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  • Musicology  (6,638)
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Language
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969-1981
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985-1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music / Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989-2004
    Additional Information: 15=15 von International Council for Traditional Music / Study Group on Folk Musical Instruments Proceedings from the ... international meeting / International Council for Traditional Music, Study Group on Folk Musical Instruments Stockholm : Svensk Visarkiv, 2005-2005
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    Keywords: Volksmusik ; Volksmusikinstrument ; Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 2
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Online-Ausg. African music
    Former Title: Vorg.: African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
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    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 3
    Book
    Book
    New York and London : Routledge, Taylor & Francis Group
    ISBN: 9781032231051 , 103223105X , 9781032231044 , 1032231041
    Language: English
    Pages: xxx, 389 Seiten , Illustrationen, Notenbeispiele
    Edition: Third edition
    Parallel Title: Online version Lawn, Richard Experiencing jazz
    RVK:
    Keywords: Jazz / History and criticism ; Jazz / Analysis, appreciation ; Jazz ; Jazz / Analysis, appreciation ; Criticism, interpretation, etc
    Abstract: "Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and prominent women in jazz, including Bobby McFerrin, Kurt Elling, The Manhattan Transfer, and Terri Lyne Carrington A dynamic, web-exclusive bonus chapter-Chapter 14.5: The Story Continues, exploring contemporary jazz artists who push the boundaries of jazz by creating new stylistic fusions, and who utilize new media to create, collaborate, and share their artistry Re-worked companion website, featuring new recordings, a more comprehensive audio anthology, and a major revision of The Elements of Jazz section Condensed musician biographies and updated content reflecting jazz's global impact Revised listening guides for spotlighted recordings highlighting key moments worthy of closer listening and analysis Comprehensive and immersive, the third edition of Experiencing Jazz provides a foundational understanding of the history of the genre"--
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  • 4
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
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  • 5
    ISBN: 9780367488789 , 9780367488796
    Language: English
    Pages: xiii, 240 Seiten , Illustrationen
    Series Statement: Transnational Studies in Jazz
    Parallel Title: Erscheint auch als
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  • 6
    ISBN: 9781032412566
    Language: English
    Pages: xii, 768 Seiten , Illustrationen
    Edition: Third edition
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Social aspects ; Hip-hop
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  • 7
    ISBN: 9781032431314 , 1032431318 , 9781032431321 , 1032431326
    Language: English
    Pages: XII, 219 Seiten
    Parallel Title: Online version Ethnomusicology and its intimacies
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    Keywords: Musikethnologie ; Ethnomusicology ; Intimacy (Psychology) ; Ethnomusicologie ; Intimité ; ethnomusicology ; Ethnomusicology ; Intimacy (Psychology) ; Festschrift ; Festschrift ; Festschrift ; Musikethnologie
    Abstract: "Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--
    Description / Table of Contents: Part I. Musical Intimacy in Performance. Introspection I -- Henry Stobart ; The Intimacy of Interlocking / Paul Berliner ; Spiritual and Emotional Dimensions of Female Lullaby Singing in Afghanistan / Veronica Doubleday ; Afghan Wars and Musical Intimacy / James Kippen -- Part II. Intimate Confessions and Biographical Strategies. Introspection II -- Margaret Sarkassian ; Radio and the Music Confessional / Stephen Cottrell ; Amīr Ḳhusraw Between Balkh and Delhi : The Transnational Legacies of an Indo-Afghan Poet-Musician / William Rees Hofmann ; Meetings With Masterly Musicians : Collaboration, Creation, and Curation in the Pursuit of Ethnomusicological Knowledge / Keith Howard ; Searching for a Voice : An Anatolian Tale / Martin Stokes -- Part III. Filmic Intimacies. Introspection III -- André Singer ; Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi / Barley Norton ; The Sonic Intimacies of Khosrow Sinai's A Lost Requiem (1983) / Laudan Nooshin ; Intoxicated Intimacies : Drunken Heroes in Greek Popular Film and Song / Dafni Tragaki ; Epilogue. Digital Ethnomusicology in a Socially-Distanced World / Stephen Wilford
    Note: 2312
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  • 8
    ISBN: 9781666932966
    Language: English
    Pages: xiv, 237 Seiten
    Parallel Title: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
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    Keywords: Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Abstract: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Description / Table of Contents: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 9
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 10
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 11
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197664070 , 9780197664063
    Language: English
    Pages: xvii, 210 Seiten , Notenbeispiele
    Parallel Title: Erscheint auch als Agawu, Kofi On African music
    DDC: 780.96
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    Keywords: Music History and criticism ; Music Social aspects ; Music African influences
    Abstract: "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--
    Description / Table of Contents: Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Language: English
