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  • Ethn. Museum Berlin  (3)
  • 2010-2014  (3)
  • Lincoln [u.a.] : Univ. of Nebraska Press  (2)
  • Austin : University of Texas Press  (1)
  • USA  (3)
Datasource
Material
Language
Years
Year
Author, Corporation
Subjects(RVK)
  • 1
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292752979 , 9780292754430
    Language: English
    Pages: xii, 266 pages , ill , 24 cm
    Series Statement: The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere
    DDC: 707.5
    Keywords: Artists and museums ; Art museum curators ; Art museums and community ; Art and society History 21st century ; USA ; Mexiko ; Grenzgebiet ; Aktionskunst ; Politische Kunst
    Note: Includes bibliographical references (p. 244-251) and index
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Lincoln [u.a.] : Univ. of Nebraska Press
    ISBN: 9780803219274
    Language: English
    Pages: XXXIV, 242 S , Ill , 23 cm
    Series Statement: Indigenous films
    DDC: 791.43/72
    RVK:
    Keywords: Smoke signals (Motion picture) ; Indians in motion pictures ; Indigenous films ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; USA ; Indianerfilm ; Indianer ; Filmschaffender ; Smoke Signals
    Abstract: "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"--
    Abstract: "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Lincoln [u.a.] : Univ. of Nebraska Press
    ISBN: 9780803233645
    Language: English
    Pages: XV, 311 S. , Ill.
    DDC: 323.119707309045
    Keywords: Geschichte 1953-2006 ; Indianer ; Indians of North America Government relations 1934- ; Indian termination policy ; Indians of North America Cultural assimilation ; Indianer ; USA ; USA ; Indianer ; Geschichte 1953-2006
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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