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  • FID-SKA-Lizenzen  (9)
  • Baily, John,  (7)
  • Brightman, Marc  (2)
  • Nonfiction films.  (7)
  • General Anthropology  (2)
  • 1
    ISBN: 9781785333101
    Language: Undetermined
    Pages: 206 p.
    Edition: 1st edition
    Keywords: General Anthropology
    Abstract: Amerindian societies have an iconic status in classical political thought. For Montaigne, Hobbes, Locke, Hume and Rousseau, the native American 'state of nature' operates as a foil for the European polity. Challenging this tradition, The Imbalance of Power demonstrates ethnographically that the Carib speaking indigenous societies of the Guiana region of Amazonia do not fit conventional characterizations of 'simple' political units with 'egalitarian' political ideologies and 'harmonious' relationships with nature. Marc Brightman builds a persuasive and original theory of Amerindian politics: far from balanced and egalitarian, Carib societies are rife with tension and difference; but this imbalance conditions social dynamism and a distinctive mode of cohesion. The Imbalance of Power is based on the author's fieldwork in partnership with Vanessa Grotti, who is working on a companion volume entitled Living with the Enemy: First Contacts and the Making of Christian Bodies in Amazonia.
    Description / Table of Contents: Preface -- Acknowledgements -- A note on Trio and Wayana orthography -- List of acronyms and abbreviations -- Maps -- Introduction -- -- Guianan Leadership -- Guiana -- The Trio, Wayana and Akuriyo -- Fieldwork and its Limitations -- Structure and Scope of the Book -- -- Chapter 1. Making Trio and Other Peoples -- -- Ethnogenesis -- A Theory of Continuity -- Substance and Filiation -- Telling Stories, Making Groups -- Time, History and Identity -- 'The Trio' as a Group -- Ethnogenesis and Alterity -- Missionisation and Ethnicity: The Contact of the Akuriyo -- Slavery and Identity -- Marriage and Manioc -- Strategic Ethnicity -- Leadership Inside and Out -- -- Chapter 2. Houses and In-Laws -- -- Leadership, Inequality and the House -- Houses and Housebuilders -- The House as Artefact -- The Collective House -- Scale and the Household -- Consanguinity, Affinity and the 'Atom of Politics' -- Symmetry and Asymmetry -- Leadership and the House as Idea -- -- Chapter 3. Trade, Money and Influence -- -- Economic Influence -- Exchange and Trade -- Trading with Maroons -- Money -- The Politics of Air Travel -- Airborne Evangelism -- The City, Prestige and Mobility -- Air Entrepreneurship -- Public Speaking -- Literacy -- Metaphysical Communication -- Bible Economy -- Leadership and Influence Beyond Consanguinity -- -- Chapter 4. Music and Ritual Capacities -- -- Structured Sound -- Tortoiseshell Pipes: Individual and Collective -- Rattles and Shamanism: Percussion and Harmony -- Capacity, Blowing and Song -- The Music of the Other -- Speech as Music -- Ceremonial Dialogue -- Music and Leadership -- Heterophony -- Music and Difference -- -- Chapter 5. Owning Places and Persons -- -- The Language of Possession -- Moveable Wealth -- The Value of Land -- Names and Places -- Gender Asymmetry and Women as Property -- Ownership, Wealth and Influence -- -- Conclusion: Society Transcends the State -- Glossary -- Appendix: Trio Relationship Terminology -- References --
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  • 2
    ISBN: 9781785330841
    Language: Undetermined
    Pages: 284 p.
    Edition: 1st edition
    Keywords: General Anthropology
    Abstract: The first book to address the classic anthropological theme of property through the ethnography of Amazonia, Ownership and Nurture sets new and challenging terms for anthropological debates about the region and about property in general. Property and ownership have special significance and carry specific meanings in Amazonia, which has been portrayed as the antithesis of Western, property-based, civilization. Through carefully constructed studies of land ownership, slavery, shamanism, spirit mastery, aesthetics, and intellectual property, this volume demonstrates that property relations are of central importance in Amazonia, and that the ownership of persons plays an especially significant role in native cosmology.
    Description / Table of Contents: List of Figures -- Foreword -- James Leach -- Acknowledgements -- Map -- Introduction: Altering Ownership in Amazonia -- Marc Brightman, Carlos Fausto and Vanessa Grotti -- Chapter 1. Masters, Slaves, and Real People: Native Understandings of Ownership and Humanness in Tropical American Capturing Societies -- Fernando Santos-Granero -- Chapter 2. First Contacts, Slavery and Kinship in Northeastern Amazonia -- Vanessa Grotti and Marc Brightman -- This chapter is open access under a Creative Commons Attribution International License (CC BY) -- Chapter 3. Fabricating Necessity: Feeding and Commensality in Western Amazonia -- Luiz Costa -- Chapter 4. Parasitism and Subjection: Modes of Paumari Predation -- Oiara Bonilla -- Chapter 5. How Much for a Song? The Culture of Calculation and the Calculation of Culture -- Carlos Fausto -- Chapter 6. The Forgotten Pattern and the Stolen Design: Contract, Exchange and Creativity Among the Kĩsêdjê -- Marcela Stockler Coelho de Souza -- Chapter 7. Doubles and Owners: Relations of Knowledge, Property and Authorship Among the Marubo -- Pedro de Niemeyer Cesarino -- Chapter 8. Ownership and Wellbeing Among the Mebêngôkre-Xikrin: Differentiation and Ritual Crisis -- Cesar Gordon -- Chapter 9. Temporalities of Ownership: Land Possession and its Transformations Among the Tupinambá (Bahia, Brazil) -- Susana de Matos Viegas -- Index --
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  • 3
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005426
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Exiles ; Exiles ; Musicians ; South Africa ; Nonfiction films.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 4
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Undetermined
    Pages: 1 online resource (56 min.). , 005620
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dagar, Rahim Fahimuddin, ; Khushnawaz, Mohammad Rahim. ; Musicians Biography. ; Rabāb music. ; Ireland ; Nonfiction films.
