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  • MPI Ethno. Forsch.  (17)
  • Kalliope (Nachlässe)
  • MARKK
  • 2015-2019  (17)
  • Literature Philosophy  (17)
  • English Studies  (17)
Datasource
  • MPI Ethno. Forsch.  (17)
  • Kalliope (Nachlässe)
  • MARKK
  • BSZ  (18)
  • GBV  (1)
Material
Language
Years
  • 2015-2019  (17)
Year
  • 1
    ISBN: 9781137580122
    Language: English
    Pages: 1 Online-Ressource (XI, 317 p. 9 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Early Modern Cultural Studies Series
    Series Statement: Early Modern Cultural Studies 1500–1700
    Parallel Title: Printed edition
    Parallel Title: Erscheint auch als Harlan, Susan Memories of war in early modern England
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature History and criticism ; Literature, Modern ; Poetry ; British literature ; Poetry. ; Literature, Modern. ; British literature. ; Literature—Philosophy. ; Culture—Study and teaching. ; Literature—History and criticism. ; Englisch ; Literatur ; Krieg ; Geschichte 1580-1616
    Abstract: This book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of “spoiling” - or the sanctioned theft of the arms and armor of the vanquished in battle - provides a way of thinking about England’s relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England
    Abstract: CHAPTER 1 - “Objects fit for Tamburlaine”: Self-Arming in Marlowe’s Tamburlaine the Great, Robert Vaughan’s Portraits, and The Almain Armourer’s Album -- INTERLUDE - Epic Pastness: War Stories, Nostalgic Objects, and Sexual and Textual Spoils in Marlowe’s Dido, Queen of Carthage -- CHAPTER 2 - Spoiling Sir Philip Sidney: Mourning and Military Violence in the Elegies, Lant’s Roll, and Greville’s Life of the Renowned Sir Philip Sidney -- INTERLUDE - “Scatter’d Men”: Mutilated Male Bodies and Conflicting Narratives of Militant Nostalgia in Shakespeare’s Henry V -- CHAPTER 3 - The Armored Body as Trophy: The Problem of the Roman Subject in Shakespeare’s Julius Caesar, Antony and Cleopatra, and Coriolanus -- CODA - “Let’s Do’t After the High Roman Fashion”: Funeral and Triumph -- BIBLIOGRAPHY
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  • 2
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137485892
    Language: English
    Pages: 1 Online-Ressource (XVIII, 178 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; America Literatures ; Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; America Literatures
    Abstract: Combining close readings of literature and theory, Sex, Time, and Space in Contemporary Fiction opens up new ways to consider the sex-time-space nexus. In an exciting and compelling contribution to contemporary literary studies, this book takes the concept of ‘exceptionality’ as its point of departure as developed through an exploration of Giorgio Agamben’s theory of the state of exception and the work of theorists including Jacques Derrida and Michel Foucault. Through an analysis of a range of widely read contemporary fiction, including On Chesil Beach, Gertrude and Claudius, The Act of Love and Room, Ben Davies provides a rigorous exploration of narrative form and offers original theories of the prequel, narrative relations in terms of set theory, and the practice of reading itself
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  • 3
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137513182
    Language: English
    Pages: 1 Online-Ressource (VII, 178 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; British literature ; America Literatures ; Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; British literature ; America Literatures
    Abstract: Following on from the work of art historians and literary and cultural theorists, this book examines the ways in which varieties of the grotesque function in the plays of Philip Ridley, Mark O’Rowe, Enda Walsh, Suzan-Lori Parks and Tim Crouch. The term ‘grotesque’ has been frequently applied in commentaries on some of the most exciting contemporary drama, without much further elucidation. By producing visions of an alienated world, engendering simultaneous attraction and repulsion, and often triggering laughter that comes with a chill in the spine, the grotesque attacks both aesthetic and social conventions and requires a creative use of the imagination on the part of the spectators. The book argues that as such, the grotesque in the works of the selected playwrights solicits profound audience engagement with urgent ethical, social and political issues. The inevitable openness caused by the grotesque demonstrates the authors’ faith in the deliberative powers of their audience, which stands in contrast to the ready-made choices offered by overtly committed political theatre
    Note: Includes bibliographical references and index
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  • 4
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137486561
    Language: English
    Pages: 1 Online-Ressource (VII, 196 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; British literature ; Journalism ; Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; British literature ; Journalism ; Self, Will 1961- ; Großbritannien ; Gesellschaft ; Roman
    Abstract: This stimulating and comprehensive study of Will Self's work spans his entire career and offers insightful readings of all his fictional and non-fictional work up to and including his Booker prize nominated novel Umbrella
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  • 5
    ISBN: 9781137554383
    Language: English
    Pages: 1 Online-Ressource (X, 196 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; Oriental literature ; British literature ; Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; Oriental literature ; British literature ; Südasien ; Englisch ; Literatur ; Islam ; Religiöse Identität
