Note: Includes passages in Sanskrit

Note: Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05) , Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

Note: Includes bibliographical references and index

Note: Obsahuje bibliografie, bibliografické odkazy a rejstřík , České a anglické resumé

Note: Collected essays , Joint ed , Includes bibliographical references and index , Zielgruppe: 5PBA, Bezug zu indigenen Völkern

Note: Enthält Verfasserverzeichnis, Seite 313-317 und Index, Seite 319-334

Note: Includes bibliographical references

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Bibliografie, Seite 195-203, Glossar, Seite 204-211 sowie Index, Seite 212-218

Note: Literaturangaben

Note: Literaturverzeichnis: Seite 163-170

Note: Contributed articles , Includes bibliographical references and index

Note: Catalogue published to coincide with the exhibition Takesada Matsutani Centre Pompidou, Galerie du Musée, 26 June-23 September 2019 , Text französisch und englisch

Note: Includes bibliographical references and index

Note: Mit Index

Note: Katalog einer Ausstellung im Latvian National Museum of Art, 7.7. - 30.9.2018 , Text lettisch und englisch

Note: Begleitband zu einer Ausstellung der Boghossian Foundation, die vom 15.11.2018 bis 3.2.2019 in der Villa Empain, Brüssel, gezeigt wurde , Beiträge in deutscher, niederländischer und englischer Sprache

Note: "This edited volume follows a panel, "Earth in Islamic Architecture", organised for the World Congress for Middle Eastern Studies (WOCMES), held in Ankara on 19 August 2014." (ungezählte Seite 1)

Note: Literaturverzeichnis Herbert Härtel: Seite XI-XXI

Note: Includes bibliographical references and index

Note: "The present book of essays is an outcome of a two day ICHR Seminar on Koils in the Vaigai and Tāmirapaṇi basins." , Enthält Bibliografie

Note: Katalog einer Ausstellung, die vom 5. - 30.12.2016 in der Galerie Akar Prakar, Kalkutta, gezeigt wurde

Note: Text spanisch und englisch

Note: Includes bibliographical references , Includes bibliographical references

Note: Includes bibliographical references , Includes passages in Sanskrit with English translation

Note: Includes bibliographical references and index , Introduction , Urban planning at Bundi: subterranean water structures , Jaigarh in amber: techniques of water harvesting , Ecomoral aesthetics at Mathura's Vishram Ghat: three ways of seeing a river , "waters should be made to flow ..." : Babur's obsession with running water , Barapula Nallah and its tributaries: watershed architecture in Sultanate and Mughali Delhi , Jaipur's waterscape : a cultural perspective , Jaina sites: water structures and symbolism , Water in South Indian temples: tirthas, tanks and vasanta-mandapas , Ellora-Khuldabad-Daulatabad: water and sacred spaces

Note: Includes bibliographical references (p. 261-275) and index

Note: Herausgebendes Organ - dem Impressum entnommen

Note: Beitr. ital., Zsfassungen engl , Beiträge in italienischer Sprache, Zusammenfassungen in englischer Sprache

Note: "Vol. 65, no. 3, March 2014"--Title page verso; simultaneously issued in serial format as an issue of Mārg

Note: Beitr. teilw. dt., teilw. engl

Note: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Note: Literaturverz. S. 460 - 465

Note: Includes bibliographical references (pages 995-1045) and index , Introduction :The idea of northwest coast native art , Interpreting cultural symbols of the People from the Shore , Ḥilth Hiitinkis : from the beach , From explorers to ethnographers, 1770-1870 , Thresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art , Objects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 , "That which was most important" : Louis Shotridge on Crest art and clan history , Anthropology of art : shifting paradigms and practices, 1870s-1950 , Going by the book : missionary perspectives , The dark years , Surrealists and the New York avant-garde, 1920-60 , Northwest Coast art and Canadian national identity, 1900-50 , Art/craft in the early twentieth century , Welfare politics, late salvage, and indigenous (in)visibility, 1930-60 , Form first, function follows : the use of formal analysis in Northwest Coast art history , Democratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption , History and critique of the "renaissance" discourse , Starting from the beginning , Shifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era , Value added : the Northwest Coast art market since 1965 , "Where mere words failed" : Northwest Coast art and law , Art for whose sake? , "Fighting with property" : the double-edged character of ownership , Museums and Northwest Coast art , Collaborations : a historical perspective , Pushing boundaries, defying categories : Aboriginal media production on the Northwest Coast , Art claims in the age of Delgamuukw , Stop listening to our ancestors , NWC on the up- load : surfing for Northwest Coast art , The material and the immaterial across borders