    Pages: XVII, 349 Seiten , Illustrationen
    Series Statement: Routledge music companions
    Parallel Title: Äquivalent
    DDC: 780.89
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    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
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  • 13
    Book
    Book
    Wien : Hollitzer | Beijing : Central Conservatory of Music Press
    ISBN: 9783990940969
    Language: English
    Pages: XVII, 647 Seiten , Illustrationen, Notenbeispiele , 24.7 cm x 17 cm
    Series Statement: National key teaching materials for general higher education. Chinese art education series. Music volume
    Parallel Title: Erscheint auch als
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    Keywords: chinese music ; folk songs ; dance music ; narrative singing ; Chinese opera ; instrumental music
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  • 14
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 15
    Book
    Book
    Cambridge, UK ; Hoboken, NJ, USA : Polity
    ISBN: 9781509552030 , 9781509552023
    Language: English
    Pages: vii, 156 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Popmusik ; Popmusik
    Abstract: "A highly original account of pop music as a constellation of social practices"--
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 16
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Language: English
    Pages: 1 Online-Ressource (xii, 221 Seiten)
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Abstract: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    ISBN: 9780190856731
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 793.3
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    Keywords: Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
    Abstract: Imani Kai Johnson offers a key to thinking about the relationship between Hip Hop aesthetics and Africanism on a global scale, tracking its mutations as Hip Hop has moved from New York to nearly every city and radio station around the globe.
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    ISBN: 9780190856700
    Language: English
    Pages: xiv, 238 Seiten , Illustrationen
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
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    Keywords: Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
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  • 19
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Language: English
    Pages: xii, 221 Seiten
    Series Statement: Oxford theory in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Abstract: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 20
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197555200
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    Series Statement: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
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    Keywords: Electronic books
    Abstract: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Note: Description based on publisher supplied metadata and other sources
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  • 21
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781032276533 , 9781032276540
    Language: English
    Pages: xvii, 222 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1900- ; Volkslied ; Sephardim ; Spanien ; Folk songs, Ladino / History and criticism ; Folk songs, Ladino ; Criticism, interpretation, etc ; Spanien ; Sephardim ; Volkslied ; Geschichte 1900-
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  • 22
    ISBN: 9781032313757 , 9781032313764
    Language: English
    Pages: xvii, 244 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Tempel ; Instrumentalensemble ; Ritual ; Geistliche Musik ; Periya mēḷam ; Spiritualität ; Hinduismus ; Indien ; Periya mēḷam ; Instrumental ensembles / India, South / History and criticism ; Hindu music / India, South / History and criticism ; Hinduism / India, South / Rituals ; Hindu music ; Hindu temples ; Hinduism / Rituals ; Music / Religious aspects / Hinduism ; South India ; Criticism, interpretation, etc ; Indien Süd ; Hinduismus ; Tempel ; Geistliche Musik ; Periya mēḷam ; Instrumentalensemble ; Ritual ; Spiritualität
    Abstract: "Music and Temple Ritual in South India: Performing for Śiva explores the musical practices of the periya mēḷam, a South Indian instrumental temple ensemble of professional musicians. It investigates the role, function and meaning of these practices in a complex, highly formalised ritual of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva - an important patron of music since at least the 10th century. The main themes are the meaning of music in Hindu culture and South Indian present-day, and its temple instrumental music and performance, in relation to Hindu ritual, devotion and the worship of divine images, as well as the sacred function of sound, music and performance in Hindu temple ritual practice. The book is much more than a rich and vivid ethnographic description of a local tradition. It also develops a comprehensive and original analytical model, in which music and performance are understood as both situated and creative practices and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration"--
    Description / Table of Contents: Introduction -- Temple Ritual and Image Worship -- Musicians, from Past to Present -- The Repertoire -- Sound, Space and Divine Images -- Musical Time vs. Ritual Time -- Music, Emotion and Devotion -- Conclusion
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  • 23
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197525104
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65092
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    Keywords: Brubeck, Dave / Criticism and interpretation ; Brubeck, Dave / Political and social views ; Music / ukslc ; Music / thema ; Jazz / History and criticism ; Jazz / Social aspects / United States / History / 20th century ; Music and race / United States / History / 20th century ; Civil rights movements / United States / History / 20th century