    Abstract: This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern ‘knowledge’ of the Islamic world, using globally-distributed English-language literature to reframe Muslims’ potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write
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  • 6
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    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137595416
    Language: English
    Pages: 1 Online-Ressource (XIV, 307 p. 1 illus. in color)
    Series Statement: Cognitive Studies in Literature and Performance
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern ; European literature ; Cognitive psychology ; Literature ; Literature Philosophy ; Literature, Modern ; European literature ; Cognitive psychology ; Shakespeare, William 1564-1616 ; Drama ; Bewusstsein
    Abstract: This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness and the conditions of reception in our past and present encounters with Shakespeare’s works. Acknowledging previous work on inwardness, self, self-consciousness, embodied self, emotions, character, and the mind-body problem, contributors consider consciousness from multiple new perspectives-as a phenomenological process, a materially determined product, a neurologically mediated reaction, or an internally synthesized identity-approaching Shakespeare’s plays and associated cultural practices in surprising and innovative ways
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  • 7
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    Online Resource
    New York : Palgrave Macmillan US | Imprint: Palgrave Macmillan
    ISBN: 9781137398963
    Language: English
    Pages: 1 Online-Ressource (XXXII, 290 p)
    Series Statement: The New Middle Ages
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature History and criticism ; Literature, Modern 20th century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature—Philosophy. ; Culture—Study and teaching. ; Literature, Modern—20th century. ; Literature—History and criticism. ; Tolkien, J. R. R. 1892-1973 ; Das Andere
    Abstract: This book examines key points of J. R. R. Tolkien’s life and writing career in relation to his views on humanism and feminism, particularly his sympathy for and toleration of those who are different, deemed unimportant, or marginalized-namely, the Other. Jane Chance argues such empathy derived from a variety of causes ranging from the loss of his parents during his early life to a consciousness of the injustice and violence in both World Wars. As a result of his obligation to research and publish in his field and propelled by his sense of abjection and diminution of self, Tolkien concealed aspects of the personal in relatively consistent ways in his medieval adaptations, lectures, essays, and translations, many only recently published. These scholarly writings blend with and relate to his fictional writings in various ways depending on the moment at which he began teaching, translating, or editing a specific medieval work and, simultaneously, composing a specific poem, fantasy, or fairy-story. What Tolkien read and studied from the time before and during his college days at Exeter and continued researching until he died opens a door into understanding how he uniquely interpreted and repurposed the medieval in constructing fantasy
    Abstract: Introduction: “This Queer Creature” -- Chapter 1: Forlorn and Abject: Tolkien and His Earliest Writings (1914-1924) -- Chapter 2: Bilbo as Sigurd in the Fairy-Story Hobbit (1920-1927) -- Chapter 3: Tolkien's Fairy-Story Beowulfs (1926-1940s) -- Chapter 4: “Queer Endings” After Beowulf: The Fall of Arthur (1931-1934) -- Chapter 5: Apartheid in Tolkien: Chaucer and The Lord of the Rings, Books 1-3 -- Chapter 6: “Usually Slighted”: Gudrún, Other Medieval Women, and The Lord of the Rings, Book 3 (1925-1943) -- Chapter 7: The Failure of Masculinity: The Homecoming of Beorhtnoth (1920), Sir Gawain (1925), and The Lord of the Rings, Books 3-6 (1943-1948) -- Conclusion: The Ennoblement of the Humble: The History of Middle-earth
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  • 8
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137557926
    Language: English
    Pages: 1 Online-Ressource (VIII, 204 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Comparative literature ; Literature Philosophy ; Literature, Modern 20th century ; Poetry ; Literature ; Comparative literature ; Literature Philosophy ; Literature, Modern 20th century ; Poetry ; Hughes, Ted 1930-1998 ; Trauma
    Abstract: This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet
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  • 9
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    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137568038
    Language: English
    Pages: 1 Online-Ressource (IX, 224 p)
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature History and criticism ; Literature, Modern ; European literature ; British literature ; Literature ; Culture Study and teaching ; Literature Philosophy ; Literature History and criticism ; Literature, Modern ; European literature ; British literature
    Abstract: Advances in astronomy such as the theories of Copernicus and the development of the telescope sparked a strong response within Early Modern literature. The essays in this collection show this discourse went on to develop a political context to discuss topics like New World exploration and even kingship and regicide, well into the 18th century
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  • 10
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    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319326245
    Language: English
    Pages: 1 Online-Ressource (X, 256 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 19th century ; British literature ; British literature. ; Literature, Modern—19th century. ; Literature—Philosophy.
