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  • FID-SKA-Lizenzen  (7)
  • 1980-1984  (7)
  • North America  (4)
  • Ireland  (3)
  • Refugees  (2)
Material
Language
Year
  • 1
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005148
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 1
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about cattle and legal issues in a Kenyan Maasai Village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (47 min.). , 004715
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 5
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about a ceremony called the 'ox of ilbaa' which takes place in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (48 min.). , 004824
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Griaule, Marcel, ; Dogon (African people) ; Ethnology History. ; Ireland ; Nonfiction films.
    Abstract: This film tells with verve and a touch of self-irony the history of research on the Dogon since the famous 1931 expedition of Marcel Griaule. The film establishes the original expedition in the context of French anthropology at the time. Jean Rouch, celebrated filmmaker and less known as an anthropologist on the Dogon, narrates part of the story, and interviews Dogon elders and veteran expedition-member, Germaine Dieterlen.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Kazakh
    Pages: 1 online resource (55 min.). , 005500
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Kazakhs ; North America ; Documentary films.
    Abstract: The Kazakhs of Xinjiang (Sinkiang) are one of the fifty-five national minorities that now live within the borders of the People's Republic of China. The policy of the Chinese Communist Party toward these people has been one of Sinofication, a neutralization of 'reactionary' local leaders and an alliance of Han Chinese with the indigenous culture. Xinjiang is a particularly sensitive area for the Chinese because of the traditional ties of the Kazakh with the Soviet Union. In 1962, some 50,000 Kazakhs and other non-Han peoples sought refuge in the Kazakh Soviet Socialist Republic. Since then, the Sino-Soviet border has been closed, and until recently the entire area was off-limits to non-Chinese outsiders. This film offers unique ethnographic material about the Kazakh, as well as about Chinese policies in the years following the Cultural Revolution. The film follows the movement of the family of Abdul Gair, illustrated the cycles and tensions of present day Kazakhs, mixes detail of their traditional life as herders with suggestion of the effect of Chinese rule. The Chinese government allowed the filmmakers freedom to choose the subjects and people for the interviews and action sequences. Because of this, the film expresses, to a great extent, the view of the filmmaker, not of the Chinese government. Against a background of the Tienshan Mountains, the Kazakhs are shown branding yaks, milking mares, drinking kumis (fermented mare's milk), making their yearly move from winter to summer quarters, and setting up their felt-covered summer tents. Then, through the trip of Ahmed the production team leader to the brigade headquarters, the film portrays the relations between Kazakh and Han, showing the brigade's authority. Rather than livestock, formerly a mark of wealth being owned for individual profit, production and gain is now controlled by the brigade leaders. Women are given more freedom within the community. Kazakh children now have an opportunity for education in the Kazakh language, but the teaching is largely Party doctrine; they have health care, but this again is Chinese. Yet, despite pre-1977 restrictions on local religion and nomadic culture, and although Abdul Gair is himself a Party member, the Chinese do not, as yet, control the Kazakh. The Kazakh have retained their horses, not only as wealth, but as a means of freedom. Here, as in other cultures where a strong centralized government controls a minority, the continued cultural independence of the Kazakh is an open question. The Chinese policy is currently to move as many Han as possible from the overcrowded central areas of China to the less populated border areas such as Xinjiang. This film gives an understanding, not only of a Kazakh society, but also insights into current change, of the conflicts of domination and independence.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Kazakh and English with English subtitles.
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  • 5
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.). , 005743
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Abstract: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 6
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005309
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Abstract: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 7
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (39 min.). , 003852
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Abstract: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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