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  • 1
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (33 minutes) , 003205
    Keywords: Sarmast, Ahmad Naser. ; Afghanistan National Institute of Music. ; Music ; Music Instruction and study ; Music Social aspects ; Bhutan ; Documentary films.
    Abstract: In 2010 Afghan musicologist Dr. Ahmad Sarmast opened the Afghanistan National Institute of Music (ANIM), a coeducational vocational music school in Kabul that teaches Afghan, Indian and Western music. In 2011 the Society for Education, Music and Music Education (SEMPRE), an organisation that was offering financial support for ANIM staff development, sent ethnomusicologist and film-maker John Baily to visit the school. Made in the observational cinema style, the film provides a lyrical portrayal of the school's activities, with an emphasis on the teaching, rehearsal and performance of the music, building up to a performance of Ravel's Bolero for the visiting Swedish Ambassador.The film projects a very positive image of young people in Afghanistan today, challenging the usual negative stereotypes favoured by Western media.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 2
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (97 min.). , 013722
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans Music ; History and criticism. ; Afghans Music. ; Afghans Music ; History and criticism. ; Afghans Music. ; Afghans Music ; History and criticism. ; Afghans Music. ; Music History and criticism. ; Music ; Bhutan ; Nonfiction films.
    Abstract: Scenes of Afghan Music is Part IV of A Quartet of Afghan Music Films, made in the author's personal "fieldwork movie" style. It reveals the diversity of music and dance practices in the Afghan transnational community: old and new, male and female, public and private, amateur and professional, controlled and uncontrolled.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and Dari with English subtitles.
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  • 3
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (88 minutes) , 012738
    Keywords: Children. ; Refugee children. ; Sudan. ; Sudan History ; Civil War, 1983-2005 ; Children. ; Bhutan ; Documentary films. ; Ethnographic films.
    Abstract: Years of war and ethnic conflict in the Sudan have created a generation of young men, known as the "Lost Boys," who have spent more years in refugee camps than in their home communities. This intimate film recounts the story of Benjamin, and William Deng, brothers joined in the struggle of a seemingly never-ending exile, who are then separated when one is accepted into a United States resettlement program while the other remains in a Kenyan refugee camp.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 4
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 minutes) , 005237
    Keywords: Nubians History 20th century. ; Nubians Ethnic identity. ; Nuba (African people) Social conditions. ; Nuba (African people) Cultural assimilation. ; Nuba (African people) Civil rights. ; Sudan Ethnic relations. ; Sudan History ; Civil War, 1983-2005. ; Bhutan ; Documentary films.
    Abstract: Ten years after he made Kafi's Story, director Arthur Howes returns to the Sudan to find the members of the Nuba who featured in his earlier documentary film. Soon after he had left the Sudan, the mountain area they had been living in became the battlefield of the civil war that has been destroying much of the Sudan ever since. With a government that is attempting to gain absolute control, the people of Nuba have been persecuted, deported, and deprived of much of their land. Children have been put into camps, many of them brainwashed in the military. Many of their fathers have voluntarily joined the army and are now being forced to fight their own people, as they have not been able to find any other way of making a living. Some of the Nuba people have fled to other countries, such as Ethiopia and Kenya. Groups of women have withdrawn further into the mountains. Howes, who had a great deal of difficulty obtaining a visa for the Sudan, manages to find several of the Nuba men and women he filmed back in the late eighties, and their testimonies are, without exception, revealing. He succeeds in organizing secret screenings of Kafi's Story, which they have never seen before, and the contrast between their lives then and now is shocking. It is rare to hear stories collected from so deeply within a community. Howes gives his personal perspective during much of his commentary.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 5
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 minutes) , 010623
    Keywords: Nubians Social conditions. ; Sudan Ethnic relations. ; Sudan Social conditions. ; Bhutan ; Documentary films.
    Abstract: Shot in 1989, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi narrates his own story into a portable tape record as he travels from his village, Torogi, to Khartoum to earn enough money to buy a new dress for his second wife, Tete. Kafi is quite consciously negotiating his own path between modernity and tradition. Kafi and the other Nuba react to the presence of the camera with neither awe nor apprehension; they seem to welcome the camera as an extension of their open, out-going, hospitable lifestyle. At the same time, they rapidly become sophisticated about the way film conventions can frame reality. When a friend walks away from a shot, they joke that he is walking into the screen. At the film's end Kafi asks the filmmaker for one thing: a camera of his own.
    Note: Title from resource description page (viewed June 24, 2016). , In English, Nubian and Arabic with English subtitles.
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