    Abstract: This book examines the construction of adolescent girlhood across a range of genres in the closing decades of the nineteenth century. It argues that there was a preoccupation with defining, characterising and naming adolescent girlhood at the fin de siècle. These ‘daughters of today’, ‘juvenile spinsters’ and ‘modern girls’, as the press variously termed them, occupying a borderland between childhood and womanhood, were seen to be inextricably connected to late nineteenth-century modernity: they were the products of changes taking place in education and employment and of the challenge to traditional conceptions of femininity presented by the Woman Question. The author argues that the shifting nature of the modern adolescent girl made her a malleable cultural figure, and a meeting point for many of the prevalent debates associated with fin-de-siècle society. By juxtaposing diverse material, from children’s books and girls’ magazines to New Woman novels and psychological studies, the author contextualises adolescent girlhood as a distinct but complex cultural category at the end of the nineteenth century
    Abstract: Introduction: Debating and Defining Adolescent Girlhood at the Fin de Siècle -- 1. Classifying Girlhood, Creating Heroines: Aspiration, Community and Competition in the Girl’s Own Paper and the Girl’s Realm -- 2. Making Transitions in fin-de-siècle Girls’ School Stories, 1886-1906 -- 3. ‘Flowering into womanhood’? The New Woman and the New Girl -- 4. ‘Development and Arrest of Development’: Sarah Grand’s ‘Girls of Today’ -- 5. Professionalizing the Modern Girl: Ella Hepworth Dixon, W.T. Stead and Journalism for Girls -- Coda: Voyaging Out -- Bibliography -- Index.-
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  • 11
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    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137569028
    Language: English
    Pages: 1 Online-Ressource (XIX, 220 p. 2 illus., 1 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Geocriticism and Spatial Literary Studies
    Parallel Title: Printed edition
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    Keywords: Culture Study and teaching ; Literature, Modern 20th century ; America Literatures ; Literature   . ; Literature ; European literature ; Literature Philosophy ; European literature. ; Literature, Modern—20th century. ; Literature—Philosophy. ; Culture—Study and teaching. ; America—Literatures. ; Raum ; Geografie ; Unterhaltungsroman
    Abstract: This volume moves the debate about literature and geography in a new direction by showing the significance of spatial settings in the enormous and complex field of popular fiction. Approaching popular genres as complicated systems of meaning, the collected essays model key theoretical and critical approaches for interrogating the meaning of space and place across diverse genres, including crime, thrillers, fantasy, science fiction, and romance. Including topics such as classic English ghost stories, blockbuster Antarctic thrillers, prize-winning Montreal crime fiction, J. R. R. Tolkien’s Middle-earth, and China Miéville’s Bas-Lag, among others, this book brings together analyses of the real-and-imagined settings of some of the most widely read authors and texts of the twentieth and twenty-first centuries to show how they have an immeasurable impact on our spatial awareness and imagination
    Abstract: Introduction: Space, Place and Popular Fiction, Lisa Fletcher -- Cave Genres/Genre Caves: Reading the Subterranean Thriller, Ralph Crane and Lisa Fletcher -- Unstable Places and Generic Spaces: Thrillers Set in Antarctica, Elizabeth Leane -- Chronotopic Reading of Crime Fiction: Montréal in La Trace de l’Escargot, Marc Brosseau and Pierre-Mathieu Le Bel -- Romance in the Backblocks in New Zealand Popular Fiction, 1930-1950: Mary Scott’s Barbara Stories, Jane Stafford -- The Inside Story: Jennifer Crusie and the Architecture of Love, William Gleason -- Ghost-Al Erosion: Beaches and the Supernatural in Two Stories by M. R. James, Lucie Armitt -- Pagan Places: Contemporary Paganism, British Fantasy Fiction, and the Case of Ryhope Wood, Kim Wilkins -- Tolkien’s Geopolitical Fantasy: Spatial Narrative in The Lord of the Rings, Robert T. Tally Jr. -- Commuting to Another World: Spaces of Transport and Transport Maps in Urban Fantasy, David Pike -- Mapping Monstrosity: Metaphorical Geographies in China Miéville’s Bas-Lag Trilogy, Robert A. Saunders -- Air Force One: Popular (Non)Fiction in Flight, Christopher Schaberg -- States of Nostalgia in the Genre of the Future: Panem, Globalization, and Utopia in The Hunger Games Trilogy, Eric D. Smith and Kylie Korsnack -- Bibliography -- Index