    Abstract: How can we - jazz fans, musicians, writers, and historians - understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. This book uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9780367546311 , 9780367546328
    Language: English
    Pages: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
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    Keywords: Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 25
    Book
    Book
    London : Louder Than War Books
    ISBN: 9781526173201
    Language: English
    Pages: viii, 539 Seiten , Illustrationen
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    Keywords: Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 26
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
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  • 27
    Book
    Book
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
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    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 28
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467377
    Language: English
    Pages: 1 Online-Ressource (221 Seiten)
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.6309591
    RVK:
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    Keywords: Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Abstract: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Note: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Online Resource
    Online Resource
    New York ; London : Routledge
    ISBN: 9781003043904
    Language: English
    Pages: 1 Online-Ressource (xvii, 349 Seiten)
    Series Statement: Routledge music companions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501381867
    Language: English
    Pages: 208 Seiten
    Series Statement: Genre : a 33 1/3 series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1979- ; Dance-Punk ; Dance-Punk ; Geschichte 1979-
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  • 32
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
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  • 33
    Book
    Book
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Language: English
    Pages: viii, 169 Seiten , 20 cm
    Series Statement: Genre: a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Abstract: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Description / Table of Contents: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 34
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367534141 , 9780367630324
    Language: English
    Pages: xv, 498 Seiten , Illustrationen, Diagramme
    Series Statement: Routledge music companions
    Parallel Title: Erscheint auch als
    DDC: 781.6509
    RVK:
    Keywords: Geschlechtsidentität ; Jazz ; Jazz / History and criticism ; Jazz / Social aspects / History ; Jazz / Historiography ; Jazz / Instruction and study / History ; Gender identity in music ; Women jazz musicians ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschlechtsidentität
    Abstract: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr --
    Abstract: Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell --
    Abstract: Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past - Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason --
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Hamburg, Germany : adocs
    ISBN: 9783943253641
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Edition: 1. edition
    Parallel Title: Erscheint auch als
    DDC: 781.230964
    RVK:
    Keywords: Kolonialismus ; Klang ; Vielfalt ; Marokko ; Ethnographie ; Sound Studies ; künstlersche Forschung ; postkoloniale Theorie ; akustische Praktiken ; Marokko ; Kolonialismus ; Klang ; Vielfalt
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 36
    Online Resource
    Online Resource
    Rochester : University of Rochester Press
    ISBN: 9781805430643
    Language: English
    Pages: 1 Online-Ressource (xxiii, 277 Seiten)
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Ethnomusicology / Uganda ; Performing arts / Uganda ; Gender identity in music ; Gender identity in dance ; Geschlechterrolle ; Postkolonialismus ; Darstellende Kunst ; Uganda ; Postkolonialismus ; Darstellende Kunst ; Geschlechterrolle ; Uganda
    Abstract: Focusing on 'runyege', the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda
    Note: Title from publisher's bibliographic system (viewed on 15 Dec 2023) , "Traditional dance preserves culture and shows people how to behave": Runyege, MDD, and gender -- Singing marriage, Runyege, and labor -- "Women aren't supposed to": instrument playing in the past and today -- Shaking the hips, stamping the feet : the Runyege dance -- Narrating and representing local culture : theater in songs and dances -- Trans-performing and morality in cultural groups -- Postlude: gendering culture -- Appendix I. Glossary of terms in Runyoro-Rutooro -- Appendix II. Historical recordings from Bunyoro and Tooro -- Author's interviews
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    RVK:
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    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 38
    ISBN: 9781789387315
    Language: English
    Pages: xviii, 256 Seiten , Illustrationen, Karten, Porträts , 21 cm
    Series Statement: Global punk
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Demob ; Geschichte 1981-2011 ; Geschichte 1981-2017 ; Musikleben ; Subkultur ; Rezeption ; Punk Rock ; Jugoslawien ; Balkanhalbinsel ; Phillips, Barry / Travel / Former Yugoslave republics ; Demob / No room for you ; Punk rock music / Yugoslavia / History and criticism ; Yugoslavia / Social life and customs ; Former Yugoslav republics / Description and travel ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Demob No Room For You ; Rezeption ; Jugoslawien ; Geschichte 1981-2011 ; Balkanhalbinsel ; Punk Rock ; Subkultur ; Musikleben ; Geschichte 1981-2017
