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  • Bayreuth UB  (8)
  • New York, NY : Oxford University Press  (3)
  • Oxford : Oxford University Press  (3)
  • Chicago : University of Chicago Press
  • Urbana [u.a.] : Univ. of Illinois Press
  • Gesellschaft  (8)
  • Musicology  (8)
Datasource
Material
Language
Years
Subjects(RVK)
  • 1
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190467845
    Language: English
    Pages: 1 Online-Ressource (xiv, 263 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
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    Keywords: Geschichte 1945-2010 ; Popular music / Political aspects / Albania ; Music and state ; Popular music / Albania / History and criticism ; Musikpolitik ; Entwicklung ; Gesellschaft ; Soziologie ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Abstract: In 'Audible States', Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music as it has long been broadcast at an annual song competition, Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over 40 interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society and a major concern for both state-socialist and post-socialist regimes between 1945 and the present
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
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    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.6
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    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Nachhaltigkeit ; Musikethnologie ; Weltmusik ; Musikleben ; Tradition ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    Abstract: The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding,' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
    Abstract: Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music & Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
    Note: Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190230944
    Language: English
    Pages: 1 Online-Ressource (XVI, 369 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 201/.678165
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    Keywords: Geschichte ; Gesellschaft ; Musik ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; Religion ; Jazz ; USA ; USA ; USA ; Jazz ; Religion ; Geschichte
    Abstract: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 Online-Ressource (xviii, 197 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.33097471
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    Keywords: Geschichte 1900-2000 ; Einwanderer ; Geschichte ; Gesellschaft ; Ballroom dancing / New York (State) / New York / History / 20th century ; Dance / New York (State) / New York / History / 20th century ; Dance / Social aspects / New York (State) / New York / History / 20th century ; Jazz / New York (State) / New York / 1921-1930 / History and criticism ; Music and race / New York (State) / New York / History / 20th century ; Immigrants / New York (State) / New York / History / 20th century ; Racism / United States / History / 20th century ; Ragtime ; Ethnische Beziehungen ; Einwanderung ; Jazz ; Tanz ; USA ; New York (N.Y.) / Race relations / History / 20th century ; New York, NY ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Book
    Book
    Urbana [u.a.] : Univ. of Illinois Press
    ISBN: 0252029151
    Language: English
    Pages: X, 192 S. , Ill.
    Series Statement: Music in American life
    DDC: 782.421643/092
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    Keywords: Johnson, Robert 〈m. 1938〉 - Critique et interprétation ; Johnson, Robert 〈d. 1938〉 Criticism and interpretation ; Johnson, Robert ; Blues - Aspect social - États-Unis ; Blues - États-Unis - Histoire et critique ; Gesellschaft ; Blues (Music) History and criticism ; Blues (Music) Social aspects ; Johnson, Robert 1911-1938
    Note: Includes bibliographical references (p. ) and index
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  • 8
    ISBN: 0226136116 , 0226136124 , 9780226136127
    Language: English
    Pages: XIII, 273 S. , Ill., Kt., Notenbeisp. , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 782.42163/092
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    Keywords: Umm Kulthūm / 1898-1975 ; Umm Kulthūm / 1898?-1975 ; Umm Kulthūm 〈1898-1975〉 ; Umm Kulthūm 〈1898?-1975〉 ; Umm Kulthūm 〈1898-1975〉 ; Umm-Kulṯūm ; Geschichte 1900-1975 ; Singers / Egypt / Biography ; Songs, Arabic / Egypt / History and criticism ; Popular music / Egypt / History and criticism ; Music / Social aspects / Egypt ; Arabisch ; Chansons arabes (arabe égyptien) - Histoire et critique ; Chanteuses - Égypte - Biographies ; Liederen ; Musique - Aspect social - Égypte ; Musique populaire - Égypte - Histoire et critique ; Zangers ; Gesellschaft ; Musik ; Music Social aspects ; Popular music History and criticism ; Singers Biography ; Songs, Arabic History and criticism ; Gesellschaft ; Unterhaltungsmusik ; Musikleben ; Egypte ; Ägypten ; Biografie ; Biografie ; Biografie ; Bibliografie ; Umm-Kulṯūm 1898-1975 ; Ägypten ; Gesellschaft ; Musikleben ; Unterhaltungsmusik ; Geschichte 1900-1975
    Note: Includes bibliographical references (p. 251-261) and index , "The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʾid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʿa 'l-ʿAdawiyya" ; "A new stage" ; Collaboration with ʿAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
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