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  • 12
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    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137548795
    Language: English
    Pages: 1 Online-Ressource (IX, 123 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: The New Middle Ages
    Parallel Title: Printed edition
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Medieval ; Poetry ; European literature ; British literature ; Literature, Medieval. ; British literature. ; Poetry. ; European literature. ; Literature—Philosophy. ; Culture—Study and teaching. ; Chaucer, Geoffrey 1343-1400 ; Politik ; Ethik
    Abstract: Drawing on the work of Holocaust writer Primo Levi and political philosopher Giorgio Agamben McClellan introduces a critical turn in our reading of Chaucer. He argues that the unprecedented event of the Holocaust, which witnessed the total degradation and extermination of human beings, irrevocably changes how we read literature from the past. McClellan gives a thoroughgoing reading of the Man of Law’s Tale, widely regarded as one of Chaucer’s most difficult tales, interpreting it as a meditation on the horrors of sovereign power. He shows how Chaucer, through the figuration of Custance, dramatically depicts the destructive effects of power on the human subject. McClellan’s intervention, which he calls “reading-history-as-ethical-meditation,” places reception history in the context of a reception ethics and holds the promise of changing the way we read traditional texts
    Abstract: Chapter 1 Political Chaucer -- Chapter 2 The Man of Law’s Tale: Sovereign Abandonment of the Subject -- Chapter 3 First Movement: Marriage and Exile -- Chapter 4 Second Movement: Destitution of the Subject -- Chapter 5 Third Movement: Return and Restitution -- Chapter 6 Interpretation: Critique of Sovereign and the Exemplarity of the Suffering Subject -- Works Cited -- Index -- Notes
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  • 13
    ISBN: 9781137450463
    Language: English
    Pages: 1 Online-Ressource (VII, 272 p)
    Series Statement: The New Middle Ages
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Sex (Psychology) ; Gender expression ; Gender identity ; Literature ; Culture Study and teaching ; Europe History ; Literature Philosophy ; Literature, Medieval ; Sociology ; Literature ; Culture Study and teaching ; Europe History ; Literature Philosophy ; Literature, Medieval ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Mittelenglisch ; Romance ; Melusine
    Abstract: This book offers a much-needed consideration of Melusine within medieval and contemporary theories of space, memory, and gender. The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life-and death-within a literary tradition that is more friendly to women’s agency than its continental counterparts. After establishing a “textual habitus of wonder,” Jan Shaw explores the tale in relation to a range of Middle English traditions including love and marriage, the spatial practices of women, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world
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  • 14
    ISBN: 9783319317113
    Language: English
    Pages: 1 Online-Ressource (IX, 212 p)
    Series Statement: Palgrave Studies in Affect Theory and Literary Criticism
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Sex (Psychology) ; Gender expression ; Gender identity ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Sociology ; Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity
    Abstract: This book brings together the research findings of contemporary feminist age studies scholars, shame theorists, and feminist gerontologists in order to unfurl the affective dynamics of gendered ageism. In her analysis of what she calls “embodied shame,” J. Brooks Bouson describes older women’s shame about the visible signs of aging and the health and appearance of their bodies as they undergo the normal processes of bodily aging. Examining both fictional and nonfiction works by contemporary North American and British women authors, this book offers a sustained analysis of the various ways that ageism devalues and damages the identities of otherwise psychologically healthy women in our graying culture. Shame theory, as Bouson shows, astutely explains why gendered ageism is so deeply entrenched in our culture and why even aging feminists may succumb to this distressing, but sometimes hidden, cultural affliction
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  • 15
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137562135
    Language: English
    Pages: 1 Online-Ressource (VI, 123 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—Philosophy.
