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  • 1
    ISBN: 9781137523402
    Language: English
    Pages: 1 Online-Ressource (XVIII, 282 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Wells, H. G. 1866-1946 ; Morris, William 1834-1896 ; Utopie ; Anti-Utopie ; Landschaft ; Zeit
    Abstract: This book is about the fiercely contrasting visions of two of the nineteenth century’s greatest utopian writers. A wide-ranging, interdisciplinary study, it emphasizes that space is a key factor in utopian fiction, often a barometer of mankind’s successful relationship with nature, or an indicator of danger. Emerging and critically acclaimed scholars consider the legacy of two great utopian writers, exploring their use of space and time in the creation of sites in which contemporary social concerns are investigated and reordered. A variety of locations is featured, including Morris’s quasi-fourteenth century London, the lush and corrupted island, a routed and massacred English countryside, the high-rises of the future and the vertiginous landscape of another Earth beyond the stars
    Abstract: Introduction; Emelyne Godfrey -- SETTING THE SCENE -- Kelmscott House: Threshold to Utopia; Michael Sherborne -- PART I. TIME AS A KIND OF SPACE -- 1. Imaginary Hindsight: Contemporary History in William Morris and H. G. Wells; Helen Kingstone -- 2. ‘Quivers of Idiosyncrasy’: Modern Statistics in A Modern Utopia; Genie Babb -- 3. ‘All Good Earthly Things Are In Utopia Also’: Familiarity and Irony in the Better Worlds of Morris and Wells; Ben Carver -- PART II. MATTERS OUT OF PLACE: DANGER AND DISRUPTION IN UTOPIA -- 4. Problems in Utopia from the Thames Valley to the Pacific Edge; Tony Pinkney -- 5. Utopia’s the Thing: An Analysis of Utopian Program and Impulse in H.G. Wells’s The Island of Doctor Moreau; Rhys Williams -- 6. ‘Great Safe Places Down Deep’: Subterranean Spaces in the Early Novels of H.G. Wells; Catherine Redford -- PART III. DISTORTED REALITIES, SHATTERED PERSPECTIVES -- 7. The Urban Wasteland in H.G. Wells’s The War of the Worlds; Vera Benczik -- 8. An Epistemological Journey: the Uncertainty of Construed Realities in The Time Machine; Károly Pintér -- PART IV. UNNATURAL THEOLOGIES IN THE ISLAND -- 9. Dark Artistry in The Island of Doctor Moreau; Sarah Faulkner -- 10. Punishment, Purgatory, and Paradise; Hating the Sin and Sometimes the Sinner in H.G. Wells’s The Island of Doctor Moreau and The Invisible Man; Gianluca Guerriero -- 11. Mr Blettsworthy on Rampole Island: The Novel as Fable; John Hammond -- PART V. BUILDING THE FUTURE -- 12. ‘Flowers and a Landscape Were the Only Attractions Here’: The England of Wells and Morris in Aldous Huxley’s Interpretation; Maxim Shadurski -- 13. Modernist Ideals: The Utopian Designs of William Morris, Peter Behrens, and the Social Housing Schemes in Mid-Twentieth Century Sheffield; Clare Holdstock -- Bibliography -- Index.-
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  • 2
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137499387
    Language: English
    Pages: 1 Online-Ressource (X, 246 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Printed edition
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    Keywords: Literature ; British literature ; British literature.
