Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Language: Undetermined , Undetermined
    Pages: 951MB, 00:00:03:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1987)
    Keywords: jewelry ; handicraft ; clothing ; material culture ; Schmuck ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; jewellery / production ; Kleidung ; Eipo ; weaving ; Weben ; economy ; Schmuck / Herstellen ; Perlenband ; ribbon of beads ; accessories ; Encyclopaedia Cinematographica ; Stirnbinde ; plait weaving ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Australien/Ozeanien ; Textilproduktion ; Irian Jaya (Indonesien) ; Irian Jaya (Indonesia) ; headband ; Handwerk ; Australia/Oceania ; Kettenstoffbildung ; ethnology/cultural anthropology ; textile production ; Halbweberei ; forehead band ; Eipo
    Abstract: Salap, ein Mann aus Malingdam/Imarin, spannt Kettfäden über ein Holzgerät und beginnt zu weben, indem er jedes zweite Fach von Hand öffnet. Die jeweils darauffolgenden Fächer werden durch Einschieben eines Trennstabes in die Kette automatisch vorgebildet. Auf den Arbeitsfaden werden weiße Glasperlen aufgezogen. Dieser wird durch das geöffnete Fach geschoben und zwischen den Kettfäden geordnet. Nach Fertigstellung bindet sich Salap die Stirnbinde um.
    Abstract: Salap, a man from Malingdam/Imarin village, demonstrates the making of a head-band in plait weaving technique. He stretches the warp over a wooden frame and starts weaving, opening every alternate shed by hand. The counter sheds are formed automatically by insertion of a separating stick. Assisted by another man and by boys, Salap strings white glass beads on the working thread, passes it through the open shed and arranges the glass beads between the different warp threads. The result is a woven band with a design of glass beads. Salap works in company with other men engaged in other things. Head-bands of this kind are worn by men as festive ornament.
    Note: Audiovisuelles Material
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Language: Undetermined , Undetermined
    Pages: 822MB, 00:16:43:16 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1987)
    Keywords: Baden-Württemberg ; arts (ethnology) ; Europe ; handicraft ; Germany ; Baden ; art ; Kulturwissenschaften ; Kunsthandwerk ; clockface ; Künste (Ethnologie) ; colour ; Kunst ; Uhrenschilder ; Encyclopaedia Cinematographica ; Europa ; Deutschland ; Malen ; cultural studies ; Ethnologie/Kulturanthropologie ; Malen, Malerei ; dye ; painting ; painting (ethnology) ; Baden-Württemberg ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Baden
    Abstract: Der Uhrenschildmaler Karl Straub (geb. 1892) stellt ein Uhrenschild mit dem traditionellen Rosenmuster im Bogenfeld her: Eine Sperrholzplatte wird weiß grundiert, mit Hilfe einer Pappschablone mit schwarzem Zifferblatt versehen und aus freier Hand mit farbigen Blumenmotiven bemalt.
    Abstract: Karl Straub (born 1892) is one of the last painters of clockfaces in the Black Forest. The film shows him during his work, in this way it is possible to duplicate the completion of a clockface. In the beginning the panel gets its priming, then the dail is formed and following the empty spaces are decorated. Typical for clocks from the region around Furtwangen is the rose in the arc, for which decoration Karl Straub devotes most of his attention. Apart from the painting the film also imparts how the paint is used and which tools the painter needs.
    Note: Audiovisuelles Material
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...