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  • BVB  (11)
  • GRASSI Mus. Leipzig
  • English  (11)
  • Berlin : Walter de Gruyter GmbH
  • Cham, Switzerland : Palgrave Macmillan
  • American Studies  (11)
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Material
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  • 1
    ISBN: 9783030861483
    Language: English
    Pages: 1 Online-Ressource (xxv, 348 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.2
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    Keywords: Douglas, Marjory Stoneman ; Abbey, Edward ; Muir, John ; Thoreau, Henry David ; Leopold, Aldo ; Human Geography ; Social and Cultural Geography ; Environmental Studies ; Environmental Social Sciences ; Cultural Studies ; Human geography ; Cultural geography ; Human ecology—Study and teaching ; Environmental sciences—Social aspects ; Culture—Study and teaching ; Renaturierung ; Geschichte ; Literatur ; Umwelt ; Beziehung ; USA ; USA ; Umwelt ; Literatur ; Renaturierung ; Beziehung ; Geschichte ; Thoreau, Henry David 1817-1862 ; Muir, John 1838-1914 ; Leopold, Aldo 1886-1948 ; Douglas, Marjory Stoneman 1890-1998 ; Abbey, Edward 1927-1989
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030796259
    Language: English
    Pages: vi, 212 Seiten , 210 mm
    Parallel Title: Erscheint auch als
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    Keywords: Eminem ; Geschichte 1999-2020 ; Ethnology—America ; Culture ; Literature—History and criticism ; Popular music ; Song ; Lyrics ; Musikalbum ; Hardcover, Softcover / Musik ; Eminem 1972- ; Musikalbum ; Song ; Lyrics ; Geschichte 1999-2020
    Abstract: "This book critically analyses Eminem’s studio album releases from his first commercial album release The Slim Shady LP in 1999, to 2020’s Music To Be Murdered By, through the lens of storytelling, truth and rhetoric, narrative structure, rhyme scheme and type, perspective, and celebrity culture. In terms of lyrical content, no area has been off-limits to Eminem, and he has written about domestic violence, murder, rape, child abuse, incest, drug addiction, and torture during his career. But whilst he will always be associated with these dark subjects, Mathers has also explored fatherhood, bereavement, mental illness, poverty, friendship, and love within his lyrics, and the juxtaposition between these very different themes (sometimes within the same song), make his lyrics complex, deep, and deserving of proper critical discussion.The first full-length monograph concerning Eminem's lyrics, this book affords the same rigorous analysis to a hip-hop artist as would be applied to any great writer's body of work; such analysis of 'popular' music is often overlooked. In addition to his rich exploration of Eminem's lyrics, Fosbraey furthermore delves into a variety of different aspects within popular music including extra-verbal elements, image, video, and surrounding culture. This critical study of his work will be an invaluable resource to academics working in the fields of Popular Music, English Literature, or Cultural Studies." (Buchrückseite)
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  • 3
    Online Resource
    Online Resource
    New Brunswick, NJ : Rutgers University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781978807624
    Language: English
    Pages: 1 Online-Ressource (206 p.)
    Edition: 2020
    Series Statement: War Culture
    DDC: 303.6/6
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    Abstract: American War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9783030362171 , 9783030362201
    Language: English
    Pages: xvi, 244 Seiten , Illustrationen
    Series Statement: Palgrave studies in comics and graphic novels
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Media and Communication ; American Culture ; Contemporary Literature ; Communication ; United States—Study and teaching ; Literature, Modern—20th century ; Literature, Modern—21st century ; Comic ; Vaterschaft ; Autobiografische Literatur ; Vater ; Nordamerika ; Nordamerika ; Autobiografische Literatur ; Comic ; Vater ; Vaterschaft
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  • 5
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783319886237
    Language: English
    Pages: viii, 150 Seiten , 22 cm
    Series Statement: Palgrave pivot
    Parallel Title: Erscheint auch als
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    Keywords: Identität ; Kunst ; Hipster ; Subkultur ; Art and society ; Art and society ; Hipster ; Subkultur ; Identität ; Kunst
    Abstract: "This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's flan̂eur to the contemporary 'creative' borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the 'foot soldiers of capitalism', the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform--a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art."--Publisher's website
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  • 6
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780812294019
    Language: English
    Pages: 1 Online-Ressource
    DDC: 306.0973
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    Abstract: Americans have long been enthralled by visions of the apocalypse. Will the world end through nuclear war, environmental degradation, and declining biodiversity? Or, perhaps, through the second coming of Christ, rapture of the faithful, and arrival of the Antichrist—a set of beliefs known as dispensationalist premillennialism? These seemingly competing apocalyptic fantasies are not as dissimilar as we might think. In fact, Lisa Vox argues, although these secular and religious visions of the end of the world developed independently, they have converged to create the landscape of our current apocalyptic imagination.In Existential Threats, Vox assembles a wide range of media—science fiction movies, biblical tractates, rapture fiction—to develop a critical history of the apocalyptic imagination from the late 1800s to the present. Apocalypticism was once solely a religious ideology, Vox contends, which has secularized in response to increasing technological and political threats to American safety. Vox reads texts ranging from Christianity Today articles on ecology and the atomic bomb to Dr. Strangelove, and from Mary Shelley's The Last Man to the Left Behind series by Tim LaHaye and Jerry B. Jenkins, demonstrating along the way that conservative evangelicals have not been as resistant to science as popularly believed and that scientists and science writers have unwittingly reproduced evangelical eschatological themes and scenarios in their own works. Existential Threats argues that American apocalypticism reflects and propagates our ongoing debates over the authority of science, the place of religion, uses of technology, and America's evolving role in global politics.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780813572369 , 9780813572352