    Abstract: This book is about food, eating, and appetite in the nineteenth-century British novel. While much novel criticism has focused on the marriage plot, this book revises the history and theory of the novel, uncovering the “food plot” against which the marriage plot and modern subjectivity take shape. With the emergence of Malthusian population theory and its unsettling links between sexuality and the food supply, the British novel became animated by the tension between the marriage plot and the food plot. Charting the shifting relationship between these plots, from Jane Austen’s polite meals to Bram Stoker’s bloodthirsty vampires, this book sheds new light on some of the best-know works of nineteenth-century literature and pushes forward understandings of narrative, literary character, biopolitics, and the novel as a form. From Austen to Zombies, Michael Parrish Lee explores how the food plot conflicts with the marriage plot in nineteenth-century literature and beyond, and how appetite keeps rising up against taste and intellect. Lee’s book will be of interest to Victorianists, genre theorists, Food Studies, and theorists of bare life and biopolitics. - Regenia Gagnier, Professor of English, University of Exeter In The Food Plot Michael Lee engages recent and classic scholarship and brings fresh and provocative readings to well worked literary critical ground. Drawing upon narrative theory, character study, theories of sexuality, and political economy, Professor Lee develops a refreshing and satisfyingly deep new reading of canonical novels as he develops the concept of the food plot. The Food Plot should be of interest to specialists in the novel and food studies, as well as students and general readers. - Professor April Bullock, California State University, Fullerton, USA
    Abstract: 1. Introduction: Reading For The Food Plot -- 2. Novel Appetites: Jane Austen and the “Nothing” of Food -- 3. The Rise of the Food Plot in Victorian Fiction -- 4. Charles Dickens and the Hungry Marriage Plot -- 5. Food and the Art of Fiction in the Work of George Eliot -- 6. Narrative Underbellies: Food, Sex, Reading, and Writing in the Late Nineteenth Century -- 7. Eating Knowledge at the Fin de Siècle -- 8. Afterword: The Food Plot and its Afterlives -- Bibliography -- Index --
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  • 3
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137518231
    Language: English
    Pages: 1 Online-Ressource (XI, 273 p. 2 illus., 1 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Printed edition
    Parallel Title: Erscheint auch als Victorian fiction beyond the canon
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    Keywords: Literature ; Literature, Modern 19th century ; British literature ; British literature. ; Literature, Modern—19th century. ; Konferenzschrift ; Aufsatzsammlung ; Großbritannien ; Englisch ; Roman ; Kanon ; Geschichte 1837-1901
    Abstract: This book is about selected Victorian texts and authors that in many cases have never before been subject to sustained scholarly attention. Taking inspiration from the pioneeringly capacious approach to the hidden hinterland of Victorian fiction adopted by scholars like John Sutherland and Franco Moretti, this energetically revisionist volume takes advantage of recent large-scale digitisation projects that allow unprecedented access to hitherto neglected literary texts and archives. Blending lively critical engagement with individual texts and close attention to often surprising trends in the production and reception of prose fiction across the Victorian era, this book will be of use to anyone interested in re-evaluating the received meta-narratives of Victorian literary history
    Abstract: Introduction: Exploring the Hinterland of Victorian Fiction; Daragh Downes and Trish Ferguson -- Chapter 2. Prize Novelists and Condensed Novels: Thackeray and Bret Harte; Michael Slater -- Chapter 3. Before New Grub Street: Thomas Miller and the Contingencies of Authorship; Adam Abraham -- Chapter 4. Emboldening the Weak: the Early Fiction of James Anthony Froude; Ciaran Brady -- Chapter 5. George Borrow: The Scholar, The Gipsy, The Priest; Monika Mazurek -- Chapter 6. Sensation Fiction as Social Activism: Charles Reade’s It Is Never Too Late to Mend and Felicia Skene’s Hidden Depths; Elizabeth Andrews -- Chapter 7. Sheer Luck, Holmes? Clues towards Canon Formation in Victorian Detective Fiction; Daragh Downes -- Chapter 8. Politics of the Strange and Unusual: Mesmerism and the Medical Professional in Mary Elizabeth Braddon’s ‘Dr Carrick’ (1878); Samantha J. M. Aliu -- Chapter 9. Silas K. Hocking, Her Benny, and the Poetics of the Prolific; Christopher Pittard -- Chapter 10. Henry Hawley Smart's The Great Tontine and the Art of Book-making; Trish Ferguson -- Chapter 11. Performative Politics and Gendered Geography in 〈the prophet’s="" mantle; The Prophet’s Mantle; Matthew Ingleby -- Chapter 12. Richard Marsh and the Realist Gothic: Pursuing Traces of an Evasive Author in his Fin-de-Siècle Popular Fiction; Ailise Bulfin -- Chapter 13. Dat Cura Commodum or A Portrait of a Deviant Mind: Arthur Griffiths’s The Rome Express, John Milne’s ‘The Express Series’ and Late Victorian Detective Fiction; Paul Raphael Rooney -- Bibliography --
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  • 4
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137393807
    Language: English
    Pages: 1 Online-Ressource (XXII, 315 p. 6 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: History of British Women's Writing
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Comparative literature ; Fiction ; British literature ; British literature. ; Comparative literature. ; Fiction. ; Literature, Modern—20th century. ; Literature—History and criticism.
