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  • BVB  (15)
  • Ethn. Museum Berlin
  • Cambridge : Cambridge University Press  (15)
  • Musik  (15)
  • Musicology  (15)
  • General works
  • Ancient Studies
Datasource
Material
Language
Subjects(RVK)
  • Musicology  (15)
  • General works
  • Ancient Studies
  • 1
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
    RVK:
    RVK:
    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (lizenzpflichtig)
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  • 4
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
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  • 5
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107023451 , 9781107623750
    Language: English
    Pages: xiii, 293 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Cambridge companions to music
    DDC: 780.89924
    RVK:
    Keywords: Juden ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Bibliography Seite 258-279
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139151214
    Language: English
    Pages: 1 Online-Ressource (xiii, 293 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Jews / Music / History and criticism ; Judentum ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Judentum ; Musik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 online resource (xii, 390 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Description / Table of Contents: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    ISBN: 9780511518317
    Language: English
    Pages: 1 online resource (xxviii, 668 pages)
    Uniform Title: Polyphonies et polyrythmies instrumentales d'Afrique centrale
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/84/0967
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Music / Africa, Central / History and criticism ; Counterpoint ; Musical meter and rhythm ; Polyfonie ; Musik ; Polyrhythmus ; Afrika ; Afrika ; Polyfonie ; Musik ; Polyrhythmus ; Afrika
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system
    Description / Table of Contents: Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511470233
    Language: English
    Pages: 1 online resource (xii, 201 pages)
    Series Statement: Cambridge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.955
    RVK:
    RVK:
    Keywords: Dastgāh ; Music theory / Iran ; Dastgāh ; Musik ; Kunstmusik ; Iran ; Hochschulschrift ; Hochschulschrift ; Iran ; Musik ; Iran ; Kunstmusik ; Dastgāh
    Abstract: The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times
    Description / Table of Contents: A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastgāh-e sur -- Dastgāh-e abuata -- Dastgāh-e dasti -- Dastgāh-e bayat tork -- Dastgāh-e afsari -- Dastgāh-e segah -- Dastgāh-e cahargah -- Dastgāh-e homayun -- Dastgāh-e bayat-e esfahan -- Dastgāh-e nava -- Dastgāh-e mahur -- Dastgāh-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    ISBN: 9780511627255
    Language: English
    Pages: 1 online resource (xvii, 307 pages)
    Series Statement: Cambridge studies in oral and literate culture 20
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 899/.4
    RVK:
    Keywords: Alltag, Brauchtum ; Folk poetry, Tikopia / History and criticism ; Tikopia (Solomon Islands people) / Social life and customs ; Tikopia (Solomon Islands people) / Rites and ceremonies ; Folk poetry, Tikopia ; Volksmusik ; Literatur ; Musik ; Tikopia ; Polynesien ; Tikopia ; Literatur ; Tikopia ; Musik ; Polynesien ; Volksmusik
    Abstract: Sir Raymond Firth is one of the most distinguished British anthropologists, and one internationally acclaimed. His work here forms part of one of the fullest and most professional ethnographic accounts by any anthropologist of a non-industrial people, an account which extends over many years. This book is about the songs of a Western Pacific people, the Tikopia, who not so long ago lived entirely on a small remote island of the Solomons. Their songs vary from lively dance chants to mournful funeral laments. All are novel to western ears. The book provides about 100 examples, in text and translation. It also discusses the relation of the songs to the social life of the people, and it includes an analysis of the structure of their music, by Mervyn McLean, a noted musicologist
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    ISBN: 9780511627255
    Language: English
    Pages: 1 online resource (xvii, 307 pages)
    Series Statement: Cambridge studies in oral and literate culture 20
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 899/.4
    RVK:
    Keywords: Alltag, Brauchtum ; Folk poetry, Tikopia / History and criticism ; Tikopia (Solomon Islands people) / Social life and customs ; Tikopia (Solomon Islands people) / Rites and ceremonies ; Folk poetry, Tikopia ; Musik ; Volksmusik ; Literatur ; Polynesien ; Tikopia ; Tikopia ; Literatur ; Tikopia ; Musik ; Polynesien ; Volksmusik
    Abstract: Sir Raymond Firth is one of the most distinguished British anthropologists, and one internationally acclaimed. His work here forms part of one of the fullest and most professional ethnographic accounts by any anthropologist of a non-industrial people, an account which extends over many years. This book is about the songs of a Western Pacific people, the Tikopia, who not so long ago lived entirely on a small remote island of the Solomons. Their songs vary from lively dance chants to mournful funeral laments. All are novel to western ears. The book provides about 100 examples, in text and translation. It also discusses the relation of the songs to the social life of the people, and it includes an analysis of the structure of their music, by Mervyn McLean, a noted musicologist
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511586156
    Language: English
    Pages: 1 online resource (xii, 228 pages)
    Uniform Title: Rockmusik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
    RVK:
    Keywords: Gesellschaft ; Musik ; Rock music / History and criticism ; Music / Philosophy and aesthetics ; Music / Social aspects ; Popular culture
    Abstract: Rock music - powerful, sensual, loud and full of energy. It has changed the face of modern music. But what is its fascination for, and its significance in contemporary society and what cultural values does it reflect? Peter Wicke addresses these issues in a stimulating and penetrating study of rock music tracing the genesis and influence of this diverse strand of popular music. Beginning with the advent of rock 'n' roll, Wicke chronicles the development through Elvis Presley and the Beatles to the current music industry, its performers, and the impact of the music video. The book will appeal to readers with an interest in music history, popular culture, and media studies
    Description / Table of Contents: Preface -- 'Roll over Beethoven': new experiences in art -- 'Rock Around the Clock': emergence -- 'Love Me Do': the aesthetics of sensuousness -- 'My Generation': rock music and subcultures -- 'Revolution': the ideology of rock -- 'We're Only in It for the Money': the rock business -- 'Anarchy in the UK': the punk rebellion -- 'Wild Boys': the aesthetic of the synthetic -- Postscript: 'The Times They are A-Changing' -- Notes -- Bibliography -- Discography -- Index of people and groups -- General index
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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