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  • BVB  (7)
  • Online Resource  (7)
  • Berlin : Walter de Gruyter GmbH  (7)
  • Cham : Springer International Publishing AG
  • American Studies  (7)
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  • Online Resource  (7)
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  • 1
    Online Resource
    Online Resource
    New Brunswick, NJ : Rutgers University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781978807624
    Language: English
    Pages: 1 Online-Ressource (206 p.)
    Edition: 2020
    Series Statement: War Culture
    DDC: 303.6/6
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    Abstract: American War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780812294019
    Language: English
    Pages: 1 Online-Ressource
    DDC: 306.0973
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    Abstract: Americans have long been enthralled by visions of the apocalypse. Will the world end through nuclear war, environmental degradation, and declining biodiversity? Or, perhaps, through the second coming of Christ, rapture of the faithful, and arrival of the Antichrist—a set of beliefs known as dispensationalist premillennialism? These seemingly competing apocalyptic fantasies are not as dissimilar as we might think. In fact, Lisa Vox argues, although these secular and religious visions of the end of the world developed independently, they have converged to create the landscape of our current apocalyptic imagination.In Existential Threats, Vox assembles a wide range of media—science fiction movies, biblical tractates, rapture fiction—to develop a critical history of the apocalyptic imagination from the late 1800s to the present. Apocalypticism was once solely a religious ideology, Vox contends, which has secularized in response to increasing technological and political threats to American safety. Vox reads texts ranging from Christianity Today articles on ecology and the atomic bomb to Dr. Strangelove, and from Mary Shelley's The Last Man to the Left Behind series by Tim LaHaye and Jerry B. Jenkins, demonstrating along the way that conservative evangelicals have not been as resistant to science as popularly believed and that scientists and science writers have unwittingly reproduced evangelical eschatological themes and scenarios in their own works. Existential Threats argues that American apocalypticism reflects and propagates our ongoing debates over the authority of science, the place of religion, uses of technology, and America's evolving role in global politics.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479883851
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Keywords 4
    DDC: 305.895073
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    Keywords: Wörterbuch ; Wörterbuch ; Wörterbuch
    Abstract: A new vocabulary for Asian American studiesBorn out of the Civil Rights and Third World Liberation movements of the 1960s and 1970s, Asian American Studies has grown significantly over the past four decades, both as a distinct field of inquiry and as a potent site of critique. Characterized by transnational, trans-Pacific, and trans-hemispheric considerations of race, ethnicity, migration, immigration, gender, sexuality, and class, this multidisciplinary field engages with a set of concepts profoundly shaped by past and present histories of racialization and social formation. The keywords included in this collection are central to social sciences, humanities, and cultural studies and reflect the ways in which Asian American Studies has transformed scholarly discourses, research agendas, and pedagogical frameworks. Spanning multiple histories, numerous migrations, and diverse populations, Keywords for Asian American Studies reconsiders and recalibrates the ever-shifting borders of Asian American studies as a distinctly interdisciplinary field. Visit keywords.nyupress.org for online essays, teaching resources, and more.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780813572369 , 9780813572352
    Language: English
    Pages: 1 Online-Ressource (ix, 343 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.5/973
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Abstract: When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into "panels" in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822394945
    Language: English
    Pages: 1 Online-Ressource (416 p.)
    Edition: 2012
    Series Statement: Next Wave: New Directions in Women's Studies
    DDC: 301.01
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    Keywords: Feminismus ; Queer-Theorie ; Ethnische Identität ; USA
    Abstract: No concept has been more central to the emergence and evolution of identity studies than social justice. In historical and theoretical accounts, it crystallizes the progressive politics that have shaped the academic study of race, gender, and sexuality. Yet few scholars have deliberated directly on the political agency that notions of justice confer on critical practice. In Object Lessons, Robyn Wiegman contemplates this lack of attention, offering the first sustained inquiry into the political desire that galvanizes identity fields. In each chapter, she examines a key debate by considering the political aspirations that shape it. Addressing Women's Studies, she traces the ways that "gender" promises to overcome the exclusions of "women." Turning to Ethnic Studies, she examines the deconstruction of "whiteness" as an antiracist methodology. As she explores American Studies, she links internationalization to the broader quest for noncomplicity in contemporary criticism. Her analysis of Queer Studies demonstrates how the commitment to antinormativity normalizes the field. In the penultimate chapter, Wiegman addresses intersectionality as the most coveted theoretical approach to political resolution in all of these fields.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839409756
    Language: German
    Pages: 1 Online-Ressource (434 Seiten) , Illustrationen
    Series Statement: Postcolonial Studies; 1
    DDC: 306.092
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    Keywords: Intellectuals Biography ; Criticism ; Culture ; Decolonization ; Intellectuals ; Kulturkritik ; Linguistics, other ; Literary Studies ; Literaturtheorie ; Sozialwissenschaften, Soziologie, Anthropologie ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Hochschulschrift
    Abstract: Die Bedeutung des palästinensisch-amerikanischen Kritikers Edward W. Said (1935-2003) für die Zusammenführung vormals disparater kultureller und politischer Debatten ist international längst anerkannt. Erstmals liegt nun eine umfassende Werkeinführung und intellektuelle Biographie in deutscher Sprache vor. Unter besonderer Berücksichtigung der arabischen Diskurssituation illustriert die vergleichende Rezeptionsanalyse zudem die cross-kulturelle Wirkung Saids. In vergleichender Perspektive werden seine wechselnden epistemologischen und politischen Verortungen erschlossen. Die in die Studie einbezogenen Stimmen stammen aus der akademischen Kritik und Historiographie, der politischen Theorie, dem journalistischen und kreativen Schreiben sowie aus den audiovisuellen Künsten. Indem hier dezidiert der Frage nachgegangen wird, was tatsächlich geschieht, wenn Saids Kritik über die Grenzen kultureller und sozialer Differenz reist, gelingt es exemplarisch, die emanzipatorischen Potentiale, aber auch die Hindernisse des postkolonialen kritischen Engagements herauszuarbeiten.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
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  • 7
    ISBN: 9780822389835
    Language: English
    Pages: 1 Online-Ressource (374 p.) , 16 b&w illustrations, 1 table
    DDC: 305.895/073
    RVK:
    Keywords: Aufsatzsammlung
    Abstract: Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans' interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture.This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist "Indo-chic" in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag king, and immigrant television viewers' dismayed reactions to a Chinese American chef who is "not Chinese enough." The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging.Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang...
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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