    Abstract: The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ - ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’, ‘New Journalism’, ‘New Man’ - are this moment’s touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women’s writing throughout the United Kingdom and around the globe
    Abstract: List of Figures -- Series Preface -- Acknowledgements -- Notes on the Contributors -- Chronology -- Introduction: a revolutionary moment; Holly A. Laird -- PART I: MODERN WOMEN -- From the New Woman to the Suffragette: -- 1. The (Irish) New Woman: political, literary, and sexual experiments; Tina O’Toole -- 2. Fin-de-Siècle Ouida: A New Woman writing against the New Woman?; Lyn Pykett -- 3. The New Woman in Wales: Welsh women’s writing, 1880-1920; Jane Aaron -- 4. British Women Writers, Technology, and the Sciences, 1880-1920; Lisa Hager -- 5. Mediating Women: Evelyn Sharp and the modern media fictions of suffrage; Barbara Green -- From the Decadent to the Queer: -- 6. Female Decadence; Joseph Bristow -- 7. Re-writing Myths of Creativity: Pygmalionism, Galatea figures, and the revenge of the Muse in Late Victorian literature by women; Catherine Delyfer -- 8. Venus in the Museum: Women’s representations and the rise of public art institutions; Ruth Hoberman -- 9. Women’s Nature and the Neo-Pagan Movement; Dennis Denisoff -- From the Nation to the Globe: -- 10. This Nation Which Is Not One: Olive Schreiner’s The Story of an African Farm; Holly A. Laird -- 11. Geographies of Self: Scottish women writing Scotland; Glenda Norquay -- 12. Modern Travel on the Fringes of Empire; Judy Suh -- 13. Women Writing Japan; Edward Marx -- PART II: MODERN GENRES -- From the Story to the Lyric: -- 14. New Women Writing Beyond the Novel: Short Stories; Margaret Stetz -- 15. Material Negotiations: Women writing the short story; Kate Krueger -- 16. Women’s Lyric, 1880-1920; Emily Harrington -- 17. Vigo Street Sapphos: The Bodley Head Press and women poets of the 1890s; Linda Peterson -- From Journalism to the War Memoir: -- 18. Women’s Slum Journalism, 1885-1910; S. Brooke Cameron -- 19. Turn-of-the-Century Women Writing about Art, 1880-1920; Meaghan Clarke -- 20. The British Female Detective Written by Women, 1890-1920; Joseph Kestner -- 21. Writing Modern Deaths: Women, war, and the view from the home front; Bette London -- Select Bibliography -- Index.-
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  • 5
    ISBN: 9781137436931
    Language: English
    Pages: 1 Online-Ressource (XV, 239 p. 2 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Early Modern Literature in History
    Parallel Title: Printed edition
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    Keywords: Literature ; Theater History ; Literature History and criticism ; Literature, Modern ; British literature ; Literature, Modern. ; British literature. ; Literature—History and criticism. ; Theater—History.
