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  • MPI Ethno. Forsch.  (14)
  • Bayreuth UB
  • English  (14)
  • History  (14)
  • Art History  (14)
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  • 1
    ISBN: 9789004414433
    Language: English
    Pages: xii, 356 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Saaler, Sven, 1968 - Men in metal
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    Keywords: Public sculpture Japan ; Bronze sculpture, Japanese ; Collective memory Japan ; History ; Japan ; Bronzestatue ; Öffentlichkeit ; Topografie
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  • 2
    ISBN: 9783658116057 , 9783658116040
    Language: English
    Pages: 1 Online-Ressource (XV, 192 p. 52 illus)
    Edition: 1st ed. 2016
    DDC: 306
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    Keywords: Social sciences ; History ; Cultural studies ; Area studies ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401792400
    Language: English
    Pages: Online-Ressource (XII, 736 p. 1332 illus., 1135 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 6
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 6: Rembrandt's paintings revisited
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own i ...
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 4
    ISBN: 9780815629078 , 9780815633013
    Language: English
    Pages: XL, 266 S. , Ill.
    Edition: First ed.
    Series Statement: Contemporary issues in the Middle East
    DDC: 700.1/0309567
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    Keywords: Arts Political aspects 21st century ; History ; Arts, Iraqi 21st century ; Iraq History 2003- ; Aufsatzsammlung ; Irak ; Kunst ; Politik ; Geschichte 2003-2012 ; Bürgerkrieg
    Description / Table of Contents: Includes bibliographical references
    Note: What every driver must know , Bifurcations of Iraq's visual culture , A barbarian in Rome: excerpts from a diary , Putting contemporary Iraqi art on the map: a conversation with Maysaloun Faraj , The assassination of Iraqi academic life: a personal testimony , My own private Munich , Hassan Abdulrazzak: a selection , Reframing Sunni and Shii discussions , Invisible mirror: aggression and the thumb-generation response , Iraq: a long phantasmagorical dream for those who are not part of the new capitalism or retired communism , Migratory sacred spaces: (re)creating ʻAshūrāʼ ; Dena Al-Adeeb ; Liberal mass media (mis)communication and Iraqi (dis)connections , Sophisticated ways: destruction of an ancient city , My trips to the unknown , A tale of two exiles , 1001 nights , Arab-Jews, diasporas, and multicultural feminism: a conversation with Ella Habiba Shohat , A film-training project for young Iraqis , Lyrical resistance: the example of Saadi Youssef , Larsa , Ur's echo: cosmopolitans and radical loss , Identity of the numbers
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  • 5
    ISBN: 9789004263208
    Language: English
    Pages: XXII, 271 S. , Ill.
    Series Statement: Russian history and culture Vol. 14
    Series Statement: Russian history and culture
    DDC: 947.084
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    Keywords: Utopias History ; Utopias in literature ; Utopias in art ; Arts, Soviet History ; Avant-garde (Aesthetics) History ; Cultural pluralism History ; Visual communication History ; Politics and culture Soviet Union ; History ; Soviet Union Intellectual life 1917-1970 ; Soviet Union Politics and government 1917-1936 ; Konferenzschrift 2011 ; Sowjetunion ; Kunstpolitik ; Kunst ; Architektur ; Utopie ; Geschichte 1920-1950
    Note: Includes bibliographical references and index , Introduction: Utopia and dystopia : the impulse of history , Utopian sex : the metamorphosis of androgynous imagery in Russian art of the pre- and post-revolutionary period , The Soviet Icarus : from the dream of free flight to the nightmare of free fall , Theo van Doesburg and Russia : utopia thwarted , Fighting for a utopian childhood : militarism in children's periodicals of the early Soviet Union , Spectral geographies in Russian emigre prose : the cases of Petr Krasnov and Georgii Peskov , Twice removed : Pavel Filonov and Nikolai Glebov-Putilovskii , Exhibiting Malevich under Stalin , Solomon Nikritin : the old and the new , The ghost in the machine : the modernist architectural utopia under Stalin , Socialist realism and stasis , Utopia in retreat : the closure of the State Museum of New Western Art in 1948 , The art of cybernetic communism , Geometry after utopia
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  • 6
