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  • FID-SKA-Lizenzen  (4)
  • Multiple languages  (3)
  • Cushitic (Other)  (1)
  • France  (3)
  • Ethnology  (1)
  • Nomads
  • 1
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Multiple languages
    Pages: 1 online resource (40 min.). , 004002
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tourette syndrome Case studies. ; Mental illness ; Mental illness. ; Mentally ill Case studies. ; Mentally ill. ; Tourette syndrome. ; Indonesia. ; France ; Documentary films.
    Abstract: The Bird Dancer explores a young woman's struggle with her odd movements and behaviors, and how these are interpreted and understood by her family and community. The film follows the life of Gusti Ayu Suartini, a young Balinese woman with Tourette's Syndrome, as she struggles to create a life for herself while coping with a society who doesn't understand her disease, doctors with no cures, and a family that rejects her. Inexplicable to her community in rural Bali, Gusti's severe tics elicited grave concern from herself and her family, significantly affecting both the daily and the long-term course of her life.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2010 in Bali. , Previously released as DVD. , This edition in English, Balinese and Indonesian with English subtitles.
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  • 2
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Multiple languages
    Pages: 1 online resource (52 min.). , 005144
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Patriarchy. ; Families ; Patriarchy Religious aspects. ; Bororo (African people) Social life and customs. ; Women Social conditions ; Muslims Biography. ; Bamunka (Cameroon) Social life and customs. ; Bamunka (Cameroon) Religious life and customs. ; France ; Documentary films.
    Abstract: The Al-Hadji and His Wives is a film portrait of a Mbororo Fulani patriarch, Al-Hadji Isa, his savvy wives, and their rebellious daughters. The documentary provides a glimpse into their everyday lives, religious and moral practices, as well as the political opinions the Al-Hadji has to offer from his particular corner of the world.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2006 in Cameroon. , Previously released as DVD. , This edition in English, Bamunka and Northwest Cameroon with English subtitles.
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  • 3
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Multiple languages
    Pages: 1 online resource (40 min.). , 003930
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnomusicology. ; Sound recordings in ethnomusicology. ; France ; Documentary films.
    Abstract: In the practice of overtone singing (called also bi-phonic singing), whose best known examples can be found in Mongolia and with the Tuva people of Southern Siberia, a single person sings what the audience perceives as two voices at the same time a low pitch with his vocal cords, and in addition, a high-pitched melody using harmonics (overtones) selected by modifying the volume of the mouth cavity. This documentary is not an ethnography filmed in location. It is partly an illustration of the results of former research, partly the very actual investigation on overtone singing carried out in Paris, in the Ethnomusicology Department of the Musée de l'Homme, during a workshop, during a concert of the Mongolian National Ensemble, and in the medical visualization department of a hospital. The central figure is Tran Quang Hai, a well-known musician specialized in Vietnamese music, a performer and researcher in overtone singing, who is there working with the filmmaker in the same research group. The initial idea was to explore new technologies allowing the visualization of music structure and performance. The film shows for the first time in real time and with synchronous sound how biphonic singing operates from the physiological as well as the acoustical point of view. While shooting the x-ray pictures of tongue movements and the spectral views of overtones, the filmmaker and his collaborators discovered for the first time — like the viewer of the film — how this unique vocal technique operates.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Paris in 1989. , Previously released as DVD. , This edition in Mongolian, French and English with English subtitles.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Cushitic (Other)
    Pages: 1 online resource (54 min.). , 005352
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Camels. ; Nomads ; Rendille (African people) Social life and customs. ; Ethnology ; North America ; Documentary films.
    Abstract: The Rendille are camel herders who live in villages and camps dotted over 10,000 square miles of desert and scrub bush in Northern Kenya. As the terrain they occupy is so dry, the Rendille grow no crops and their cultural and economic life is centred on their animals. As with other pastoral peoples, the Rendille have to be sensitive to the ever-shifting relationship between humans, animals and 'natural' resources in order to maintain a suitable balance between them. Throughout the year the Rendille have to follow the grazing and rains, dividing their herds between camel camps and semi-permanent village settlements. Long-term planning and decision-making are therefore crucial and this film brings out the manner in which the elders make their decisions. Each man gives his opinion and is listened to attentively until eventually a consensus is reached. The role of the sexual division of labour and the age-set system is explained in commentary, interviews and visual sequences, in a way which allows the viewer insights in the various interacting levels of Rendille social structure. Sequences detailing the ritual activities surrounding the naapo ceremony (which marks a young man's transition to elderhood) are given towards the end of the film, after explanation of the fact that young men have to live in camel camps for about 14 years, while girls look after sheep and goats living in settlements with women and elders. In this way the building of symbolic villages by moran, each man making his own 'home' with stones representative of wife and children before sacrificing a goat, is denied status as exotic spectacle the subtitled comments of the naapo participants convey their feelings of embarrassment and uncertainty about the ritual procedure and allow a visual statement to be made about the relationship of ritual to every-day life. The importance of the purely visual images in conveying a sense of vast desert space, of a daily life filled with the movement and sight of camels, sheep and goats, and of the social effects of village layout, is not to be underestimated. Although this colour film could be criticised for at times beautifying and softening the rough edges of pastoral life, its power as a statement of what it means to exist as a Rendille is very much a property of the camera work. The skilled usage of cinema verite techniques, combined with full subtitling of interviews, gives to this film an integrity and sensitivity which serves to reinforce its concern for the Rendille and its anxiety that for the Kenyan authorities the Rendille are a problem and an embarrassment.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in Rendille and English with English subtitles.
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