    Abstract: Shot in the city of Heart, western Afghanistan 1994, in the period between the fall of the last leftist government and the coming of the Taliban, this is a portrait film of an outstanding musician, Ustad Rahim Khushnawaz. He was a master of the Afghan rubab, a double-chambered plucked lute with sympathetic strings. Using the observational cinema style the film shows Ustad Rahim in various contexts. These include a guided tour of the photos in his music room that recount his musical career, being at home with his wife and children, showing off his pigeons, erecting the tombstone for his father's grave, and teaching and playing the rubab. Of particular interest is the gormani ritual, a gathering of musicians where Rahim accepts a new student.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Recorded in 1994. , Previously released as DVD. , This edition in an undetermined language with English subtitles.
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  • 5
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (97 min.). , 013722
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans Music ; History and criticism. ; Afghans Music. ; Afghans Music ; History and criticism. ; Afghans Music. ; Afghans Music ; History and criticism. ; Afghans Music. ; Music History and criticism. ; Music ; Bhutan ; Nonfiction films.
    Abstract: Scenes of Afghan Music is Part IV of A Quartet of Afghan Music Films, made in the author's personal "fieldwork movie" style. It reveals the diversity of music and dance practices in the Afghan transnational community: old and new, male and female, public and private, amateur and professional, controlled and uncontrolled.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and Dari with English subtitles.
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  • 6
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans Music. ; Tabla music. ; Ireland ; Nonfiction films.
    Abstract: Ethnomusicologist John Baily visits Fremont, California, the new home of the large community of exiled Afghans. He is joined by Kabuli master-musician Ustad Asif Mahmoud.
    Note: Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
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  • 7
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Undetermined , English
    Pages: 1 online resource (52 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Documentary films. ; Music History and criticism. ; Musicians Social life and customs. ; France ; Nonfiction films.
    Abstract: A look at the musical activities in Afghanistan one year after the defeat of the Taliban. The film documents music from performances of rubab lute music to pop music played by students of Kabul University.
    Note: Previously released as DVD. , This edition in English; vocal selections sung in unidentified language with English subtitles.
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  • 8
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (50 min.). , 004933
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnomusicology. ; Islamic music. ; Music Instruction and study. ; Muslims ; Bradford (West Yorkshire, England) Ethnic relations. ; France ; Nonfiction films.
    Abstract: Bradford is a mill town in the north of England with a population of some 350,000 people of whom about 60,000 are Asians, predominantly Muslim Asians. Lessons from Gulam is a detailed study of musical enculturation and education within this Muslim community. Gulam Musa comes from Gujarat (India), and is a member of the Khalita group whose traditional caste occupations include those of barber and musician. In Bradford he is a music teacher and singer of qawwali, a form of Muslim devotional music found in India and Pakistan and also a genre of media-disseminated popular music. He runs an amateur qawwali group (called Saz aur Awaz, `Music and Song'), usually training his accompanists, and also takes part in Asian music workshops in the schools of Bradford. Lessons from Gulam explains several aspects of Asian music, especially drumming, and contrasts musical education in the school with what goes on in people's homes. It has long shots of musical performance, filmed and edited in the observational style, presented as the narrative of a visit to Bradford, and shows the film-maker getting his own lessons from Gulam. The film-maker is an ethnomusicologist and his musical knowledge is revealed in the detail and attention paid to the specifics of this Indian music style. Such insight is rare in ethnographic films and makes this film particularly valuable for music teachers and for teachers at both the school and university level who wish to expose students to the multi-cultural elements of music in Britain today. John Baily made this film at the National Film and Television School during his training as an ethnographic film-maker under the scheme organised by the Royal Anthropological Institute and the National Film and Television School and funded by the Leverhulme Trust.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 9
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (109 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Islamic shrines ; Music ; Herat (Afghanistan : Province) Social life and customs. ; Herat (Afghanistan) ; France ; Nonfiction films.
    Abstract: Three films, directed by John Baily, about culture in Herat.
    Description / Table of Contents: I. The city of Herat -- II. The annual cycle of music in Herat -- III. The shrines of Herat.
    Note: Field recordings made on 8 mm. film by John Baily between 1973 and 1977. , Title from original cassette label. , Previously released as DVD. , This edition in English.
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