Note: The genealogy of the politics of the body in contemporary Chinese culture , Fragments of the body in Chinese contemporary art , The politics and poetics of the body , A talk with Xiang Jing , Portrayal, definition and reconstruction of "the body" in contemporary Chinese photography , Caught in art's haze , Physical odyssey , The physical body on the grass stage , Physical rebels , Female memory begins with the body , Theatre : memory in progress , The body as strategy for action in the Taiwanese cultural field : three stages of practice and progress, from martial law, abrogation, to the post martial law period , Edges of the modernist framework and beyond : the lifework of Hsieh Tehching, Hsieh Ying-Chun, Wu-Chong-Wei, Graffitist Huabng, Dino and Tsai-Show-Zoo , Picture essay , Twelve flower months , A talk with Jin Feng , Discussing the works of Xi Ya Die and Yan Xing , My art and the world , An interview , A concept of beauty

Note: Text span. u. engl.

Note: What every driver must know , Bifurcations of Iraq's visual culture , A barbarian in Rome: excerpts from a diary , Putting contemporary Iraqi art on the map: a conversation with Maysaloun Faraj , The assassination of Iraqi academic life: a personal testimony , My own private Munich , Hassan Abdulrazzak: a selection , Reframing Sunni and Shii discussions , Invisible mirror: aggression and the thumb-generation response , Iraq: a long phantasmagorical dream for those who are not part of the new capitalism or retired communism , Migratory sacred spaces: (re)creating ʻAshūrāʼ ; Dena Al-Adeeb ; Liberal mass media (mis)communication and Iraqi (dis)connections , Sophisticated ways: destruction of an ancient city , My trips to the unknown , A tale of two exiles , 1001 nights , Arab-Jews, diasporas, and multicultural feminism: a conversation with Ella Habiba Shohat , A film-training project for young Iraqis , Lyrical resistance: the example of Saadi Youssef , Larsa , Ur's echo: cosmopolitans and radical loss , Identity of the numbers

Note: Introduction: the work of interviews , Talking to people about art , Ghostly stories: interviews with artists in Dakar and the productive space around absence , Can the artist speak?: Hamid Kachmar's subversive redemptive art of resistance , Photography, narrative inventions, and (cross) cultural representations , Narrating the artist: Seyni Camara and the multiple constructions of the artistic persona , Interview: Akinbode Akinbiyi , Interweaving narratives of art and activism: Sandra Kriel's heroic women , Politics of narrative at the African burial ground in New York City: the final monument , Who owns the past?: constructing an art history of a Malian masquerade , Framing practices: artists' voices and the power of self-representation , Undisciplined knowledge

Note: Includes bibliographical references and index , Introduction : rethinking the workshop / Till Förster and Sidney Littlefield Kasfir , The contributions to this book / Sidney Littlefield Kasfir and Till Förster. Production, education, and learning. Grace Dieu Mission in South Africa : defining the modern art workshop in Africa / Elizabeth Morton , Follow the wood : carving and political cosmology in Oku, Cameroon / Nicolas Argenti , Masters, trend-makers, and producers : the village of Nsei, Cameroon, as a multisited pottery workshop / Silvia Forni , An artist's notes on the Triangle Workshops, Zambia and South Africa / Namubiru Rose Kirumira and Sidney Littlefield Kasfir. Audience and encounters. Stitched-up women, pinned-down men : gender politics in Weya and Mapula needlework, Zimbabwe and South Africa / Brenda Schmahmann , Rethinking Mbari Mbayo : Osogbo workshops in the 1960s, Nigeria / Chika Okeke-Agulu , Working on the small difference : notes on the making of sculpture in Tengenenge, Zimbabwe / Christine Scherer , Navigating Nairobi : artists in a workshop system, Kenya / Jessica Gerschultz. Patronage and domination. Lewanika's workshop and the vision of Lozi Arts, Zambia / Karen E. Milbourne , Artesãos da nossa pátria : Makonde blackwood sculptors, cooperatives, and the art of socialist revolution in postcolonial Mozambique / Alexander Bortolot , Frank McEwen and Joram Mariga : patron and artist in the Rhodesian workshop school setting, Zimbabwe / Elizabeth Morton , "A matter of must" : continuities and change in the Adugbologe woodcarving workshop in Abeokuta, Nigeria / Norma H. Wolff. Comparative aspects. Work and workshop : the iteration of style and genre in two workshop settings, Côte d'Ivoire and Cameroon / Till Förster , Apprentices and entrepreneurs : the workshop and style uniformity in Sub-Saharan Africa / Sidney Littlefield Kasfir. Coda : apprentices and entrepreneurs revisited : twenty years of workshop changes, 1987-2007 / Sidney Littlefield Kasfir.