    ISBN: 9789004204751 , 900420475X
    Language: English
    Pages: xxii, 325 Seiten, 88 ungezählte Seiten Bildtafeln , Illustrationen
    Series Statement: Russian history and culture 9
    Series Statement: Russian history and culture
    Parallel Title: Erscheint auch als
    DDC: 709.2
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    Keywords: Punin, N. N ; Art critics Biography ; Art critics Biography ; Art, Russian History 20th century ; Art, Russian History ; Avant-garde (Aesthetics) History ; Avant-garde (Aesthetics) History ; Punin, N. N ; (Nikolaĭ Nikolaevich) ; Art critics ; Russia ; Biography ; Art critics ; Soviet Union ; Biography ; Art, Russian ; 20th century ; History ; Avant-garde (Aesthetics) ; Russia ; Avant-garde (Aesthetics) ; Soviet Union ; Biografie ; Punin, Nikolaj Nikolaevič 1888-1953 ; Sowjetunion ; Kunst ; Avantgarde ; Geschichte 1917-1953 ; Punin, Nikolaj Nikolaevič 1888-1953 ; Russland ; Kunst ; Geschichte 1900-1950
    Note: Includes bibliographical references and index
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  • 7
    Book
    Book
    Durham [u.a.] : Duke University Press
    ISBN: 9780822353089 , 9780822352945 , 082235294X , 0822353083
    Language: English
    Pages: XIII, 392 S. , Ill., Kt. , 24 cm
    Parallel Title: Erscheint auch als Akcan, Esra Architecture in translation
    DDC: 720.943/09561
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    Keywords: Architecture History 20th century ; City planning History 20th century ; Architecture and state History 20th century ; Turkey Relations ; Germany Relations ; Architecture ; Turkey ; History ; 20th century ; City planning ; Turkey ; History ; 20th century ; Architecture and state ; Turkey ; History ; 20th century ; Turkey ; Relations ; Germany ; Germany ; Relations ; Turkey ; Deutschland ; Beziehung ; Türkei ; Städtebau ; Wohnungsbau ; Wohnsiedlung ; Stadtplanung ; Geschichte 1920-1940
    Abstract: Introduction: Translation beyond language -- Modernism from above. conviction about its own translatability -- Melancholy in translation -- Siedlung in subaltern exile -- Convictions about untranslatability -- Towards a cosmopolitan architecture
    Description / Table of Contents: Introduction: Translation beyond language -- Modernism from above. conviction about its own translatability -- Melancholy in translation -- Siedlung in subaltern exile -- Convictions about untranslatability -- Towards a cosmopolitan architecture.
    Note: Includes bibliographical references and index. - Introduction: Translation beyond language -- Modernism from above. conviction about its own translatability -- Melancholy in translation -- Siedlung in subaltern exile -- Convictions about untranslatability -- Towards a cosmopolitan architecture
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  • 8
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 9
    ISBN: 3631559542 , 9783631559543 , 0820487422
    Language: English
    Pages: 203 Seiten , Illustrationen , 21 cm
    Edition: 1. Aufl.
    Series Statement: Gesellschaften und Staaten im Epochenwandel Band 13
    Series Statement: Gesellschaften und Staaten im Epochenwandel
    Dissertation note: Dissertation Edinburgh 2005
    DDC: 300
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    Keywords: City planning Case studies ; City planning Citizen participation ; Urban renewal Case studies ; Group identity ; Historic buildings Conservation and restoration ; Architecture History ; Dresden ; Architekt ; Stadtbild ; Frauenkirche ; Bürgerbeteiligung ; Regionale Identität ; Dresden (Germany) Buildings, structures, etc ; History ; Germany (East) Politics and government 1989-1990 ; Germany History Unification, 1990 ; Hochschulschrift ; Dresden ; Architektur ; Stadtbild ; Regionale Identität ; Frauenkirche Dresden ; Wiederaufbau ; Bürgerinitiative ; Regionale Identität ; Bürgerbeteiligung
    Abstract: The reunification of Germany in 1990 has prompted far-reaching debates about German identity, history and tradition. One framework for these debates is provided by the extensive urban development and building activities which have commenced in Eastern Germany since 1990. This ethnographic case study of post-communist Dresden explores the complex symbolic meanings of such projects as the rebuilding of the Frauenkirche, Dresden’s quarrels with the UNESCO about a new Elbe bridge, and many others. It traces a history of civic engagement from the time of the GDR through to the present of reunified Germany, and demonstrates the built environment’s importance for identity construction in periods of social transformation.
