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  • BVB  (3)
  • 2020-2022
  • 2015-2019  (3)
  • Europa
  • Art History  (3)
Material
Language
Years
Year
  • 1
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350169982 , 9781474249768 , 9781474249782 , 9781474249775
    Language: English
    Pages: xv, 202 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00945/511
    RVK:
    Keywords: Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Männlichkeit ; Männerkleidung ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Abstract: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    London : Bloomsbury Academic
    ISBN: 9781350031630 , 9781474249768
    Language: English
    Pages: XV, 202 Seiten , Illustrationen
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00945/511
    RVK:
    Keywords: Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Männlichkeit ; Männerkleidung ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Abstract: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 3
    ISBN: 9780300154382 , 0300154380
    Language: English
    Pages: XII, 352 S. , überw. Ill.
    DDC: 391.0094409033
    RVK:
    Keywords: Marie Antoinette ; Ludwig ; Geschichte 1700-1800 ; Geschichte 1774-1793 ; Geschichte ; Fashion / History / 18th century / France ; DESIGN / Fashion ; HISTORY / Modern / 18th Century ; HISTORY / Europe / France ; Mode ; Rokoko ; Hofkleidung ; Absolutismus ; Europa ; Frankreich ; France / Court and courtiers / Clothing / History / 18th century ; France / History / Louis XVI, 1774-1793 ; France / Kings and rulers / Clothing ; Frankreich ; Ludwig XVI. Frankreich, König 1754-1793 ; Marie Antoinette Frankreich, Königin 1755-1793 ; Hofkleidung ; Mode ; Rokoko ; Absolutismus ; Geschichte 1774-1793 ; Hofkleidung ; Geschichte 1774-1793 ; Frankreich ; Rokoko ; Hofkleidung
    Abstract: "This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration"--
    Description / Table of Contents: Introduction: Fashion Statements〈br〉Part One: Court and City, Chapter 1 Introduction Chapter 2 The Queen Chapter 3 The Petite-Maîtresse Chapter 4 The Marchande de Modes〈br〉Part Two: New and Novel, Chapter 5 Introduction Chapter 6 Marriage Chapter 7 Court Dress Chapter 8 Longchamp Chapter 9 Mourning〈br〉Part Three: Fashion and Fantasy, Chapter 10 Introduction Chapter 11 Fashions à l'Américaine Chapter 12 The Chemise à la Reine Chapter 13 Figaro and Fashion Chapter 14 Anglomania Chapter 15 Orientalism〈br〉Part Four: Revolution and Recovery, Chapter 16 Introduction Chapter 17 The Politics of Fashion Chapter 18 Fashion in Exile Chapter 19 Return to Paris〈br〉Conclusion From 'La Mode" to 'Le Mode'
    Note: Includes bibliographical references and index
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