    Note: das r in search ist im Haupttitel spiegelverkehrt dargestellt
    URL: Register  (// Gemischte Register)
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  • 39
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781009036535
    Language: English
    Pages: 1 Online-Ressource (xx, 323 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    RVK:
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    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: Introduction / Uwe Schütte -- Part I. Context. Krautrock : Definitions, Concepts, Contexts / Ulrich Adelt ; Krautrock and the Radical Politics of 1968 / Detlef Siegfried ; Krautrock in the British and American Music Press / Alexander Simmeth ; Infrastructure of the German Music Business / Jan-Peter Herbst ; The Sound of Krautrock / Heather Moore -- Part II. Music. Kraftwerk / Uwe Schütte ; Can / Patrick Glen ; Tangerine Dream / Sean Nye and Michael Krikorian ; Neu! / David Stubbs ; Faust / Alexander Henkle ; Cluster/Harmonia / David Pattie ; Popol Vuh / Sascha Seiler ; Ash Ra Tempel, Manuel Göttsching and Klaus Schulze / Pertti Grönholm ; Amon Düül II / Ryan Iseppi ; The Flip Side of Krautrock / Jens Balzer -- Part III. Legacy. Krautrock and German Punk / Jeff Hayton ; Krautrock and British Post-Punk / Alexander Carpenter ; Krautrock and German Free Jazz, Kraut Fusion, Detroit Techno / Marcus Barnes ; Krautrock Today / Alex Harden.
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship"--
    Note: Includes index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 40
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    ISBN: 9783832556280
    Language: English
    Pages: xiv, 204 Seiten , Illustrationen
    Series Statement: Musikkulturen im Fokus Band 3
    Series Statement: Musikkulturen im Fokus
    Uniform Title: Preserving traditional music in South Asia
    Dissertation note: Dissertation Freie Universität Berlin 2022
    DDC: 780.8991495
    RVK:
    Keywords: Gebrauchsmusik ; Volksmusikpflege ; Musikethnologie ; Nepal ; Ethnomusicology ; Nepal ; Traditional Music ; Cultural Preservation ; South Asia ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nepal ; Volksmusikpflege ; Gebrauchsmusik ; Musikethnologie
    Note: Titel der Dissertation: Preserving traditional music in South Asia
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  • 42
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 43
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Language: English
    Pages: 176 Seiten , 17 cm
    Series Statement: 33 1/3 173
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789388428
    Language: English
    Pages: xxiv, 330 Seiten , Illustrationen , 25,3 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hip-Hop ; Archivierung ; Hip-hop ; Rap (Music) ; Hip-hop / Archival resources ; Rap (Music) / Archival resources ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Archivierung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
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  • 46
    ISBN: 9781478025047 , 9781478020080
    Language: English
    Pages: XVI, 304 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Queer studies ; Electronic dance music / Social aspects ; Electronic dance music / Social aspects / Germany / Berlin ; Electronic dance music / Social aspects / Illinois / Chicago ; Electronic dance music / Social aspects / France / Paris ; Music and dance / Social aspects ; Dance / Social aspects ; Sound effects music ; Affect (Psychology) ; Intimacy (Psychology) ; Nightlife ; House music / Social aspects ; Ethnomusicology ; MUSIC / Ethnomusicology ; SOCIAL SCIENCE / LGBTQ Studies / General ; Affect (Psychology) ; Dance / Social aspects ; Ethnomusicology ; Intimacy (Psychology) ; Nightlife ; Sound effects music ; France / Paris ; Germany / Berlin ; Illinois / Chicago ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Abstract: "Together, Somehow is Luis-Manuel Garcia Mispireta's exploration of "minimal" house and techno parties in Chicago, Paris, and Berlin during the early 2000s. In particular, Garcia Mispireta is interested in the utopic vision of the inclusive dancefloor, and the way that is produced through what he calls stranger-intimacy--the kind of warmth, sharing, and vulnerability between strangers that happens surprisingly often at popular electronic dance music parties. Drawing on fieldwork conducted in these cities, Together, Somehow rethinks intimacy and belonging through dancing crowds and throbbing dancefloors"--
    Description / Table of Contents: Touch and Intimacy on the Dancefloor -- Sonic Tactility -- Liquidarity -- Thickening Something -- The Sweetness of Coming Undone -- Bouncers, Door Policies, and Embedded Diversity
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  • 47
    ISBN: 9781032332215 , 9781032332239
    Language: English
    Pages: viii, 154 Seiten
    Series Statement: Routledge histories of Central and Eastern Europe
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 48
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
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  • 49
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 50
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 51
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108837125 , 9781108927680
    Language: English
    Pages: xiii, 308 Seiten , Illustrationen, Karte , 25,2 cm
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2022 ; Countrymusic ; Nordamerika ; Country music / History and criticism ; Country music / Social aspects ; Country music ; Country music / Social aspects ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--
    Description / Table of Contents: "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
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  • 52
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 53
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501333699
