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  • FID-SKA-Lizenzen  (4)
  • IWF
  • Indonesian  (2)
  • Malay  (2)
  • 1995-1999  (4)
  • 1
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Malay
    Pages: 1 online resource (92 min.). , 013141
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; North America ; Feature films.
    Abstract: Based on the novel, Juara, by S. Othman Kelantan, Mamat, a Malaysian, works in Southern Thailand as a trainer in bullfighting (a jogho). In this small village, the winnings from the gambling during bull-fights, maintains the village economy. But when a village leader is killed during a bull-fight, Mamat has to uphold the village's honour by taking revenge. But a cycle of violence soon follows. U-Wei bin Haji Saari is the key Malaysian filmmaker preceding the rise of the Malaysian New Wave in 2000. His seminal work was his feature debut, Woman, Wife and Whore (1993). In 1995, his third feature, The Arsonist (1994), became the first Malaysian film to be selected in Cannes. The Champion (Jogho) is his fourth work and his latest feature, Hanyut (2011), based on Joseph Conrad's Almayer's Folly will be released in 2011.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand. , Previously released as DVD. , This edition in Malay with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Indonesian
    Pages: 1 online resource (31 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Ireland ; Nonfiction films.
    Abstract: Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these 'tayuban' unacceptable as national culture, but the dancing is a gift to the protective spirit in exchange for well-being, and represents community identity.
    Note: Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 3
    Online Resource
    Online Resource
    Indonesia :Set Film Workshop,
    Language: Indonesian
    Pages: 1 online resource (123 min.). , 020317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Motion pictures, Indonesian. ; Ireland ; Feature films.
    Abstract: Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard throughout. It is an intensely emotional meditation upon the relationship between the generations and the role of music in the search for recovery from a traumatic past and for identity in an uncertain present. Director Garin Nugroho, who has described himself as 'a Javanese living amidst multiculturalism,' and who celebrates Indonesian cultural diversity in such films as A Poet, here explores Javanese culture. He sees this film as 'encompassing at the same time refinement and cruelty, softness and tyranny, and a beauty based on feudalism.' Awards/Festivals: Best Director Award, Nantes International Film Festival. Special Jury Prize at the Nantes Three Continent Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 4
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Malay
    Pages: 1 online resource (67 min.). , 010701
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Ireland ; Feature films.
    Abstract: U-Wei Bin Haji Saari based The Arsonist (1995) on William Faulkner's short story Barn Burning, transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaysia. , Previously released as DVD. , This edition in Malay with English subtitles.
    Library Location Call Number Volume/Issue/Year Availability
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