    Note: Quellen- und Literaturverzeichnis: Seite 193-202
    URL: Cover
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  • 10
    ISBN: 9789004148932 , 904741795X , 9004148930 , 9789047417958
    Language: English
    Pages: 1 Online-Ressource (455 pages)
    Series Statement: Brill's Studies in Intellectual History Ser v. 135
    Parallel Title: Erscheint auch als Rietbergen, Peter J. A. N., 1950 - Power and religion in Baroque Rome
    Parallel Title: Print version Rietbergen, Peter Power and Religion in Baroque Rome : Barberini Cultural Policies
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    Keywords: Barberini, Francesco ; Urban ; Barberini, Francesco ; Urban ; Eggenberg, Johann Anton von ; Papacy History 1566-1799 ; Papacy ; Barberini, Francesco ; Urban ; Urban ; Urban (Papst, VIII.) ; Katholische Kirche ; HISTORY ; Europe ; General ; Civilization ; Christian influences ; Papacy ; Barock ; Gegenreformation ; Kultur ; Kulturpolitik ; Cultuurgeschiedenis ; Pausdom ; Cultuurbeleid ; Katholische Kirche ; Rome (Empire) ; History ; Rome Civilization 17th century ; Christian influences ; History ; Rome ; Electronic books ; Urban VIII. Papst 1568-1644 ; Gegenreformation ; Kulturpolitik ; Legitimation ; Geschichte 1623-1644
    Abstract: APPENDIX Chronological list of the main (collected) editionsof the poems of maffeo barberini CHAPTER THREE THE 'DAYS AND WORKS' OF FRANCESCO, CARDINAL BARBERINI, OR: HOW TO BE A POWERFUL CARDINAL-PADRONE? ; Introduction; How to be a cardinal?; How to be a cardinal and a papal nephew?; Baroque behaviour: Young Francesco's 'days and works'; Piety and patronage as politics: the roles of a cardinal-padrone; Conclusion: the very model of a 'modern' cardinal-padrone?; CHAPTER FOUR PRINCE ECKEMBERGH COMES TO DINNER, OR: POWER THROUGH CULINARY CEREMONY ; Introduction; Preparations
    Abstract: CHAPTER ONE THE BARBERINI BUILD A CHAPEL, OR: RISING TO POWER IN POST-TRIDENTINE ROMEIntroduction; From the periphery to the centre: the vicissitudes of the Barberini from the 12th to the 16th century; A sense of family between Curial careers and social status; Capella aedificatur; Questions of iconography: the influence of Trent; Opus finitum?; Conclusion: Capella sanctificatur; CHAPTER TWO MAFFEO BARBERINI-URBAN VIII, THE POET-POPE, OR: THE POWER OF POETIC PROPAGANDA ; Introduction; A poetic program? "Levan di terra al Ciel nostr'intelletto"-'they lift our understanding towards Heaven'
    Abstract: CHAPTER ONE THE BARBERINI BUILD A CHAPEL, OR: RISING TO POWER IN POST-TRIDENTINE ROMEIntroduction; From the periphery to the centre: the vicissitudes of the Barberini from the 12th to the 16th century; A sense of family between Curial careers and social status; Capella aedificatur; Questions of iconography: the influence of Trent; Opus finitum?; Conclusion: Capella sanctificatur; CHAPTER TWO MAFFEO BARBERINI-URBAN VIII, THE POET-POPE, OR: THE POWER OF POETIC PROPAGANDA ; Introduction; A poetic program? "Levan di terra al Ciel nostr'intelletto"-'they lift our understanding towards Heaven'
    Abstract: POWER AND RELIGION IN BAROQUE ROME; COPYRIGHT ; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; INTRODUCTION WHEN THE BEES FLEW & ; Historiography; Sources; Problems: power, religion and cultural policy in Baroque Rome; PROLOGUE GIACINTO GIGLI, CHRONICLER, OR: POWER IN THE STREETS OF ROME ; Introduction; The chronicler of Baroque Rome; The powers of nature; The powers of the world; The "Urbs" as a physical manifestation of power; Papal power; The power of the papal relatives; Ceremony and ritual: ephemeral power?; Holy or unholy power?; The ageing of power; Conclusion
    Abstract: The first entry and the first audienceA ceremonial society; The second entry; The second audience, and the papal banquet; Continuing festivities; A propagandistic display: food for thought; The menu; Further food inferences; Table manners; Conclusion; CHAPTER FIVE THE BARE FEET OF ST. AUGUSTINE, OR: THE POWER OF RELIGIOUS IMAGES ; Introduction; Prehistory; An outline of the case; The legal foundations of the case against the new image; The historical reality of the new image; The tradition of Augustinian iconography and the new image; The new image: symbol, meaning and function
    Abstract: The first entry and the first audienceA ceremonial society; The second entry; The second audience, and the papal banquet; Continuing festivities; A propagandistic display: food for thought; The menu; Further food inferences; Table manners; Conclusion; CHAPTER FIVE THE BARE FEET OF ST. AUGUSTINE, OR: THE POWER OF RELIGIOUS IMAGES ; Introduction; Prehistory; An outline of the case; The legal foundations of the case against the new image; The historical reality of the new image; The tradition of Augustinian iconography and the new image; The new image: symbol, meaning and function
    Note: Includes bibliographical references and index , The economic and financial significance of the new image
    URL: Volltext  (kostenfrei)
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  • 11
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402044410
    Language: English
    Pages: Online-Ressource (XXXII, 690 p, online resource)
    Series Statement: Rembrandt Research Project Foundation 4
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer-11648
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 4: The self-portraits
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    Keywords: History ; Arts ; Humanities ; Humanities / Arts / Design
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 12
    ISBN: 0415405823 , 9780415297905 , 9780415405829 , 0415297907
    Language: English
    Pages: XVII, 309 S. , Ill. , 24cm
    Edition: 1st publ.
