3 State Capitalism -- 2.4 The "Cultural Package" Industry: The Example of SM Entertainment -- 3 The Distinctive Traits of Entertainment Capitalism -- 3.1 Serialized Production -- 3.2 From the Artist to the Transmedia Idol -- 3.3 Fans as Co-producers -- 3.4 Promoting an Ideology of Well-Being -- 4 Conclusion -- Bibliography -- 3: An Alternative Globalization of Pop Culture -- 1 The Global Pop-Cultural Arena -- 1.1 The Domination of the Big Three League -- 1.2 Toward a New Multipolar Cultural Order -- 2 The Dominance of the United States -- 2.1 The Pillars of US Pop Culture -- 2.2 Signs of Weakening -- 3 Developing an Alternative -- 3.1 The American Lesson -- 3.2 Three Lessons from Japan.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    ISBN: 9783030400866
    Language: English
    Pages: 1 Online-Ressource (336 pages)
    Parallel Title: Erscheint auch als Knapp, Marcela Cultural controversies in the West German public sphere
    DDC: 306.0943
    RVK:
    RVK:
    Keywords: Group identity ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Soziale Identität ; Kultur ; Debatte ; Film ; Literatur ; Ästhetik ; Geschichte 1949-1989
    Abstract: Intro -- Acknowledgments -- Abbreviations -- Contents -- Chapter 1: Introduction -- 1.1 The Cases -- 1.2 Some Words on Methodology -- 1.2.1 Translations -- References -- Chapter 2: Theoretical Considerations -- 2.1 The Political Foundations of the Social -- 2.1.1 The Imaginary Dimension of Social Reality -- 2.1.2 The Political Beyond Institutionalized Politics -- 2.1.3 Fiction and Aesthetics: Acts of Subjectification -- 2.2 Constituting Meaning in the Public Sphere -- 2.2.1 The Public Sphere and Social Reality -- 2.2.2 Opinion-Forming Media -- 2.2.3 The Feuilleton: Interface Between the Arts and the Social -- References -- Chapter 3: Confirming a Secular World Order: Ingmar Bergman's The Silence -- 3.1 An Overview: The Issue with Censorship and the Material -- 3.2 The Paradigm of the Art's Autonomy -- 3.3 Sexuality and the Order of Representation -- 3.3.1 Metaphoricity -- 3.3.2 Iconicity -- 3.4 Résumé -- References -- Chapter 4: A Moving World: George Orwell's Nineteen Eighty-Four -- 4.1 Defining Freedom (Differently) -- 4.1.1 The Dystopian Paradigm of Political Mobilization -- 4.1.2 Performing Nineteen Eighty-Four Allegorically -- 4.2 The World as Its Future -- 4.3 Résumé -- References -- Chapter 5: The Creation of the Social: Rolf Hochhuth's The Deputy -- 5.1 The Deputy in Context -- 5.2 The Aesthetics of Immediacy -- 5.3 Political Commitment -- 5.4 The Presence of the Past -- 5.5 Résumé -- References -- Chapter 6: The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 6.1 Methodological Particularities -- 6.2 Youth as a Liminal Figure -- 6.2.1 The Wild One -- 6.2.2 Blackboard Jungle -- 6.2.3 Rebel Without a Cause -- 6.2.4 Rock Around the Clock -- 6.3 The Aesthetics of Presence/Appearance -- 6.3.1 The Wild One -- 6.3.2 Rebel Without a Cause -- 6.3.3 Rock Around the Clock -- 6.4 Résumé -- References.
    Note: Description based on publisher supplied metadata and other sources
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