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  • FID-SKA-Lizenzen  (7)
  • French  (4)
  • Sino-Tibetan (Other)  (3)
  • Bhutan  (6)
  • Buddhism  (1)
Material
Language
Years
  • 1
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: Hindi , Sino-Tibetan (Other)
    Pages: 1 online resource (49 minutes) , 004803
    Keywords: Buddhist monks ; Rain and rainfall ; Sikkim (India) ; Bhutan ; Ethnographic films. ; Documentary films.
    Abstract: Dorji Bhutia, a Buddhist monk and a reputed mask-maker with supernatural powers of bringing or stopping rain chose a self-determined death at the age of eighty-six. Dorji leaves his mystic image behind but not the mantras to control rain. His son, Duduk, a mask-maker and a compulsive lottery player believes that Sonam, his ten-year-old-son will get the power by the time he grows up. Sonam himself also aspires for this. Set in Sikkim in the eastern Himalayas of India, shot over nine years, Rain in the Mirror follows Sonam's journey to manhood through the conflicting milieus of tradition and modernity.
    Note: Title from resource description page (viewed June 24, 2016). , In Hindi and Bhutia with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (75 min.). , 011441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Healing. ; Lepcha (South Asian people) ; Lepcha (South Asian people) Rites and ceremonies. ; Shamans ; Bhutan ; Nonfiction films.
    Abstract: The film is an intimate portrait of Merayk, an 80 years old Lepcha shaman or Padim. Merayk lives with his family in Dzongu, a Lepcha reserve in North Sikkim. He performs healing rituals for individuals as well as rituals for the well-being of the household, the clan and his village community. Cameraman Dawa Lepcha followed Meyrak and recorded his daily life and rituals between 2003 and 2007.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Lepcha with English subtitles.
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  • 3
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (54 minutes) , 005317
    Keywords: Industrial buildings ; Industrial buildings Maintenance and repair ; Art ; Bhutan ; Documentary films.
    Abstract: Five years ago, one of the oldest industrial buildings of Charleroi- 'les Forges de la Providence'- was saved from demolition being brought by two citizens: Thierry Camuy and Mika Hell. Together with some close friends and artists, they turned it into a place of alternative creation which became a symbol of renaissance and image rehabilitation for the whole region.
    Note: Title from resource description page (viewed June 24, 2016). , In French with English subtitles.
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  • 4
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (71 min.). , 011103
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Animism ; Akan (African people) Rites and ceremonies. ; Côte d'Ivoire Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In the 21st century, many ancestral beliefs are struggling to survive in a hostile, fast-changing world. In southeast Côte d'Ivoire, some Akan communities still make contact with the spirits through Komians or animistic priests who go into a trance and are possessed by the spirits of the Forest and the Waters. In Return to the Land of Souls, Yéo Douley, a disciple of Jean Marie Addiaffi, will set out on a journey to visit his master's grave and carry out a ritual libation. On his travel, he will attend the initiation rites of three people chosen by the spirits and witness one of them proclaimed as the new Komian, or high animistic priest.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Cote d'Ivore in 2010. , Previously released as DVD. , This edition in French with English subtitles.
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  • 5
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Bislama
    Pages: 1 online resource (60 minutes) , 005923
    Parallel Title: Original version:
    Keywords: Francois, Alexandre. ; Stern, Monica. ; Ethnologists ; Vanuatu Social life and customs. ; Bhutan ; Ethnographic films. ; Documentary films.
    Abstract: For the first time in many years, on the little island of Motalava in Vanuatu, a new song will be composed in the island's ancestors' language, the language of god Quat, and become part of the island's repertoire. The Poet's Salary tells of the daily life of ethnographers while doing fieldwork, through a vivid and colourful account of the mutual exchanges between the people of Motalava and ethnolinguist Alexandre Francois and ethnomusicologist Monika Stern.
    Note: Title from resource description page (viewed June 24, 2016). , In French, Mwotlap, and Bislama, with subtitles in English.
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  • 6
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (50 min.). , 005022
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Buddhism ; Cham (Dance) ; Documentary films. ; Lepcha (South Asian people) Religion. ; Religious dance ; South Africa ; Nonfiction films.
    Abstract: Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosophical meanings. The dances were beautifully filmed by Dawa Tsering Lepcha in his own village monastery in the Lepcha reserve of Dzongu, North Sikkim. In the course of this village event, the deities who emerge in the period between death and rebirth make their rhythmic appearances followed by the Lord of Death who judges one's good and bad deeds in the after life. This film is the second produced by the Namgyal Institute of Tibetology as part of its visual anthropology project. This training program for indigenous filmmakers aims to produce a documented video record of Sikkim's vanishing indigenous and Buddhist cultures. Its primary purpose is to record and preserve the meaning and proper performance of Sikkim's rituals within their social and economic context.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Lepcha with English subtitles.
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  • 7
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Arabic
    Pages: 1 online resource (30 minutes) , 002957
    Keywords: Hijab (Islamic clothing) ; Muslim women Clothing ; Muslim women ; Yemen Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In Yemen, the land of Queen Saba, a wide variety of veils can be found. In the capital Sanaa, the women, although at first sight appearing to all be wearing but black, distinguish themselves one from the other through this diversity. Each veil not only carries its own symbolism, but the variety of ways of wearing each becomes a form of expression. It becomes a game of what one hides and what one unveils. Approaching the veil from a fashion standpoint, this film offers a different perspective on this highly and debated topic.
    Note: Title from resource description page (viewed June 24, 2016). , In French and Arabic with English subtitles.
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