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  • MPI Ethno. Forsch.  (7)
  • BVB
  • London : Palgrave Macmillan UK  (7)
  • Comparative literature  (7)
  • English Studies  (7)
  • German Studies
Datasource
  • MPI Ethno. Forsch.  (7)
  • BVB
  • BSZ  (7)
Material
Language
Years
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137549556
    Language: English
    Pages: 1 Online-Ressource (Approx. 225 p)
    Series Statement: New Comparisons in World Literature
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; Postmodernism (Literature) ; Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; Postmodernism (Literature)
    Abstract: This book is a transnational study of how contemporary fiction writers from the United States and Canada to Nigeria to India to Dubai have conceptualized the emergent social spaces of the diverse corners of the neoliberal world system. Over the span of the past three to four decades, free market economic policies have been sold to or pushed upon every society on the globe in some way, shape, or form. The upshot of this has been a world system structured in terms of a vast shift of power and resources from government to private enterprise, dwindling civic life replaced by rising consumerism, an emerging oligarchic rentier class, large segments of population faced with meager material conditions of existence and few prospects of socio-economic mobility, and a looming sense of a near future dominated by further economic collapses and mounting social strife. This book analyses a wide cultural array of some of the most poignant narrative engagements with neoliberalism in its various localized manifestations throughout the world
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137599995
    Language: English
    Pages: 1 Online-Ressource (X, 211 p)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
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    Keywords: Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Jack the Ripper ; Rezeption ; Film ; Kultur
    Abstract: In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137403544
    Language: English
    Pages: 1 Online-Ressource (XIV, 279 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; Südasien ; Literatur ; Englisch
    Abstract: This collection offers an essential, structured survey of contemporary fictions of South Asia in English, and includes specially commissioned chapters on each of the national traditions of the region. It covers less well known writings from Pakistan, Sri Lanka and Bangladesh as well as the more firmly established canon of contemporary Indian literature, and features chapters on important new and emergent forms such as the graphic novel, genre fiction and the short story. It also contextualizes some key ‘transformative’ aspects of recent fiction such as border and diaspora identities; new middle-class narratives and popular genres; and literary response to terror and conflict. Edited and designed with researchers and students in mind, the book updates existing criticism and represents a readable guide to a dynamic, rapidly changing area of global literature
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  • 4
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137393807
    Language: English
    Pages: 1 Online-Ressource (XXII, 315 p. 6 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: History of British Women's Writing
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Comparative literature ; Fiction ; British literature ; British literature. ; Comparative literature. ; Fiction. ; Literature, Modern—20th century. ; Literature—History and criticism.
    Abstract: The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ - ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’, ‘New Journalism’, ‘New Man’ - are this moment’s touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women’s writing throughout the United Kingdom and around the globe
    Abstract: List of Figures -- Series Preface -- Acknowledgements -- Notes on the Contributors -- Chronology -- Introduction: a revolutionary moment; Holly A. Laird -- PART I: MODERN WOMEN -- From the New Woman to the Suffragette: -- 1. The (Irish) New Woman: political, literary, and sexual experiments; Tina O’Toole -- 2. Fin-de-Siècle Ouida: A New Woman writing against the New Woman?; Lyn Pykett -- 3. The New Woman in Wales: Welsh women’s writing, 1880-1920; Jane Aaron -- 4. British Women Writers, Technology, and the Sciences, 1880-1920; Lisa Hager -- 5. Mediating Women: Evelyn Sharp and the modern media fictions of suffrage; Barbara Green -- From the Decadent to the Queer: -- 6. Female Decadence; Joseph Bristow -- 7. Re-writing Myths of Creativity: Pygmalionism, Galatea figures, and the revenge of the Muse in Late Victorian literature by women; Catherine Delyfer -- 8. Venus in the Museum: Women’s representations and the rise of public art institutions; Ruth Hoberman -- 9. Women’s Nature and the Neo-Pagan Movement; Dennis Denisoff -- From the Nation to the Globe: -- 10. This Nation Which Is Not One: Olive Schreiner’s The Story of an African Farm; Holly A. Laird -- 11. Geographies of Self: Scottish women writing Scotland; Glenda Norquay -- 12. Modern Travel on the Fringes of Empire; Judy Suh -- 13. Women Writing Japan; Edward Marx -- PART II: MODERN GENRES -- From the Story to the Lyric: -- 14. New Women Writing Beyond the Novel: Short Stories; Margaret Stetz -- 15. Material Negotiations: Women writing the short story; Kate Krueger -- 16. Women’s Lyric, 1880-1920; Emily Harrington -- 17. Vigo Street Sapphos: The Bodley Head Press and women poets of the 1890s; Linda Peterson -- From Journalism to the War Memoir: -- 18. Women’s Slum Journalism, 1885-1910; S. Brooke Cameron -- 19. Turn-of-the-Century Women Writing about Art, 1880-1920; Meaghan Clarke -- 20. The British Female Detective Written by Women, 1890-1920; Joseph Kestner -- 21. Writing Modern Deaths: Women, war, and the view from the home front; Bette London -- Select Bibliography -- Index.-
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  • 5