    DDC: 745/.0952
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    Keywords: Yanagi, Muneyoshi Criticism and interpretation ; Folk art History 20th century ; Culture History 20th century ; Identity (Psychology) ; Yanagi Muneyoshi ; 1889-1961 ; Criticism and interpretation ; Folk art Japan ; History ; 20th century ; Culture Japan ; History ; 20th century ; Identity (Psychology) Japan ; Volkskunst ; Kunst ; Orientalismus ; Kulturgeschichte ; Kunsthandwerk ; Japan ; Kulturelle Identität ; Orientalismus ; Mingei ; Geschichte
    Description / Table of Contents: Orientalism: the foundation of Mingei theory. Yanagi's claims to originality ; The Oriental-Occidental hybrid of philosophy and religion ; Utopian colonism, primitivism and orientalism ; 'Art of the people' and medievalism: Ruskin, Morris and Japanese peasant art movements ; Japanese tea masters.Appropriation of Orientalism. The formation of Mingei theory ; Mingei theory: the classification and standardisation of beauty ; Mingei projects: repositioned in a modern context ; Modernity and Japanese cultural and national identity ; Arts and crafts in modern Japan: export craft industry and modern craft movements ; Cultural nationalism in art: invention of 'Japaneseness' and 'Japanese style' ; National discourse by modernist Orientalist designers ; Yanagi's nationalist discourse on 'quentessential Japaneseness' and Japan's North-East (Tōhoku) -- 'Oriental Orientalism'. The creation of 'Others' and Oriental Orientalism ; Korea: the beauty of sadness ; The Okinawans and the Ainu: archetypal beauty of Japan in the peripheral border with the Orient ; Taiwan and North-East China/Manchuria: the beauty of the Orient and Greater East Asia ; Yanagi's Oriental Orientalism. -- Reverse Orientalism: the development of Mingei theory into national and international Modernism. Mystification of Mingei in Zen Buddhist aesthetics ; Mingei as modern visual representation of tea aesthetics ; Mingei theory for studio crafts: the predicament of the Mingei-style artist-craftsmen ; Mingei for national design: the Mingei-style for 'Japanese Modern' design and Kurafuto ; The foundation and deconstruction of the 'Leach tradition' for British studio craft philosophy ; Art or craft.
    Note: Bibliogr. S. 273 - 298 , Includes bibliographical references and index. - Formerly CIP
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  • 13
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    ISBN: 0520219325 , 0520209788
    Language: English
    Pages: XVIII, 265 S. , Ill.
    Additional Information: Rezensiert in Marling, Karal Ann Visual Piety: A History and Theory of Popular Religious Images. David Morgan 1999
    DDC: 246
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    Keywords: Spirituality United States ; History ; 20th century ; Spirituality United States ; History ; 19th century ; Spirituality History ; Christian art and symbolism United States ; Christian art and symbolism Modern period, 1500- ; Christian art and symbolism ; Popular culture United States ; United States Religious life and customs ; Bibliografie ; Christliche Kunst ; Religiöse Kunst ; USA ; Christusdarstellung ; Frömmigkeit
    Note: Includes bibliographical references and index
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  • 14
    Book
    Book
    Chapel Hill [u.a.] : University of North Carolina Press
    ISBN: 0807823988 , 0807847011 , 9780807847015
    Language: English
    Pages: XIV, 422 S. , Ill. , 25 cm
    DDC: 363.690943
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    Keywords: Identität ; Nation ; Deutschland ; Geschichtsauffassung ; identity ; nation ; Germany ; conception of history ; a ; Germany ; Cultural policy ; a ; Historic preservation ; Germany ; History ; 20th century ; a ; Group identity ; Germany ; History ; 20th century ; a ; Architecture and state ; Germany ; History ; 20th century ; Deutschland ; Baudenkmal ; Nationalbewusstsein ; Geschichtsbewusstsein ; Denkmalpflege ; Geschichte 1895-1975 ; Kulturpolitik ; Architektur ; Denkmal ; Dresden
    Note: Literaturverz. S. 377 - 408
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