Note: Preface / Maria-Katharina LangI. The collector and the collections / Maria-Katharina Lang , II. Mongolian Buddhism : identity, practice, and politics / Lhagvademchig Jadamba , III. Tsakli, thangkas, prints, amulets and manuscripts / Olaf Czaja , IV. Types of votive plaque (tshatsha) in the Leder collections / Béla Kelényi , V. A Maitreya (tshatsha) in the Leder collections / Béla Kelényi , VI. The Tsam figurines in Leder's collections : a reunion / Maria-Katharina Lang , VII. The Khüree-Tsam and its relations with the Tsam figures of the Leder collections / Krisztina Teleki , VIII. Cagān Öwgön : the White Old Man in the Leder collections : the textual and iconographic tradition of the cult of the White Old Man among the Mongols / Ágnes Birtalan , IX. The depictions of the Five Personal Protective Deities in the Leder collections / Béla Kelényi , X. Equestrian warrior deities in the Leder collections : some aspects of the Mongolian war god / Ágnes Birtalan , XI. Various depictions of Zanabazar / Maria-Katharina Lang , XII. Different types of prayer flag in the Leder collections / Béla Kelényi , XIII. The stronghold of good luck : a unique representation connecting to the cult of prayer flag / Béla Kelényi.

Note: Text span. und engl.

Note: Text in Deutsch u. Engl.

Note: Introduction / Venetia Porter and Mariam Rosser-Owen , The principle of parsimony and the problem and the 'Mosul School of Metalwork' / Julian Raby , Metalwork and fourteenth-century Persian painting : a footnote / Teresa Fitzherbert , The die-engraver of Balkh (290/902-302/914) / Luke Treadwell , The ugly ducking of Iranian metalwork? : initial remarks on Qajar copper and copper-alloy objects in the National Museums of Scotland / Ulrike al-Khamis and Katherine Eremin , Gilding, inlay and the mobility of metallurgy : a case of fraud in medieval Kashmir / Lorenz Korn , Persians abroad : the case of the Jami' Masjid of Gulbarga / Robert Hillenbrand , An extraordinary Mamluk casket in the Fitzwilliam Museum / Rachel Ward , A Mamluk tray and its journey to the V&A / Tim Stanley , Arabic titles, well-wishes and a female saint : a Mamluk basin in the Rijksmuseum, Amsterdam / Luitgard Mols , A bronze tambourine player / Doris Behrens-Abouseif , The Fatimid bronze hoard of Tiberias / Elias Khamis , A group of round boxes from the metal hoard found in Caesarea / Ayala Lester , Islamic Embroideries from Egypt : shifts in taste, change in status / Ruth Barnes , Metalwork in Damascus at the end of the Ottoman period : an analysis of the Qāmūs al-Sinā'āt al-Shāmiyya / Marcus Milwright , A bronze pillar lampstand from Petralia Sottana, Sicily / Jeremy Johns , The metal mounts on Andalusi ivories : initial observations / Miriam Rosser-Owen , The marble spolia from the Badi' Palace in Marrakesh / Nadia Erzini and Stephen Vernoit , Glaze-decorated unglazed wares / Olivia Watson , Pearl cups like the moon : the Abbasid Reception of Chinese ceramics and the Belitung shipwreck / Jessica Hallett , Branding 'tradition' in contemporary tin-glaze pottery from Puebla / Farzaneh Pirouz-Moussavi , The lion, the hare and lustreware / Fahmida Suleman , Said el Sadr (1909-86) and Fatimid lustreware : a succession / Alan Caiger-Smith , Potter's trail : an Abu Zayd Ewer in the Saint Louis Art Musuem / Oya Pancaroğlu , From the workshops of New Julfa to the court of Tsar Aleksei Mikhailovich : an initial look at Armenian networks and the mobility of visual culture / Amy S. Landau , Modern palimpsests : what defines a fake? / Emilie Savage-Smith , 'Neo-calligraphism' and its different varieties in modern and contemporary Iranian art / Hamid Keshmirshekan , Meem 1958, by Siah Armajani / Venetia Porter

Note: Formerly CIP Uk. - Includes bibliographical references and index

Note: Met index, lit. opg

Note: Text dt. u. engl , Textbeitr. dt. u. engl.

