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  • 1
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 2
    Book
    Book
    Cambridge, Massachusetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674979963
    Language: English
    Pages: 391 Seiten , Illustrationen , 25 cm
    DDC: 305.896073
    RVK:
    Keywords: Rassentrennung ; Reise ; Personenverkehr ; Schwarze ; USA ; African Americans / Segregation / History ; African Americans / Travel / History ; Segregation in transportation / United States / History ; African Americans / Segregation ; African Americans / Travel ; Segregation in transportation ; United States ; History ; USA ; Schwarze ; Reise ; Personenverkehr ; Rassentrennung
    Abstract: "What was it like to travel while Black under Jim Crow? Mia Bay brings this dramatic history to life. With gripping stories and a close eye on the rail, bus, and airline operators who implemented segregation, she shows why access to unrestricted mobility has been central to the Black freedom struggle since Reconstruction and remains so today"--
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  • 3
    ISBN: 9781350064119 , 9781350064096
    Language: English
    Pages: 1 Online-Ressource (344 Seiten)
    Edition: First edition
    Series Statement: Contemporary Studies in Linguistics
    Parallel Title: Erscheint auch als Contemporary media stylistics
    DDC: 302.23014
    RVK:
    Keywords: English language Style ; History ; Social media ; English language Discourse analysis ; Mass media and language ; Discourse analysis ; Electronic books ; Electronic books
    Abstract: "Media discourse is changing at an unprecedented rate. This book presents the most recent stylistic frameworks exploring different and changed forms of media. The volume collates recent and emerging research in the expanding field of media stylistics, featuring a variety of methods, multimodal source material, and a broad range of topics. From Twitter and Zooniverse to Twilight and Mommy Blogs, the volume maps out new intellectual territory and showcases a huge scope, neatly drawn together by leading scholars Helen Ringrow and Stephen Pihlaja. Contributors write on topics that challenge the traditional notions and conceptualisations of "media" and the consequences of technological affordances for the development of media production and consumption. There is a particular focus on the ways in which contemporary media contexts complicate and challenge traditional media models, and offer new and unique ways of approaching discourse in these contexts."--
    Abstract: 1. Introduction, Helen Ringrow (University of -- Portsmouth, UK) and Stephen Pihlaja (Newman University, UK) 2. "Beautiful -- masterpieces": metaphors of the female body in modest fashion blogs, Helen Ringrow (University of -- Portsmouth, UK) -- 3. Wolfing down -- the Twilight series: metaphors for reading in online reviews, Louise Nuttall (University of -- Huddersfield, UK and Chloe Harrison (Aston University, UK) -- 4. The language of -- citizen science: short strings and 'we' as a group marker, Glenn Hadikin (University of -- Portsmouth, UK) -- 5. The -- pragma-stylistics of 'image macro' internet memes, Jane Lugea (Queen's University Belfast, UK) -- 6. The stylistics -- of emoji: an interactional approach, Dwi -- Noverini Djenar (The University of Sydney, Australia) and Michael Ewing -- (The University of Melbourne) -- 7. Rape victims -- and the law: Victim-blaming and victimisation in reports of rape in the -- British press, Alessia Tranchese -- (University of Portsmouth, UK) -- 8. Changing media -- representation of Gina-Lisa Lohfink as the icon of the "Nein heit nein" -- (no means no)-movement in Germany, Ulrike -- Tabbert (University of Huddersfield, UK) -- 9. Child victims -- of human trafficking and modern slavery in British newspapers, Ilse Ras (University of Leeds, UK) -- 10. Reader Comments -- and Right-Wing Discourse in Traditional News Media Websites, Tayyiba Bruce (Newman University, UK) -- 11. Straight -- talking honest politics: rhetorical style and ethos in the mediated -- politics of metamodernity, Sam -- Browse (Sheffield Hallam University, UK) -- 12. The aura of -- facticity: the stylistic illusion of objectivity in news reports, Matt Davies (University of Chester, UK) -- 13. The style of -- online preachers, Stephen Pihlaja -- (Newman University, UK) -- 14. Conclusion, Caroline Tagg (The Open University, UK) -- Index
    Note: Includes index
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