    Abstract: This book explores the secret relations between theatre and diplomacy from the Tudors to the Treaty of Westphalia. It offers an original insight into the art of diplomacy in the 1580-1655 period through the prism of literature, theatre and material history. Contributors investigate English, Italian and German plays of Renaissance theoretical texts on diplomacy, lifting the veil on the intimate relations between ambassadors and the artistic world and on theatre as an unexpected instrument of 'soft power'. The volume offers new approaches to understanding Early Modern diplomacy, which was a source of inspiration for Renaissance drama for Shakespeare and his European contemporaries, and contributed to fashion the aesthetic and the political ideas and practice of the Renaissance
    Abstract: 1. The Poetics of Diplomatic Appeasement in the Early Modern Era; Nathalie Rivère de Carles -- PART I. FROM TRUCE TO NEGOTIATED PEACE: THE TEMPORAL DIPLOMACIES OF A LITERATURE OF APPEASEMENT -- 2. The Slumber of War Diplomacy, Tragedy, and the Aesthetics of the Truce in Early Modern Europe; Timothy Hampton -- 3. ‘Ces petits livres en françois de Messieurs les Hotmans’: Peace in a/the European Family; Dominique Goy-Blanquet -- 4. ‘Mediating Amicably’? The Birth of the Trauerspiel out of the Letter of Westphalia; Jane O. Newman -- PART II. A VERY POLITICAL PEACEMAKER: THE STAGE AMBASSADOR BETWEEN DIPLOMATIC TACTICS AND POLITICAL STRATEGIES -- 5. The Performative Power of Diplomatic Discourse in the Italian Tragedies Inspired by the Wars against the Turks; Valeria Cimmieri -- 6. The Ambassador as Proteus: Indirect Characterisation and Diplomatic Appeasement in Catiline and Measure for Measure; Nathalie Rivère de Carles -- 7. Galleries and Soft Power: The Gallery in The Winter’s Tale; Patricia Akhimie -- PART III. CONCILIATORY NETOWRKS AS SOFT POWER: A DYNAMIC DIPLOMACY OF CROSS-CONFESSIONAL APPEASEMENT -- 8. Marginal Diplomatic Spaces during the Jacobean Era, 1603-25; Roberta Anderson -- 9. Venetian Merchants as Diplomatic Agents: Family Networks and Cross-Confessional Diplomacy in Early Modern Europe; Diego Pirillo -- 10. The Fabric of Silk Power in the Sherley Portraits; Ladan Niayesh -- Selected Bibliography -- Index.-
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  • 6
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137407306
    Language: English
    Pages: 1 Online-Ressource (XV, 199 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Film genres ; Fiction ; British literature ; Fiction. ; British literature. ; Film genres. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures.
    Abstract: This book offers a critically informed yet relaxed historical overview of the legal thriller, a unique contribution to crime fiction where most of the titles have been written by professionals such as lawyers and judges. The legal thriller typically uses court trials as the suspense-creating background for presenting legal issues reflecting a wide range of concerns, from corporate conflicts to private concerns, all in a dramatic but highly informed manner. With authors primarily from the USA and the UK, the genre is one which nonetheless enjoys a global reading audience. As well as providing a survey of the legal thriller, this book takes a gender-focused approach to analyzing recently published titles within the field. It also argues for the fascination of the legal thriller both in the way its narrative pattern parallels that of an actual court trial, and by the way it reflects, frequently quite critically, the concerns of contemporary society
    Abstract: Introduction -- Chapter 1. Law and literature -- Chapter 2. The Beginnings of a Success Story -- Chapter 3. American Post-World-War-Two Thrill-and-Ethics Trials -- Chapter 4. Genteel Jurisprudence -- Chapter 5. See You In Court (1) -- Chapter 6. See You In Court (2) -- See You In Court (3) -- Conclusion -- Bibliography
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  • 7
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137597069
    Language: English
    Pages: 1 Online-Ressource (XV, 243 p. 1 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—19th century. ; Literature—History and criticism.
