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  • BVB  (5)
  • 2015-2019  (5)
  • New York, NY : Oxford University Press  (5)
  • Afrika  (5)
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
    RVK:
    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199365173 , 9780199365180
    Language: English
    Pages: xiv, 264 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.1/1
    RVK:
    Keywords: Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika
    Note: Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 5
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    RVK:
    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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