    Language: English
    Pages: XIX, 696 Seiten , 26,2 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423
    RVK:
    RVK:
    Keywords: Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Note: Description based upon print version of record
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  • 54
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Language: English
    Pages: xi, 354 Seiten , Illustrationen
    Edition: Revised edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Abstract: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Description / Table of Contents: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 55
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 56
    ISBN: 9783828848221
    Language: English
    Pages: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Series Statement: Reihe Musikwissenschaft
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Parallel Title: Erscheint auch als
    DDC: 781.71009669
    RVK:
    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 57
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 58
    Book
    Book
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250323 , 1648250327
    Language: English
    Pages: xxiii, 277 Seiten , Illustrationen, 1 Karte, Notenbeispiele , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology vol. 14
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechterrolle ; Postkolonialismus ; Darstellende Kunst ; Uganda ; Postkolonialismus ; Darstellende Kunst ; Geschlechterrolle ; Uganda
    Note: Literaturverzeichnis: Seite 251-268
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  • 59
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 60
    Online Resource
    Online Resource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Language: English
    Pages: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Series Statement: Bloomsbury handbooks
    Series Statement: Bloomsbury collections
    Parallel Title: Erscheint auch als
    DDC: 781.64/112
    RVK:
    RVK:
    Keywords: Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Abstract: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781009005272 , 9781316511077
    Language: English
    Pages: XX, 323 Seiten , Illustrationen
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship."
    Note: Includes index
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  • 62
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 63
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 64
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
    RVK:
    RVK:
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Book
    Book
    London ; New York : Routledge
    ISBN: 9781032321622 , 9781032321660
    Language: English
    Pages: XVIII, 305 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900-1950 ; Moderne ; Kunstlied ; Australien ; Ostasien ; Songs / East Asia / 20th century / History and criticism ; Music / East Asia / Western influences ; Modernism (Music) / East Asia ; Songs / Australia / 20th century / History and criticism ; Modernism (Music) ; Music / Western influences ; Songs ; Australia ; East Asia ; 1900-1999 ; Criticism, interpretation, etc ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Ostasien ; Australien ; Kunstlied ; Moderne ; Geschichte 1900-1950
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  • 66
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 67
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367406837
    Language: English
    Pages: 44 Seiten , 22 cm
    Series Statement: Routledge advances in theatre & performance studies
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Beyoncé ; Geschichte 2013-2016 ; Afroamerikanische Musik ; Feminismus ; Karriere ; Beyoncé / 1981- / Criticism and interpretation ; Popular music / History and criticism ; African American women in popular culture ; Feminism and music ; Beyoncé / 1981- ; African American women in popular culture ; Feminism and music ; Popular music ; Criticism, interpretation, etc ; Beyoncé 1981- ; Afroamerikanische Musik ; Feminismus ; Karriere ; Geschichte 2013-2016
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  • 68
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108937443
    Language: English
    Pages: 1 Online-Ressource (xiii, 295 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    Keywords: Geschichte 2000-2022 ; Country music / History and criticism ; Country music / Social aspects ; Countrymusic ; Nordamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture
    Note: Title from publisher's bibliographic system (viewed on 03 Feb 2023) , "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Book
    Book
    Charlottesville ; London : University of Virginia Press
    ISBN: 9780813949826 , 9780813949819
    Language: English
    Pages: x, 276 Seiten , Illustrationen
    Series Statement: New world studies
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Princeton University 2023
    DDC: 781.649
    RVK:
    Keywords: Hip-Hop ; Rapmusiker ; Politischer Protest ; Haiti ; Brasilien ; Kuba ; Rap (Music) / Cuba / History and criticism ; Rap (Music) / Brazil / History and criticism ; Rap (Music) / Haiti / History and criticism ; Rap (Music) / Political aspects / Cuba ; Rap (Music) / Political aspects / Brazil ; Rap (Music) / Political aspects / Haiti ; Rap (Music) ; Rap (Music) / Political aspects ; Brazil ; Cuba ; Haiti ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kuba ; Brasilien ; Haiti ; Rapmusiker ; Hip-Hop ; Politischer Protest
    Abstract: "Drawing on ethnographic fieldwork and an archive of hundreds of songs by more than sixty hip hop artists, this book examines how rap's political messages are adapted and reinterpreted to reflect the unique situations in Cuba, Brazil, and Haiti"
    Note: Titel auf dem Umschlag: "Break & flow"
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  • 71
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource (314 p.)
