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  • FID-SKA-Lizenzen  (6)
  • French  (3)
  • Hindi  (2)
  • Sino-Tibetan (Other)  (1)
  • Watertown, MA :Documentary Educational Resources (DER),  (6)
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  • FID-SKA-Lizenzen  (6)
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Language
Years
  • 1
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (30 min.). , 003027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Lisu (Southeast Asian people) ; Lisu (Southeast Asian people) Social life and customs. ; Lisu (Southeast Asian people) Music. ; Folk musicians. ; Folk musicians ; Folk music. ; Folk music ; China ; France ; Documentary films.
    Abstract: Treasure of the Lisu takes us into the world of Ah-Cheng, a master musician and tradition bearer of the Lisu minority people in southwest China. Originating in eastern Tibet, the Lisu people now live among the mountainous Nu (Salween) River canyon, an area caught between the ancient and the modern world. As a skilled craftsman, Ah-Cheng is the only person in his village who can still make the Chiben, an emblematic four-string lute, which alongside the knife and the crossbow, are the three most important objects to the Lisu People. The British Protestants brought Christianity to the Lisu at the beginning of the 1900s. The Chiben, used widely in traditional religious gatherings, was considered a threat to the newly introduced religion and as a result, was banned from the church system. The Communist revolution from 1967 brought an end to the missionary work. When China exited the repressive cultural revolution era in 1980, Christianity, which had always been practiced by many Lisu people in secrecy, returned to the public and spread even further. As China develops further into the modern world, TV, cell phones, and new ideologies gradually penetrate into the idyllic lives of these mountain people. Being one of the last remaining tradition bearers of the Lisu people in his village, Ah-Cheng holds a vital role in the survival of his ethnic culture. Even though he is illiterate, he is able to keep a clear mind regarding what is important to Lisu cultural identity. Practicing all the essential traditions of the Lisus while still accepting Christianity, Ah-Cheng embodies the human capacity to embrace differences in the face of changes. Through intimate access to the daily life of three generations of Lisu people in Ah-Cheng's family, this documentary shows, with heart-felt compassion and humor, the effect of modernization and its implication on ethnic traditions. Treasure of the Lisu, observational in style with no scripted narration, paints an intimate portrait of one family of an ethnic minority living in modern day China. It presents a world rarely seen by Westerners, a world that seems so faraway yet we will find the unexpected similarities striking. Inspiring a deeper observation, the film provokes viewers to contemplate the value of simple living and traditions that are worth preserving.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2010 in Nu (Salween) River Canyon, Yunnan Province, China. , Previously released as DVD. , This edition in Lisu with English subtitles.
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  • 2
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Hindi
    Pages: 1 online resource (66 min.). , 010624
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Pandi (Hindu deity) Cult. ; Hinduism Rituals. ; Hinduism Customs and practices. ; Spiritual life Hinduism. ; Madurai (India) Social life and customs. ; Bhutan ; Documentary films.
    Abstract: The Poojari's Daughter opens with flashbacks of the South Indian priestess Rajathiammal 'cutting the goat' and ritually having her head tonsured. The year is 2001; the place Madurai, Tamilnadu. Both these moments fulfill the priestess' deepest desires to have herself filmed performing the annual goat sacrifice to the Saivite God Paandi that her famous priest father once carried out, and to renounce her family life altogether.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Madurai, Tamil Nadu in 2001. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 3
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (71 min.). , 011103
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Animism ; Akan (African people) Rites and ceremonies. ; Côte d'Ivoire Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In the 21st century, many ancestral beliefs are struggling to survive in a hostile, fast-changing world. In southeast Côte d'Ivoire, some Akan communities still make contact with the spirits through Komians or animistic priests who go into a trance and are possessed by the spirits of the Forest and the Waters. In Return to the Land of Souls, Yéo Douley, a disciple of Jean Marie Addiaffi, will set out on a journey to visit his master's grave and carry out a ritual libation. On his travel, he will attend the initiation rites of three people chosen by the spirits and witness one of them proclaimed as the new Komian, or high animistic priest.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Cote d'Ivore in 2010. , Previously released as DVD. , This edition in French with English subtitles.
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  • 4
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Hindi
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Water-supply ; Water-supply Economic aspects ; Water-supply Government policy ; Water rights ; Water ; Water Social aspects ; Bhutan ; Documentary films.
    Abstract: In India water has a deep spiritual and functional significance. The Rising Wave explores both these aspects; worshipped as a sacred common while also being essential for generating livelihood. The film eloquently presents a culture built on water being shared, used and managed in ways unchanged for centuries. Richly filmed in three different states of India, The Rising Wave uncovers groups that have been dependant on their local natural water resource for generations as they fish and farm for livelihood. In the rapidly transforming economy of India, corporations now lay claim to control and determine access to this natural resource. A contrasting picture emerges; a contrast between the two divergent views of water; water as a billion dollar industry against water as a sacred natural gift for all humankind. This spells conflict for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 5
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (76 min.). , 011613
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Brass bands ; Popular music ; Music ; Jacqueville (Côte d'Ivoire) Music. ; France ; Documentary films.
    Abstract: This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tunes from the famous Mapuka dance, or the experimental use of sacred drums together with the brass band. A lively debate between the musicians, in which a sense of humor is clearly present, as they examine fundamental questions about their tradition and its transformations in the context of the life of people today. This film was shot in July and August 2002, a few weeks before the outbreak of civil war in the Côte d'Ivoire.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Jacqueville, Côte d'Ivore. , Previously released as DVD. , This edition in French with English subtitles.
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  • 6
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (176 min.). , 025601
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Areare (Solomon Islands people) Songs and music. ; Panpipes ; Panpipes Construction ; Musical instruments ; Musical instruments Construction ; Folk songs, Areare ; Panpipes ensembles. ; Music ; France ; Documentary films.
    Abstract: Part 1: A fascinating documentation of the traditional musical culture of the 'Are'are people of the Solomon Islands, in the South-Western Pacific. The three LP records published after a first one-year field-research in 1969-70 were a phenomenal surprise (Garfias) as they revealed a completely unknown music (outside of the Solomon Islands) of an exceptional beauty and complexity in its instrumental and vocal polyphonies. It seemed to the researcher an absolute necessity to document visually what had been published on sound recordings, showing in detail all the playing techniques, body movements of performers, and spatial coordination of music ensembles and dancers. The documentary consists of a comprehensive inventory of all the twenty musical genres of the 'Are'are people and is structured according to native classification, along with explanations by master musician 'Irisipau.
    Abstract: Parts 2 & 3: For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is bamboo ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale—seven equidistant degrees in an octave—are practically tuned.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1979 in Solomon Islands. , Previously released as DVD. , This edition in French with English subtitles.
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