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  • HeBIS  (4)
  • 2015-2019  (4)
  • Cambridge, UK : Cambridge University Press
  • Musicology  (4)
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  • HeBIS  (4)
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787444638
    Language: English
    Pages: 1 Online-Ressource (xi, 303 pages)
    DDC: 782.421640973/091732
    RVK:
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Abstract: An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019)
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  • 2
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787442481
    Language: English
    Pages: 1 Online-Ressource (xxviii, 151 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology v. 8
    DDC: 781.62/963957
    RVK:
    Keywords: Music Social aspects ; Music and identity politics
    Abstract: Examines how the Kawuugulu Clan-Royal Musical Ensemble uses musical performance and storytelling to manage, structure, model, and legitimize power relations among the Baganda people of south-central Uganda.
    Note: Title from publisher's bibliographic system (viewed on 11 Jun 2021)
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  • 3
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781782049210
    Language: English
    Pages: 1 Online-Ressource (viii, 224 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology v. 6
    DDC: 781.6200285
    RVK:
    RVK:
    RVK:
    Abstract: The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.
    Note: Title from publisher's bibliographic system (viewed on 27 Apr 2018)
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  • 4
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781316569207
    Language: English
    Pages: 1 Online-Ressource (xvi, 366 pages)
    Series Statement: Cambridge companions to music
    DDC: 782.4209
    RVK:
    Keywords: Liedermacher ; Popmusik ; Sänger ; Songwriting ; Musiksoziologie ; Aufsatzsammlung
    Abstract: Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West.
    Note: Title from publisher's bibliographic system (viewed on 13 Jul 2016)
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