    DDC: 306.4846
    RVK:
    RVK:
    Abstract: In Together, Somehow, Luis Manuel Garcia-Mispireta examines how people find ways to get along and share a dancefloor, a vibe, and a sound. Drawing on time spent in the minimal techno and house music subscenes in Chicago, Paris, and Berlin as the first decade of the new millennium came to a close, Garcia-Mispireta explains this bonding in terms of what he calls stranger-intimacy: the kind of warmth, sharing, and vulnerability between people that happens surprisingly often at popular electronic dance music parties. He shows how affect lubricates the connections between music and the dancers. Intense shared senses of sound and touch help support a feeling of belonging to a larger social world. However, as Garcia-Mispireta points out, this sense of belonging can be vague, fluid, and may hide exclusions and injustices. By showing how sharing a dancefloor involves feeling, touch, sound, sexuality, and subculture, Garcia-Mispireta rethinks intimacy and belonging through dancing crowds and the utopian vision of throbbing dancefloors.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 72
    ISBN: 9783031055546
    Language: English
    Pages: xv, 275 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
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  • 73
    ISBN: 9781644698952
    Language: English
    Pages: 1 Online-Ressource (362 p.)
    Series Statement: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    Keywords: Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789385397
    Language: English
    Pages: xxix, 187 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660980904
    RVK:
    Keywords: Geschichte 1970-2020 ; Dub ; Jamaika ; Dub (Music) / Jamaica / History and criticism ; Dub (Musique) / Jamaïque / Histoire et critique ; Dub (Music) ; Jamaica ; Criticism, interpretation, etc ; Jamaika ; Dub ; Geschichte 1970-2020
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  • 75
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009087650 , 1009087657
    Language: English
    Pages: 66 pages , illustrations , 23 cm
    Series Statement: Cambridge elements: elements in women theatre makers
    Parallel Title: Online version Liu, Siyuan Xin Fengxia and the transformation of China's ping opera
    RVK:
    Keywords: Xin, Fengxia ; Actors / China / Biography ; Xin, Fengxia ; Actors ; China ; Biographies
    Abstract: "Abstract: This Element focuses on Xin Fengxia (1927-1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949-1957), restricted creativity amidst political upheavals (1957-1975), and as a prominent author after a stroke (1977-1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success"--
    Description / Table of Contents: Growing up in Tiajin before 1949 -- National stardom in Beijing (1978-1957) -- Creativity during political upheavals (1957 -- 1975) -- Authoring her memories (1977-1998) -- Conclusion
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  • 77
    Map
    Map
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367691424 , 9780367691417
    Language: English
    Pages: xv, 221 Seiten , Illustrationen, Karte, Notenbeispiele
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Volksmusikpflege ; Tanz ; Kelten ; Geschichte ; Cornwall ; Celtic music / Social aspects / England / Cornwall (County) ; Cornwall (England : County) / Social life and customs ; Cornwall (England : County) / History, Local ; Manners and customs ; England / Cornwall (County) ; Local history ; Hochschulschrift ; Hochschulschrift ; Cornwall ; Kelten ; Volksmusikpflege ; Tanz ; Geschichte
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  • 78
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190699345
    Language: English
    Pages: 1 Online-Ressource (xii, 376 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.648
    RVK:
    RVK:
    Keywords: Music / ukslc ; Music / thema ; Ambient music / History and criticism ; Psychedelic rock music / History and criticism
