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  • HeBIS  (2)
  • Cambridge : Cambridge University Press
  • Lanham : Rowman & Littlefield Publishers
  • Geschichte  (1)
  • Modernism (Art)  (1)
  • Hochschulschrift
  • Online-Publikation
  • Kunstgeschichte  (2)
Datenlieferant
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  • 1
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781108487719 , 9781108720830
    Sprache: Englisch
    Seiten: xxi, 281 Seiten , Illustrationen
    Serie: The Global Middle East
    Paralleltitel: Erscheint auch als Maʻāṣirī, Zaina, 1973 Cosmopolitan radicalism
    RVK:
    RVK:
    Schlagwort(e): Art and society ; Modernism (Art) ; Cosmopolitanism ; Design ; Book design ; Decolonization in art ; Visual communication Political aspects ; Beirut (Lebanon) Civilization 20th century
    Kurzfassung: Introduction : Beirut in the Global Sixties : Design, Politics and Translocal Visuality - Dislocating the Nation : Mediterraneanscapes in Lebanon's Tourist Promotion - The Hot Third World in the Cultural Cold War : Modernism, Arabic Literary Journals and US Counterinsurgency - The Visual Economy of 'Precious Books' : Publishing, Modern Art and the Design of Arabic Books - Ornament is No Crime : Decolonising the Arabic Page from Cairo to Beirut - Art is in the 'Arab Street': The Palestinian Revolution and Printscapes of Solidarity - Draw Me a Gun : Radical Children's Books in the Trenches of 'Arab Hanoi
    Kurzfassung: "Exploring the intersections of visual culture, design and politics in Beirut from the late 1950s to the mid-1970s, this compelling interdisciplinary study critically examines a global conjuncture in Lebanon's history, marked by anticolonial struggle and complicated by a Cold War order. Against a celebratory reminiscence of the "golden years", Beirut's long 1960s is conceived of as a liminal juncture, an anxious time and space when the city held out promises at once politically radical and radically cosmopolitan. Zeina Maasri examines the transnational circuits that animated Arab modernist pursuits, shedding light on key cultural transformations that saw Beirut develop as a Mediterranean site of tourism and leisure, a nexus between modern art and pan-Arab publishing and, through the rise of the Palestinian Resistance, a node in revolutionary anti-imperialism. Drawing on uncharted archives of printed media this book expands the scope of historical analysis of the postcolonial Arab East
    Anmerkung: Literaturverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511586088
    Sprache: Englisch
    Seiten: 1 online resource (x, 204 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 759.994
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1788-1998 ; Aboriginal Australians in art ; Painting, Australian ; Identity (Psychology) in art ; Malerei ; Weiße ; Aborigines ; Kunst ; Geschichte ; Australien ; Australien ; Kunst ; Weiße ; Aborigines ; Geschichte ; Australien ; Kunst ; Geschichte ; Geschichte 1788-1998 ; Australien ; Malerei ; Geschichte 1788-1998
    Kurzfassung: This book investigates how identities have been constructed in Australian art from 1788 onwards. Ian McLean shows that Australian art, and the writing of its history, has, since settlement, been in a dialogue (although often submerged) with Aboriginal art and culture; and that this dialogue is inextricably interwoven with the struggle to find an identity in the antipodes. Beginning with a discussion of how Australia was imagined by Europeans before colonisation, McLean traces the representation of indigeneity through the history of Australian art, and the concomitant invention of an Australian subjectivity. He argues that the colonising culture invested far more in indigenous aspects of the country and its inhabitants than it has been willing to admit. McLean considers artists and their work within a cultural context, and also provides a contemporary theoretical and critical context for his claims
    Beschreibung / Inhaltsverzeichnis: 1. Ocean and the Antipodes -- 2. Artful Killings -- 3. The Art of Settlement -- 4. The Bad Conscience of Impressionism -- 5. Aboriginalism and Australian Nationalism -- 6. The Aboriginal Renaissance -- 7. Aboriginality and Contemporary Australian Painting -- 8. Painting for a New Republic -- Postscript: The Wandering Islands
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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