    Language: English
    Pages: 1 Online-Ressource (ix, 343 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.5/973
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Abstract: When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into "panels" in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9780813571751
    Language: English
    Pages: 1 Online-Ressource , 5 illustrations
    DDC: 305.48/896073
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    Abstract: Western culture has long regarded black female sexuality with a strange mix of fascination and condemnation, associating it with everything from desirability, hypersexuality, and liberation to vulgarity, recklessness, and disease. Yet even as their bodies and sexualities have been the subject of countless public discourses, black women’s voices have been largely marginalized in these discussions. In this groundbreaking collection, feminist scholars from across the academy come together to correct this omission—illuminating black female sexual desires marked by agency and empowerment, as well as pleasure and pain, to reveal the ways black women regulate their sexual lives. The twelve original essays in Black Female Sexualities reveal the diverse ways black women perceive, experience, and represent sexuality. The contributors highlight the range of tactics that black women use to express their sexual desires and identities. Yet they do not shy away from exploring the complex ways in which black women negotiate the more traumatic aspects of sexuality and grapple with the legacy of negative stereotypes. Black Female Sexualities takes not only an interdisciplinary approach—drawing from critical race theory, sociology, and performance studies—but also an intergenerational one, in conversation with the foremothers of black feminist studies. In addition, it explores a diverse archive of representations, covering everything from blues to hip-hop, from Crash to Precious, from Sister Souljah to Edwidge Danticat. Revealing that black female sexuality is anything but a black-and-white issue, this collection demonstrates how to appreciate a whole spectrum of subjectivities, experiences, and desires. ...
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479883851
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Keywords 4
    DDC: 305.895073
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    Keywords: Wörterbuch ; Wörterbuch ; Wörterbuch
    Abstract: A new vocabulary for Asian American studiesBorn out of the Civil Rights and Third World Liberation movements of the 1960s and 1970s, Asian American Studies has grown significantly over the past four decades, both as a distinct field of inquiry and as a potent site of critique. Characterized by transnational, trans-Pacific, and trans-hemispheric considerations of race, ethnicity, migration, immigration, gender, sexuality, and class, this multidisciplinary field engages with a set of concepts profoundly shaped by past and present histories of racialization and social formation. The keywords included in this collection are central to social sciences, humanities, and cultural studies and reflect the ways in which Asian American Studies has transformed scholarly discourses, research agendas, and pedagogical frameworks. Spanning multiple histories, numerous migrations, and diverse populations, Keywords for Asian American Studies reconsiders and recalibrates the ever-shifting borders of Asian American studies as a distinctly interdisciplinary field. Visit keywords.nyupress.org for online essays, teaching resources, and more.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9780822389835
    Language: English
    Pages: 1 Online-Ressource (374 p.) , 16 b&w illustrations, 1 table
    DDC: 305.895/073
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    Keywords: Aufsatzsammlung
    Abstract: Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans' interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture.This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist "Indo-chic" in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag king, and immigrant television viewers' dismayed reactions to a Chinese American chef who is "not Chinese enough." The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging.Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang...
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822399476
    Language: English
    Pages: 1 Online-Ressource (280 p.)
    Series Statement: New Americanists
    DDC: 305
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    Keywords: Aufsatzsammlung
    Abstract: In this brilliantly combative study, Robyn Wiegman challenges contemporary clichés about race and gender, a formulation that is itself a cliché in need of questioning. As part of what she calls her "feminist disloyalty," she turns a critical, even skeptical, eye on current debates about multiculturalism and "difference" while simultaneously exposing the many ways in which white racial supremacy has been reconfigured since the institutional demise of segregation. Most of all, she examines the hypocrisy and contradictoriness of over a century of narratives that posit Anglo-Americans as heroic agents of racism's decline. Whether assessing Uncle Tom's Cabin, lynching, Leslie Fiedler's racialist mapping of the American novel, the Black Power movement of the 60s, 80s buddy films, or the novels of Richard Wright and Toni Morrison, Wiegman unflinchingly confronts the paradoxes of both racism and antiracist agendas, including those advanced from a feminist perspective.American Anatomies takes the long view: What epistemological frameworks allowed the West, from the Renaissance forward, to schematize racial and gender differences and to create social hierarchies based on these differences? How have those epistemological regimes changed-and not changed-over time? Where are we now? With painstaking care, political passion, and intellectual daring, Wiegman analyzes the biological and cultural bases of racial and gender bias in order to reinvigorate the discussion of identity politics. She concludes that, for very different reasons, identity proves to be dangerous to minority and majority alike.
    URL: Cover
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