    Abstract: Explores the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic counterculture. It examines landmark psychedelic, new age, electronic dance, and ambient records, as well as related media discourses, that plotted the conventions of ambient music
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501393273 , 9781501342332
    Language: English
    Pages: xvi, 445 Seiten , Illustrationen
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Musikvideo ; Popmusik ; Aufsatzsammlung ; Popmusik ; Musikvideo
    Note: Literaturverzeichnis: Seite 404-437
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  • 80
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479808212
    Language: English
    Pages: 1 Online-Ressource (216 Seiten) , Illustrationen
    Series Statement: Postmillennial Pop 32
    Series Statement: Postmillennial Pop
    DDC: 111/.8508996073
    RVK:
    Keywords: MUSIC / Genres & Styles / Rap & Hip Hop ; Aesthetics, Black ; African American arts History ; Gay culture History ; Hip-hop History
    Abstract: Unearths the queer aesthetic origins of NYC hip hopHip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality.To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic.Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    Online Resource
    Online Resource
    Cambridge, UK ; New York : Cambridge University Press
    ISBN: 9781009083508
    Language: English
    Pages: 1 Online-Ressource (66 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 792.028/8092
    RVK:
    Keywords: Xin, Fengxia ; Actors / China / Biography
    Abstract: This Element focuses on Xin Fengxia (1927-1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949-1957), restricted creativity amidst political upheavals (1957-1975), and as a prominent author after a stroke (1977-1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success
    Note: Title from publisher's bibliographic system (viewed on 31 Aug 2022) , Growing up in Tiajin before 1949 -- National stardom in Beijing (1978-1957) -- Creativity during political upheavals (1957--1975) -- Authoring her memories (1977-1998) -- Conclusion
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
    Online Resource
    Online Resource
    Singapore : Springer Nature Singapore | Imprint: Palgrave Macmillan
    ISBN: 9789811923401
    Language: English
    Pages: 1 Online-Ressource (XVII, 357 p. 24 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    DDC: 306
    RVK:
    Keywords: Culture ; Science—Social aspects ; Music—Philosophy and aesthetics ; Music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    ISBN: 9783982466705 , 9783985953127
    Language: German , English
    Pages: 349 Seiten , 30 cm x 21.8 cm
    RVK:
    Keywords: Geschichte 1991-2021 ; Handzettel ; Subkultur ; Techno ; Dokumentarfotografie ; Musiklokal ; Druckgrafik ; Berlin ; Bildband ; Bildband ; Bildband ; Bildband ; Berlin ; Musiklokal ; Dokumentarfotografie ; Druckgrafik ; Handzettel ; Techno ; Subkultur ; Geschichte 1991-2021
    Abstract: Die ehrwürdige Institution hat tief in ihren Archiven gegraben und unzählige Schätze aus drei Jahrzehnten Clubgeschichte freigelegt. Über 400 noch nie gezeigte Fotos, Flugblätter, Faxe und andere Artefakte illustrieren eine Geschichte, die gleichzeitig wichtigste gesellschaftliche und musikalische Entwicklungen in der modernen Geschichte Berlins zusammenbringt. Mehr als 40 Protagonist*Innen berichten aus erster Hand über ihre Erinnerungen an den "Urknall", der Techno in die Welt brachte. Anhand der Geschichte von Tresor zeichnet das Buch die berauschenden Tage des West-Berlins der 80er Jahre und der neuen Energie nach, die in der sozialen Realität des wiedervereinigten Deutschlands ihren Anfang nahm. Ein einzigartiges und unverzichtbares gedrucktes Denkmal für die Institution, die die elektronische Musik für immer verändert hat, und für die Stadt, die ihr die Existenz ermöglichte.