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137557926
    Language: English
    Pages: 1 Online-Ressource (VIII, 204 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Comparative literature ; Literature Philosophy ; Literature, Modern 20th century ; Poetry ; Literature ; Comparative literature ; Literature Philosophy ; Literature, Modern 20th century ; Poetry ; Hughes, Ted 1930-1998 ; Trauma
    Abstract: This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet
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  • 6
    ISBN: 9781137595690
    Language: English
    Pages: 1 Online-Ressource (XXI, 301 p. 65 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature, Modern 20th century ; Humanities Digital libraries ; Comparative literature ; Technology in literature ; Postmodernism (Literature) ; Technology in literature. ; Postmodernism (Literature). ; Comparative literature. ; Humanities—Digital libraries. ; Literature, Modern—20th century. ; Literatur ; Moderne ; Digital Humanities
    Abstract: This book uses the discipline-specific, computational methods of the digital humanities to explore a constellation of rigorous case studies of modernist literature. From data mining and visualization to mapping and tool building and beyond, the digital humanities offer new ways for scholars to questions of literature and culture. With the publication of a variety of volumes that define and debate the digital humanities, we now have the opportunity to focus attention on specific periods and movements in literary history. Each of the case studies in this book emphasizes literary interpretation and engages with histories of textuality and new media, rather than dwelling on technical minutiae. Reading Modernism with Machines thereby intervenes critically in ongoing debates within modernist studies, while also exploring exciting new directions for the digital humanities-ultimately reflecting on the conjunctions and disjunctions between the technological cultures of the modernist era and our own digital present
    Abstract: Introduction; Shawna Ross -- Chapter 1. ModLabs; Dean Irvine -- Chapter 2. Modeling Modernist Dialogism; Adam Hammond, Julian Brooke and Graeme Hirst -- 3. Mapping Modernism’s Z-Axis; Alex Christie and Katie Tanigawa -- Chapter 4. Textbase as Machine; Kathryn Holland and Jana Smith Elford -- Chapter 5. Remediation and Development of Modernist Forms in The Western Home Monthly; Hannah McGregor and Nicholas van Orden -- Chapter 6. Stylistic Perspective Across Kenneth Fearing’s Poetry; Wayne Arnold -- Chapter 7. In the End Was the Word; Adam James Bradley -- Chapter 8. A Macro-Etymological Analysis of James Joyce’s The Portrait of the Artist as a Young Man; Jonathan Reeve -- Chapter 9. Body Language; Kurt Cavender, Jamey E. Graham, Robert P. Fox, Jr., Richard Flynn and Kenyon Cavender -- Chapter 10. “We twiddle…and turn into machines”; Andrew Pilsch -- Chapter 11. CGI Monstrosities; Eunsong Kim
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  • 7
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137372925
    Language: English
    Pages: 1 Online-Ressource (XIV, 363 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Motion pictures History ; Literature, Modern 20th century ; Comparative literature ; Fiction ; Technology in literature ; Fiction. ; Technology in literature. ; Comparative literature. ; Literature, Modern—20th century. ; Motion pictures—History. ; Christie, Agatha 1890-1976 ; Adaption ; Film
    Abstract: ‘Mark Aldridge's book uncovers many hitherto unknown facts about screen adaptations of Agatha Christie. It is an important addition to Christie scholarship and required reading for all admirers of the Queen of Crime.’ - Dr. John Curran, author of Agatha Christie's Secret Notebooks ‘The book is a mine of information. As well as a fascinating insight into the history of Agatha Christie adaptations, the book also throws much light on the whole area of adaptation and its participants on every side of the fence.’ - Mathew Prichard, grandson of Agatha Christie Agatha Christie on Screen is a comprehensive exploration of 90 years of film and television adaptations of the world’s best-selling novelist’s work. Drawing on extensive archival material, it offers new information regarding both the well-known and forgotten screen adaptations of Agatha Christie’s stories, including unmade and rare adaptations, some of which have been unseen for more than half a century. This history offers intriguing insights into the discussions and debates that surrounded many of these screen projects - something that is brought to life through previously unpublished correspondence from Christie herself and a new wide-ranging interview with her grandson, Mathew Prichard. Agatha Christie on Screen takes the reader on a journey from little known silent film adaptations, through to famous screen productions including 1974’s Murder on the Orient Express, as well as the television series of the Poirot and Miss Marple stories and, most recently, the BBC’s acclaimed version of And Then There Were None
    Abstract: Introduction -- PART I. Destination Unknown -- Chapter 1. The Silent Adventures -- Chapter 2. Poirot Comes to the Silver Screen -- PART II. Appointment with Death -- Chapter 3. The Early Television Adaptations -- Chapter 4. New Prospects and Problems in Television -- PART III. Wasps’ Nest -- Chapter 5. Christie Films Make an Impact -- Chapter 6. Margaret Rutherford as Miss Marple -- PART IV. Evil Under the Sun -- Chapter 7. A New Era for Agatha Christie Films -- Chapter 8. Peter Ustinov as Hercule Poirot -- PART V. Partners in Crime -- Chapter 9. Christie Comes Back to Television -- Chapter 10. New Approaches -- PART VI. In a Glass Darkly -- Chapter 11. Agatha Christie’s Miss Marple -- Chapter 12. Agatha Christie’s Poirot -- PART VII. Hidden Horizon -- Chapter 13. European Adaptations -- Chapter 14. Adaptations in the Rest of the World -- PART VIII. While the Light Lasts -- Chapter 15. Christie with a Twist -- Chapter 16. Looking to the Future
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