    Abstract: This book takes a fresh look at the progressive interventions of writers in the nineteenth century. From Cobbett to Dickens and George Eliot, and including a host of lesser known figures - popular novelists, poets, journalists, political activists - writers shared a commitment to exploring the potential of literature as a medium in which to imagine new and better worlds. The essays in this volume ask how we should understand these interventions and what are their legacies in the twentieth and twenty first centuries? Inspired by the work of the radical literary scholar, the late Sally Ledger, this volume provides a commentary on the political traditions that underpin the literature of this complex period, and examines the interpretive methods that are needed to understand them. This timely book contributes to our appreciation of the radical traditions that underpin our literary past
    Abstract: List of Figures -- Preface and Acknowledgements -- Contributors -- Introduction; Joseph Bristow and Josephine McDonagh -- 1. No Laughing Matter: Chartism and the Limits of Satire; Mike Sanders -- 2. ‘Their Deadly Longing’: Paternalism, the Past, and Perversion in Barnaby Rudge; Ben Winyard -- 3. Frederick William Robinson, Charles Dickens, and the Literary Tradition of ‘Low Life’; Anne Schwan -- 4. Remembering Radicalism on the Midlands Turnpike: George Eliot, Felix Holt, and William Cobbett; Ruth Livesey -- 5. The Commune in Exile: Urban Insurrection and the Production of International Space; Scott McCracken -- 6. Divorce and the New Woman; Anne Humphreys -- 7. Revolutions in Journalism: W. T. Stead, Indexing, and ‘Searching’; Laurel Brake -- 8. Towards a Perlocutionary Poetics?; Isobel Armstrong -- Sally Ledger: A Chronological Bibliography -- Bibliography -- Index.-
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  • 8
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137545534
    Language: English
    Pages: 1 Online-Ressource (XIII, 241 p. 5 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature History and criticism ; British literature ; British literature. ; Literature—History and criticism.
    Abstract: This book is about the literary and friendship networks that were active in Britain for a 250- year period. Patterns in the nature of literary social circles emerge: they may centre upon a location, like Christ Church, or a person, like Aaron Hill; they may suffer stress when private relationships become public knowledge, as Caroline Lamb’s Glenarvon shows; and they may model themselves on a preceding age, as the relationship between the Sidney circle and Lady Mary Wroth exemplifies. Despite these similarities, no two coteries are the same. The circles this volume examines even differ in their acceptance of their own status as a coterie: someone like Constance Fowler was certainly part of a strict familial coterie; the Scriberlians were a more informal set who were also members of other groups; and although Byron’s years of fame are regularly associated with Holland House, he often denied being of their party
    Abstract: Introduction; Will Bowers and Hannah Leah Crummé -- 1. Literary Coteries of Mary Sidney Herbert, Countess of Pembroke and William Herbert, third Earl of Pembroke; Mary Ellen Lamb -- 2. The Circulation of Verse at the Inns of Court and in London in Early Stuart England; Arthur Marotti -- 3. Maecenas and Oxford-Witts:Pedagogy and Flattery in Seventeenth-Century Oxford; Christopher Burlinson -- 4. ‘If I had known him, I would have loved him.’ Bloomsbury appropriations of the Scriblerian coterie; Abigail Williams and Peter Huhne -- 5. The Hillarian Circle: Scorpions, sexual politics and heterosocial coteries; Christine Gerrard -- 6. Edmund Spenser and Coterie Culture, 1774-1790; Hazel Wilkinson -- 7. Charles Lamb, Samuel Taylor Coleridge, and the forging of the Romantic literary coterie; Felicity James -- 8. The Many Rooms of Holland House; Will Bowers -- 9. Aggressive Intimacy: Mass Markets and the Blackwood’s Magazine Coterie; Robert Morrison -- Afterword; Helen Hackett -- Bibliography -- Index.-
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  • 9
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137503206
    Language: English
    Pages: 1 Online-Ressource (VII, 206 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—19th century. ; Literature—History and criticism. ; Hardy, Thomas 1840-1928 ; England ; Ländlicher Raum ; Regionalkultur