    Abstract: In this book, Irmtraud Huber considers a wide range of contemporary novels to explore the variety of possibilities and effects of the use of the present tense, as well as investigating the reasons for its popularity. By illustrating the complexity and sophistication of four different types of contemporary usage, Huber’s discussion goes some way towards refuting those critical voices which consider present-tense narration a passing fad and stylistic affectation. As a tense of narration, the present can serve to tell different stories than the past tense, or can tell them differently. By no means a passing fad, it is an important characteristic of contemporary literature. Irmtraud Huber is a lecturer in English literature at the Universität Bern, Switzerland. Her PhD on the role of fantastical elements in recent literary attempts to go beyond postmodernism received the Helene-Richter Prize from the Deutscher Anglistenverband. Her monograph Literature after Postmodernism: Reconstructive Fantasies was published by Palgrave in 2014
    Abstract: Introduction -- Chapter 1. Past and Present of Present-tense Narration -- Chapter 2. Narrative Deictic Narration -- Chapter 3. Retrospective Narration -- Chapter 4. Interior Monologue -- Chapter 5. Simultaneous Narration -- Chapter 6. Mixed Cases -- Conclusion -- Appendix -- Works Cited -- Notes
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  • 16
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    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137504494
    Language: English
    Pages: 1 Online-Ressource (IX, 207 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Nineteenth-Century Major Lives and Letters
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature Philosophy ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; European literature ; British literature ; European literature. ; British literature. ; Fiction. ; Literature—Philosophy. ; Literature, Modern—19th century. ; Literature—History and criticism.
    Abstract: The Regency Revisited reconfigures Romantic Studies through a neglected timeframe. It demonstrates how politics and culture of the Regency years transformed literature. By co-opting authors, the Regency provoked opposition, and brought new genres and modes of writing to the fore. Key figures are Robert Southey and Leigh Hunt: The Regency Revisited shows their pivotal roles in transforming Romanticism. Austen and Byron also feature as authors who honed their satire in response to Regency culture. Other topics include Blake and popular art, Regency science (Humphry Davy), Moore and parlour songs, Cockney writing and Pierce Egan, and Anna Barbauld and the collecting and exhibiting that was so popular an aspect of Regency London
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  • 17
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    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319340456
    Language: English
    Pages: 1 Online-Ressource (XI, 248 p. 2 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Modern and Contemporary Poetry and Poetics
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Poetry ; British literature ; Poetry. ; British literature. ; Literature—Philosophy. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures.
    Abstract: This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement
    Abstract: Preface -- Introduction: Form, Forms and Forming -- 1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice -- 2. Convention and Constraint: Form in the Innovative Sonnet Sequence -- 3. Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch -- 4. Meddling the Medieval: Caroline Bergvall and Erín Moure -- 5. Translation as Occupation: Simon Perril and Sean Bonney -- 6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose -- 7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed -- 8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry -- 9. The Making of the Book: Bill Griffiths and Allen Fisher -- 10. Geraldine Monk’s Poetics and Performance: Catching Form in the Act -- 11. Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs -- Notes -- Bibliography -- Index
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