Note: 10stellige ISBN aus Datenübernahme

Note: Text engl. und franz.

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index , Introduction: Indigenous visualities ; pt. 1. Indigenous film practices ; Visual prophecies : Imprint and It starts with a whisper , Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals , Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing , Elusive identities : representations of Native Latin America in the contemporary film industry , Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) , Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view , pt. 2. Contemporary American Indian art ; Indigenous semiotics and shared modernity , Seeing memory, storying memory : Printup Hope, Rickard, Gansworth , Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects , Text-messaging prayers : George Longfish and his art of communication

Note: Introduction , Re-iconizing artifacts : using the curriculum to recontextualize Asian art , Making sense of material culture : multidisciplinary approaches to collection items , The arts of South Asia , Tibetan art , Chinese painting , Craftsmanship in Japanese arts , Japanese prints , Are there decorative arts in Asia? , Appendix. The ASIANetwork/Luce Asian Arts Consultancy Project.

Note: Includes bibliographical references and index

Note: Published in association with The Phillips Collection Center for the Study of Modern Art. - Includes bibliographical references and index

Note: Maps on lining papers

Note: Formerly CIP Uk. - Includes bibliographical references and index. - Foreword / by Rachel Weiss -- Pt. I. On and against translation. Introduction. Contemporary colonial art (1969) -- The sixties (1998) -- Exile (1983) -- Political pop (1998) -- Access to the mainstream (1987) -- Wonder bread and Spanglish art (1989) -- Cultural identities before and after the exit of Bureau-Communism (1991) -- Art and politics : the aesthetics of resistance (1994) -- The artist's role and image in Latin America (2004) -- Out of geography and into the Moiré pattern (1996) -- The reconstruction of Salami (2003) -- Printmaking : a colony of the arts (1999) -- My museums (1995) -- The forgotten individual (1996) -- Free-trade diaspora (2003) -- Pt. II. Other histories. Introduction. Pedro Figari (1991) -- Resoftenings and softenings in Uruguayan art (1991) -- An ode to aquatint (2003) -- Revisiting tautology (2006) -- The Museo Latinoamericano and MICLA (1992) -- Flying in weightlessness (2004) -- Brazil in New York (2001) -- The keeper of the lens (2005) -- The two versions of Santa Anna's leg and the ethics of public art (1995) -- The Biennial of Utopias (1999) -- Introduction to the symposium "Art as education/Education as art" (2007) -- Index , Foreword , Pt. I. On and against translation. Introduction. Contemporary colonial art (1969) ; The sixties (1998) ; Exile (1983) ; Political pop (1998) ; Access to the mainstream (1987) ; Wonder bread and Spanglish art (1989) ; Cultural identities before and after the exit of Bureau-Communism (1991) ; Art and politics : the aesthetics of resistance (1994) ; The artist's role and image in Latin America (2004) ; Out of geography and into the Moiré pattern (1996) ; The reconstruction of Salami (2003) ; Printmaking : a colony of the arts (1999) ; My museums (1995) ; The forgotten individual (1996) ; Free-trade diaspora (2003) ; Pt. II. Other histories. Introduction. Pedro Figari (1991) ; Resoftenings and softenings in Uruguayan art (1991) ; An ode to aquatint (2003) ; Revisiting tautology (2006) ; The Museo Latinoamericano and MICLA (1992) ; Flying in weightlessness (2004) ; Brazil in New York (2001) ; The keeper of the lens (2005) ; The two versions of Santa Anna's leg and the ethics of public art (1995) ; The Biennial of Utopias (1999) ; Introduction to the symposium "Art as education/Education as art" (2007) ; Index.

Note: Text deutsch und englisch

Note: Expansion and revision of the author's thesis (doctoral)--Columbia University, 2001. -- Portions previously published in various sources. , Includes bibliographical references and index

Note: Literaturverz. S. 214 - 217

Note: Mit Literaturverzeichnis (S. [267] - 285) und Index

Note: Catalog of an exhibition held at the Honolulu Academy of Arts, Hawaii, in 2008 , Includes bibliographical references (p. 382-385) and index , DVD-Video u.d.T.: Cham lineages of Bhutan

Note: Includes bibliographical references (p. [321]-351) and index