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  • FID-SKA-Lizenzen  (9)
  • HBZ
  • MFK München
  • Arabic  (5)
  • Persian  (4)
  • Documentary films.  (9)
Datasource
  • FID-SKA-Lizenzen  (9)
  • HBZ
  • MFK München
Material
Language
Years
Author, Corporation
Publisher
Keywords
  • 1
    Online Resource
    Online Resource
    Women of the sands (2012)
    Surrey, England :Journeyman Pictures,
    Details
    Language: Arabic
    Pages: 1 online resource (51 min.). , 005117
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Women ; Canada ; Documentary films.
    Abstract: In this stunning documentary, the nomadic women of Mauritania tell their stories.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mauritania. , Previously released as DVD. , This edition in Arabic with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2188713
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2188713
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FID-SKA-Lizenzen
  • 2
    Online Resource
    Online Resource
    On Broadway (2011)
    Watertown, MA :Documentary Educational Resources (DER),
    Details
    Language: Arabic
    Pages: 1 online resource (62 min.). , 010150
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Sensory ethnography lab
    Keywords: Islam 21st century. ; Mosques 21st century. ; Basements ; Joint occupancy of buildings ; Broadway (New York, N.Y.) ; Bhutan ; Documentary films.
    Abstract: This work is a subtle investigation of the ordinary spaces that transform and transition between the playful and the sacred as individuals enter and perform routine acts of worship or leisure. In this work consisting of several long takes, the viewer experiences the rhythms of folding and unfolding as a visual metaphor for the boundary between these seemingly disparate acts.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008 in Manhattan, New York, NY. , Previously released as DVD. , This edition in Arabic with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2069588
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2069588
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    Online Resource
    FID-SKA-Lizenzen
  • 3
    Online Resource
    Online Resource
    Amin (2010)
    Honolulu, HI :Asia Pacific Films,
    Details
    Language: Persian
    Pages: 1 online resource (120 min.). , 020007
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Music ; Nomads ; Qashqāʾī (Turkic people) ; Ireland ; Documentary films.
    Abstract: Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documenting and teaching the unique musical tradition of his people, the Qashqai tribe, a tradition on the verge of extinction. Despite the fact that Amin's family face steep financial and cultural obstacles, they are devoted to their art and culture and express that by supporting the work of their talented musician son. Every summer, Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family sell their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kiev, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition. Awards: Award of Excellence at Yamagata Documentary Film Festival in 2011; Asian Vision Award at Taiwan International Documentary 2010; Film Festival Special Distinction at Dubai International Film Festival in 2010; Nominated for Best Documentary, Asia Pacific Screen Awards, in 2011.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2057155
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2057155
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    Online Resource
    FID-SKA-Lizenzen
  • 4
    Online Resource
    Online Resource
    Still life (2007)
    Watertown, MA :Documentary Educational Resources (DER),
    Details
    Language: Arabic
    Pages: 1 online resource (26 min.). , 002534
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Palestinian Arabs ; Refugees, Palestinian Arab Psychology. ; Older refugees Psychology. ; Photographs Psychological aspects. ; France ; Documentary films.
    Abstract: Still Life is the first sequence in a triptych of portraits that explores the mediations of memory among three generations of Palestinian refugees living in Lebanon. It considers how a series of photos brought to Lebanon by Said Otruk, an elderly Palestinian fisherman from Acre, mediate both his present experience and recollections of his life in Palestine before 1948. We see how the reality represented in these images has become conflated with them; Said repeatedly misremembers the number of his fishing boat and his age when he left, and when he describes photos of Acre's waterfront as capturing the golden age, he seems to be gesturing as much at the splendid figure of his own youth as at the halcyon days of pre-48 Palestine. Rather than being a straightforward expository narrative, or an act of witness of political solidarity, the film is a meditation on the dislocations of memory, the effects of aging and forgetfulness, and the recollection of youthful vitality; the loss of Palestine is lyrically convergent with the felt loss of this vitality. The two portraits that complete the triptych examine spatial and ritual mediations of memory.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Lebanon in 2007. , Previously released as DVD. , This edition in Arabic with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2069331
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2069331
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    Online Resource
    FID-SKA-Lizenzen
  • 5
    AV-Medium
    AV-Medium
    The Veil Unveiled / (2004)
    London, England :Royal Anthropological Institute,
    Details
    Language: French , Arabic
    Pages: 1 online resource (30 minutes) , 002957
    Keywords: Hijab (Islamic clothing) ; Muslim women Clothing ; Muslim women ; Yemen Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In Yemen, the land of Queen Saba, a wide variety of veils can be found. In the capital Sanaa, the women, although at first sight appearing to all be wearing but black, distinguish themselves one from the other through this diversity. Each veil not only carries its own symbolism, but the variety of ways of wearing each becomes a form of expression. It becomes a game of what one hides and what one unveils. Approaching the veil from a fashion standpoint, this film offers a different perspective on this highly and debated topic.
