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  • 1
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190274757
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 305.80097291
    Keywords: Racially mixed people History ; Stereotypes (Social psychology) History ; Women History
    Abstract: 'She is Cuba' traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her racialised identity through her hips and enacts an embodied theory called hip(g)nosis. By focusing on her living and dancing body in order to flesh out the process of identity formation, this book makes a claim for how subaltern bodies negotiate a cultural identity that continues to mark their bodies on a daily basis
    Note: Previously issued in print: 2016 , Includes bibliographical references and index , Zielgruppe - Audience: Specialized
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199968169 , 9780199968176
    Language: English
    Pages: xii, 226 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.80097291
    RVK:
    Keywords: Frau ; Geschichte ; Interethnische Herkunft ; Mulattin ; Tanz ; Film ; Kuba ; Racially mixed people / History / Cuba ; Women / History / Cuba ; Stereotypes (Social psychology) / History / Cuba ; Racially mixed people ; Stereotypes (Social psychology) ; Women / Cuba / History ; Mulattin ; Interethnische Herkunft ; Kuba ; Film ; Tanz
    Abstract: "She is Cuba: A Genealogy of the Mulata Body" traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her racialised identity through her hips and enacts an embodied theory called hip(g)nosis. By focusing on her living and dancing body in order to flesh out the process of identity formation, this book makes a claim for how subaltern bodies negotiate a cultural identity that continues to mark their bodies on a daily basis. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges: bodies watching, looking, touching and dancing with one another. It sets up a genealogy of how the representations and venerations of the dancing mulata continue to circulate and participate in the volatile political and social economy of contemporary Cuba. - Melissa Blanco Borelli is a Senior Lecturer in Dance in the Drama and Theatre Department at Royal Holloway, University of London. She created the first joint honours programme in Drama and Dance at Royal Holloway. She is the editor of The Oxford Handbook of Dance and the Popular Screen (OUP, 2014).
    Note: Includes bibliographical references (pages 205-217) and index
    URL: Cover
    URL: Cover
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