    Note: Aufkleber: Seltene Archivfotos und unerzählte Geschichten aus den 80er und 90er Jahren , Text teilweise englisch, teilweise deutsch
    URL: Cover
    URL: Cover
    URL: Cover
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  • 84
    Book
    Book
    Lanham, Maryland ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538162613 , 9781538162620
    Language: English
    Pages: xii, 193 Seiten , Illustrationen
    Series Statement: Living existentialism
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: Musikhören ; Jazz ; Weiße ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; Black people / Social conditions ; White people / Race identity ; Écoute (Philosophie) ; Musique et race ; Black people / Social conditions ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; White people / Race identity ; Jazz ; Weiße ; Musikhören
    Abstract: "This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, this book introduces students to the notion of the white sonic gaze"--
    Description / Table of Contents: Preface. A Note on Jazz Pedagogy -- Aural Orientations -- The Jazz Problem : Patterns of White Bad Faith Listening -- Listening Exercises for Chapter Two, The Jazz Problem -- Listening to Difference : Creole Critiques of White Listening -- Listening Exercises for Chapter Three, Listening to Difference -- The Ears of a Guilty People : Africana Critiques of White Listening -- Listening Exercises for Chapter Four, The Ears of a Guilty People -- Afterword. Say Their Names : Breonna Taylor, George Floyd
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  • 85
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
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    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 86
    ISBN: 9780198866183
    Language: English
    Pages: xv, 364 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
    RVK:
    RVK:
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    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: Includes bibliographical references, discography and index
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  • 87
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060105
    Language: English
    Pages: xvii, 297 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Online version Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 88
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031082962
    Language: English
    Pages: 1 Online-Ressource (XI, 181 p)
    Edition: 1st ed. 2022
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Music ; Cultural Heritage ; Popular Culture ; Music ; Cultural property ; Popular Culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 90
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
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    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Sufi-Bruderschaft ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Sufi-Bruderschaft ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 91
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
    RVK:
    RVK:
    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 92
    ISBN: 9781793607546
    Language: English
    Pages: xiii, 183 Seiten , Illustrationen
    Series Statement: Critical perspectives on music and society
    DDC: 781.648
    RVK:
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  • 93
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Language: English
    Pages: xxvi, 448 Seiten , Illustrationen
    Series Statement: Hip Hop studies 3
    Series Statement: Hip Hop studies
    Parallel Title: Erscheint auch als
    DDC: 306.484249
    RVK:
    Keywords: Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Abstract: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Abstract: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Abstract: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Description / Table of Contents: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Description / Table of Contents: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Description / Table of Contents: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 94
    ISBN: 9783955930172 , 3955930173
    Language: German , English
    Pages: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 17
    Series Statement: Eine Veröffentlichung des Jazzinstituts Darmstadt
    DDC: 781.65
    RVK:
    RVK:
    RVK:
    Keywords: Jazz ; Vielfalt ; Konferenzschrift 2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021
    Note: Texte teilweise deutsch, teilweise englisch , Literaturangaben
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  • 95
    Book
    Book
    London ; New York ; Sydney ; Toronto ; New Delhi : Simon & Schuster
    ISBN: 9781398519411 , 9781451648706
    Language: English
    Pages: 339 Seiten , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Edition: First Simon & Schuster hardcover edition
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    RVK:
    Keywords: Geschichte 1924-2004 ; Song ; Interpretation ; Popular music / Writing and publishing ; Popular music / Writing and publishing ; Essays ; Song ; Interpretation ; Geschichte 1924-2004
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  • 96
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
    RVK:
    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 97
    ISBN: 9781478017912 , 9781478015291
    Language: English
    Pages: xii, 167 Seiten , Illustrationen
    Series Statement: Thought in the act
    Parallel Title: Erscheint auch als
    DDC: 303.48/33
    RVK:
    RVK:
    RVK:
    Keywords: SOCIAL SCIENCE / Media Studies ; Communication and technology Philosophy ; Communication and technology Social aspects ; Communication and the arts Philosophy ; Sound (Philosophy) ; Sound (Philosophy) ; Technology Philosophy ; Philosophie ; Klang ; Hören ; Computerunterstützte Kommunikation ; Computerunterstützte Kommunikation ; Klang ; Hören ; Philosophie
    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems
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  • 98
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197511114
    Language: English
    Pages: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Abstract: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Note: Also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    ISBN: 9780231205931 , 9780231205924
    Language: English
    Pages: 192 Seiten
    Series Statement: The Columbia oral history series
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Abstract: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Description / Table of Contents: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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  • 100
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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