    Note: Title from resource description page (viewed June 24, 2016). , In French and Arabic with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?MARC;3233312
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3233312
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    AV-Medium
    FID-SKA-Lizenzen
  • 6
    Online Resource
    Online Resource
    Seven blind women filmmakers (2004)
    Iran :Iranian Independents,
    Details
    Language: Persian
    Pages: 1 online resource (106 min.). , 014621
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Blind women ; Motion picture authorship ; Women motion picture producers and directors ; Canada ; Documentary films.
    Abstract: In Spring 2004, Mohd Shirvani decided to answer an old question in his mind - What should I do if I, as a film director, would become blind? I was wondering if I could keep making films. This film has been made by a number of blind women filmmakers to answer that question. I taught them how to narrate their own stories through film language with small digital cameras and they also taught me how to see the world with my third eye on my forehead. The result of this experience is a feature episodic documentary 7 Blind Female Filmmakers.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2004 in Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2067046
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2067046
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    Online Resource
    FID-SKA-Lizenzen
  • 7
    Online Resource
    Online Resource
    Daf (2003)
    [South Korea] :Jeonju International Film Festival,
    Details
    Language: Persian
    Pages: 1 online resource (40 min.) , 003922
    Keywords: Daph. ; Daph Construction ; Rites and ceremonies ; France ; Documentary films.
    Abstract: This simple but affecting documentary portrays a rural craftsman who makes a traditional Iranian percussion instrument called a daf. All able-bodied family members participate in the production, including a blind son, whom we see hitching a ride to market with his sister to purchase the sheep skins and wood planks used in the instrument's manufacture. A doctor visits the father's younger 3-1/2 year-old son, who has also lost his eyesight, and offers this advice 'Pray to God. Give to charity. Have ceremonies and have a dervish play the daf for him.' The greater part of the film focuses on the laborious work involved in the fabrication of daf and culminates in a rousing ritual for the ailing boy. The accomplished camerawork takes advantage of the surrounding scenery and local color. Sensitive individuals are warned of a brief but graphic segment of sheep being slaughtered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Iran. , Previously released as DVD. , In Persian (Farsi, Western) with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ASV2;1931095
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;1931095
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    Online Resource
    FID-SKA-Lizenzen
  • 8
    Online Resource
    Online Resource
    The ladies room (2003)
    Iran :Iranian Independents,
    Details
    Language: Persian
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feminism ; Muslim women ; Women Social conditions. ; Women Social life and customs. ; Women ; Iran Social conditions 1997- ; Tehran (Iran) ; North America ; Documentary films.
    Abstract: Filmed in a woman's restroom located in a public park in Iran's metropolitan center of Tehran, this documentary explodes Western stereotyping of women in Iran. The elder who runs the washroom offers a shoulder to cry on or tough love in a place where women, many of them especially marginalized because they are prostitutes, addicts or runaways, feel safe enough to remove their veils, and draw on cigarettes and their opinions on a wide range of subjects that men cannot hear them speaking about: sex, family abuse, relationships, drugs, religion and self-mutilation. The director (and admired actress) supplies the audience with an unflinching, detailed examination of the lives of the women who use the restroom as a gathering place. Mary Kerr, Programming Director of Silverdocs, highly praises the way private conversations establish community: "Never before have I been so surprised by a film's candor and honesty. The Ladies' Room is an amazing testament to Mahnaz Afzali's restraint as a filmmaker as she steps into the background and lets these women, who are second-class citizens in Iran, be themselves - totally unrestrained and surprisingly progressive." Awards/Festivals: Amsterdam International Documentary Film Festival 2003; Thessaloniki Documentary Festival 2004; Vienna International Film Festival 2004; Adelaide Film Festival 2005.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tehran, Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2063717
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2063717
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    Online Resource
    FID-SKA-Lizenzen
  • 9
    Online Resource
    Online Resource
    Some women of Marrakech (1977)
    London :Royal Anthropological Institute,
    Details
    Language: Arabic
    Pages: 1 online resource (60 min.). , 010027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Women ; Canada ; Documentary films.
    Abstract: In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in the Medina, the old city of Marrakech still enclosed by its ancient walls. This film attempts to say something about women such as Aisha and Hajiba – two main characters – who have experienced the hardships of life for women in such a society. Aisha's husband is an unskilled labourer and so she is forced to find work cooking and cleaning. Hajiba has been thrown out of her natal home by the brother who became household head on her father's death and she works as a dancer (shaykha) in a troupe entertaining men for money. For both of them the ideal of seclusion remains unrealisable, economic factors taking them out into the public world of men. The all-women film-crew were privileged to be allowed to attend a series of events involving women – a visit to the steam baths, a religious celebration, a wedding, a visit to a shuwafa (fortune teller), a possession cult trance and a trip to the market to buy cloth. At many of these social events the guests entertain each other, and the film is remarkable not least for sequences showing women dancing and playing musical instruments, the brilliant colours of their dress and surroundings adding to the visual interest. Some Women of Marrakech is important for the manner in which it situates these 'ethnographic events' in relation to the division between women in the private world and men in the public world, providing an analysis which puts in the foreground questions of women's consciousness, sexuality and male/female division.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Marrakesh, Morocco. , Previously released as DVD. , This edition in Arabic and English with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2193578
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2193578
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