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  • 1
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520968219
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Chapman, Dale The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture
    DDC: 306.4/84250973
    RVK:
    Keywords: Gordon, Dexter ; Verve Records (Firm) History ; Verve Music Group History ; Jazz Economic aspects ; Jazz History and criticism ; Jazz Social aspects ; Sound recording industry Economic aspects ; Music-halls (Variety-theaters, cabarets, etc.) History ; Electronic books
    Abstract: Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies
    Abstract: Cover -- The Jazz Bubble -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Banks, Bonds, and Blues -- 1. âControlled Freedomâ: Jazz, Risk, and Political Economy -- 2. âHomecomingâ: Dexter Gordon and the 1970s Fiscal Crisis in New York City -- 3. Selling the Songbook: The Political Economy of Verve Records (1956â1990) -- 4. Bronfmanâs Bauble: The Corporate History of the Verve Music Group (1990â2005) -- 5. Jazz and the Right to the City: Jazz Venues and the Legacy of Urban Redevelopment in California -- 6. The âYoshiâs Effectâ: Jazz, Speculative Urbanism, and Urban Redevelopment in Contemporary San Francisco -- Notes -- Works Cited -- Index
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
    RVK:
    RVK:
    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940963
    Language: English
    Pages: 1 Online-Ressource (255 pages)
    Edition: 1st ed.
    DDC: 786.2165092
    RVK:
    RVK:
    Keywords: Monk, Thelonious ; Biografie
    Abstract: Thelonious Monk (1917-1982) was one of jazz's greatest and most enigmatic figures. As a composer, pianist, and bandleader, Monk both extended the piano tradition known as Harlem stride and was at the center of modern jazz's creation during the 1940s, setting the stage for the experimentalism of the 1960s and '70s. This pathbreaking study combines cultural theory, biography, and musical analysis to shed new light on Monk's music and on the jazz canon itself. Gabriel Solis shows how the work of this stubbornly nonconformist composer emerged from the jazz world's fringes to find a central place in its canon. Solis reaches well beyond the usual life-and-times biography to address larger issues in jazz scholarship-ethnography and the role of memory in history's construction. He considers how Monk's stature has grown, from the narrowly focused wing of the avant-garde in the 1960s and '70s to the present, where he is claimed as an influence by musicians of all kinds. He looks at the ways musical lineages are created in the jazz world and, in the process, addresses the question of how musicians use performance itself to maintain, interpret, and debate the history of the musical tradition we call jazz.
    Note: Description based on publisher supplied metadata and other sources
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