    Abstract: This book reassesses Hardy’s fiction in the light of his prolonged engagement with the folklore and traditions of rural England. Drawing on wide research, it demonstrates the pivotal role played in the novels by such customs and beliefs as ‘overlooking’, hag-riding, skimmington-riding, sympathetic magic, mumming, bonfire nights, May Day celebrations, Midsummer divination, and the ‘Portland Custom.’ This study shows how such traditions were lived out in practice in village life, and how they were represented in written texts - in literature, newspapers, county histories, folklore books, the work of the Folklore Society, archival documents, and letters. It explores tensions between Hardy’s repeated insistence on the authenticity of his accounts and his engagement with contemporary anthropologists and folklorists, and reveals how his efforts to resist their ‘excellently neat’ categories of culture open up wider questions about the nature of belief, progress, and social change
    Abstract: Acknowledgments -- 1. Introduction -- 2. Belief: Overlooking, Sympathetic Magic, Hag-riding, and South’s Tree -- 3. Acts of Disapproval: Skimmington Riding -- 4. Acts of Approval: The Portland Custom -- 5. Winter Customs: Bonfire Night and Mumming -- 6. Summer Customs: May Day and Midsummer Divination -- Conclusion -- Notes -- Bibliography -- Appendix: Illustrations -- Index.-
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  • 10
    ISBN: 9781137558688
    Language: English
    Pages: 1 Online-Ressource (XII, 209 p. 15 illus., 4 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Fiction ; British literature ; British literature. ; Fiction. ; America—Literatures. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Großbritannien ; USA ; Schriftsteller ; Selbstdarstellung ; Personenkult
    Abstract: This book maps the history of literary celebrity from the early nineteenth century to the present, paying special attention to the authors’ crafting of their writerly self as well as the afterlife of their public image. Case studies are John Keats, Edgar Allan Poe, Eliza Cook, Herman Melville, Oscar Wilde, Gertrude Stein, J.D. Salinger and Zadie Smith. Literary celebrity is part and parcel of modern literary culture, yet it continues to raise intriguing questions about the nature of authorship, writerly fame and the tension between authorial self-fashioning and public appropriation. This volume provides unique insights into the phenomenon
    Abstract: Introduction; Gaston Franssen and Rick Honings -- 1. A Friendly Return of the Author: John Keats (1795-1821); Eric Eisner -- 2. Hero of Horror: Edgar Allan Poe (1809-1849); Evert Jan van Leeuwen -- 3. Victorian Iconoclast: Eliza Cook (1818-1889); Alexis Easley -- 4. The Daguerreotype Devil: Herman Melville (1819-1891); Kevin J. Hayes -- 5. The Art of Creating a Great Sensation: Oscar Wilde (1854-1900); Sandra Mayer -- 6. Production and Reproduction: Gertrude Stein (1874-1946); Rod Rosenquist -- 7. The Silence of the Celebrity: J.D. Salinger (1919-2010); Gaston Franssen -- 8. Public and Private Posture: Zadie Smith (1975); Odile Heynders -- Bibliography -- Index.-
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  • 11
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137572875
    Language: English
    Pages: 1 Online-Ressource (IX, 229 p)
    Series Statement: Early Modern Literature in History
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Literature, Modern. ; Poetry. ; Theater—History. ; British literature. ; Literature—History and criticism. ; Science ; Shakespeare, William 1564-1616 ; Rachetragödie ; Recht
    Abstract: Revenge tragedies are filled with trial scenes, miscarriages of justice and untrustworthy evidence, yet this is the first study to explore how the revenge plays of Kyd, Shakespeare and others critically engage with their legal system. Featuring groups of citizens taking the law into their own hands, revenge tragedies stage a participatory justice of their own, which problematises the progress of English common law during this crucial phase of English legal history. By connecting English revenge tragedies to major crises within the legal system including the erosion of trial by jury (Titus Andronicus), food riots in the 1590s (Antonio's Revenge), and debates over royal prerogative (The Revenger's Tragedy) a persistent legal critique is revealed to be at work. The book also offers a major new reading of Hamlet that argues against the play's engagement with law, in contrast to the radical socio-legal commentary identified in other revenge plays. Revenge tragedy can thus be understood as an index of early modern citizens' fractious relationship with their law
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