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  • MPI Ethno. Forsch.  (4)
  • Bayreuth UB  (2)
  • 2020-2024  (2)
  • 2010-2014  (3)
  • 1980-1984
  • Audiobooks
  • Film
  • Psychology  (4)
  • Philosophy  (1)
Datasource
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031263729
    Language: English
    Pages: 1 Online-Ressource(XVI, 327 p. 42 illus., 40 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Brylla, Catalin Documentary and stereotypes
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    Keywords: Documentary films. ; Motion pictures. ; Documentary films History and criticism ; Documentary films Social aspects ; Disabilities in motion pictures ; Dokumentarfilm ; Film
    Abstract: Part I Understanding Stereotypes.-1 Prologue -- 2 Why Do Stereotypes Exist? -- 3 Narrativising the Other -- Part II Analysing Stereotypes -- 4 Types of Others -- 5 The OIMDA Model -- 6 The OIMDA Model: Blindness Case Study -- Part III Reducing Stereotypes -- 7 Current Strategies -- 8 Perspective-Taking -- 9 Cross-Categorisation -- 10 Recategorisation -- 11 Decategorisation -- 12 Epilogue.
    Abstract: This book studies how documentaries, and factual media in general, can contribute to the reduction of social stigma and prejudice. It adopts models from social psychology, media studies and cultural studies and is intended for scholars and media makers who aim to increase social inclusion and diversity by deconstructing harmful boundaries between social groups. Such boundaries may be based on the stereotyping of ethnicity, culture, age, dis/ability, gender and sexual orientation, for example. The first part of the book outlines the functionality of stereotypes as essential processes for social cognition both in real life and during documentary viewing. The second part establishes a classification system for stigmatising media stereotypes and formulates a methodology based on critical discourse analysis to analyse them in narrative and audio-visual representations. The third and final part of the book conceptualises a set of methodologies to reduce stigmatising stereotypes. These methodologies are based on 1) representations that prompt perspectival alignment with screen characters, and 2) the perceived salience of multiple, intersecting social identities. Catalin Brylla is Principal Lecturer in Film and TV at Bournemouth University, UK, where he is Deputy Director of the Centre for the Study of Conflict, Emotion and Social Justice. He also chairs the Diversity, Equity and Inclusion Committee of the Society for Cognitive Studies of the Moving Image, and he has co-edited Documentary and Disability (2017) and Cognitive Theory and Documentary Film (2018).
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  • 2
    ISBN: 9783658301804
    Language: German
    Pages: 1 Online-Ressource (VII, 374 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Media and Communication ; Cultural Studies ; Personality and Social Psychology ; Communication ; Cultural studies ; Personality ; Social psychology ; Angststörung ; Angst ; Psychotherapie ; Massenmedien ; Literatur ; Angst ; Sprache ; Film ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Angst ; Sprache ; Massenmedien ; Psychotherapie ; Angst ; Angststörung ; Psychotherapie ; Angst ; Literatur ; Film
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9783037344156 , 3037344156
    Language: German
    Pages: 367 S. , Ill.
    Edition: 1. Aufl.
    Dissertation note: Teilw. zugl.: Wien, Univ., Habil-Schr., 2011
    DDC: 306.48109041
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    Keywords: Unterhaltung ; Aufmerksamkeit ; Massenkultur ; Großstadt ; Moderne ; Film ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Moderne ; Großstadt ; Massenkultur ; Film ; Unterhaltung ; Aufmerksamkeit
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  • 4
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781623562687 , 9781623562250
    Language: English
    Pages: 279 Seiten , Illustrationen
    DDC: 801
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    Keywords: Material culture in literature ; Personal belongings in literature ; Personal belongings in art ; Property in literature ; Alltagsgegenstand ; Sachkultur ; Literatur ; Film ; Semiotik ; Ästhetik ; Gebrauchsgegenstand ; Ding ; Warenästhetik ; Literatur ; Philosophie
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object.Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"--
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"--
    Description / Table of Contents: Machine generated contents note:Introduction: Of Jena Glassware and Potatoes--Matter in the Moment 1. Homeopathic Benjamin: A Flexible Poetics of Matter 2. For the Unnatural Use of Clothes: Fashion as Cultural Assault 3. Paris Circa 1968: Cool Spaces, Decoration, Revolution 4. "You Must Remember this:" Memory Objects in the Age of Erasable Memory 5. Garbage in Theory: Waste Aesthetics Envoi: What Should We Do With Our Stuff Notes Index.
    Note: Literaturangaben
    URL: Cover
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  • 5
    AV-Medium
    AV-Medium
    Hamburg : Spiegel-TV
    Language: German
    Pages: 1 DVD-Video (59 Min.) , farb., Bildformat 16:9, stereo, DVD 5 , 12 cm
    Series Statement: Spiegel-TV 34
    Series Statement: Spiegel-TV
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    Keywords: Attitude to death ; Death ; Near-death experiences ; Parapsychology ; Film ; DVD-Video ; Nahtoderfahrung ; Jenseitskontakt
    Abstract: Die Film-Autorin sprach mit Menschen, die fest daran glauben, eine Nahtod-Erfahrung erlebt zu haben.
    Note: D 2012 , Sprache: dt.
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