ISBN:
9780226496184
,
9780226496214
Sprache:
Englisch
Seiten:
x, 295 Seiten
,
Illustrationen
,
23 cm
Serie:
Chicago studies in ethnomusicology
Paralleltitel:
Erscheint auch als Rollefson, J. Griffith Flip the script
DDC:
782.421649094
Schlagwort(e):
Hip-hop
;
Postcolonialism and music
;
Music African American influences
;
Hip-hop
;
Hip-hop
;
Music
;
Music
;
Postcolonialism and music
;
Postcolonialism and music
;
Europe, Western
;
Westeuropa
;
Hip-Hop
;
Postkolonialismus
;
Westeuropa
;
Hip-Hop
;
Postkolonialismus
Kurzfassung:
Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
Anmerkung:
Literaturverzeichnis: Seiten 267-280
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