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  • HeBIS  (3)
  • Online Resource  (3)
  • Berlin : Walter de Gruyter GmbH  (3)
  • Bielefeld : transcript Verlag
  • Aufsatzsammlung  (3)
  • American Studies  (3)
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  • Online Resource  (3)
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  • 1
    Online Resource
    Online Resource
    The blacker the ink : constructions of black identity in comics and sequential art (2015)
    New Brunswick : Rutgers University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780813572369 , 9780813572352
    Language: English
    Pages: 1 Online-Ressource (ix, 343 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.5/973
    RVK:
    LB 48610
    RVK:
    LC 84610
    RVK:
    EC 7120
    RVK:
    HU 1728
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Abstract: When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into "panels" in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
    DOI: 10.36019/9780813572369
    URL: https://www.degruyter.com/isbn/9780813572369
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    HeBIS
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  • 2
    Online Resource
    Online Resource
    Alien Encounters : Popular Culture in Asian America (2007)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822389835
    Language: English
    Pages: 1 Online-Ressource (374 p.) , 16 b&w illustrations, 1 table
    DDC: 305.895/073
    RVK:
    HU 1729
    Keywords: Aufsatzsammlung
    Abstract: Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans' interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture.This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist "Indo-chic" in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag king, and immigrant television viewers' dismayed reactions to a Chinese American chef who is "not Chinese enough." The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging.Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang...
    DOI: 10.1515/9780822389835
    URL: https://doi.org/10.1515/9780822389835?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822389835
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
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  • 3
    Online Resource
    Online Resource
    American Anatomies : Theorizing Race and Gender (1995)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822399476
    Language: English
    Pages: 1 Online-Ressource (280 p.)
    Series Statement: New Americanists
    DDC: 305
    RVK:
    HU 1121
    Keywords: Aufsatzsammlung
    Abstract: In this brilliantly combative study, Robyn Wiegman challenges contemporary clichés about race and gender, a formulation that is itself a cliché in need of questioning. As part of what she calls her "feminist disloyalty," she turns a critical, even skeptical, eye on current debates about multiculturalism and "difference" while simultaneously exposing the many ways in which white racial supremacy has been reconfigured since the institutional demise of segregation. Most of all, she examines the hypocrisy and contradictoriness of over a century of narratives that posit Anglo-Americans as heroic agents of racism's decline. Whether assessing Uncle Tom's Cabin, lynching, Leslie Fiedler's racialist mapping of the American novel, the Black Power movement of the 60s, 80s buddy films, or the novels of Richard Wright and Toni Morrison, Wiegman unflinchingly confronts the paradoxes of both racism and antiracist agendas, including those advanced from a feminist perspective.American Anatomies takes the long view: What epistemological frameworks allowed the West, from the Renaissance forward, to schematize racial and gender differences and to create social hierarchies based on these differences? How have those epistemological regimes changed-and not changed-over time? Where are we now? With painstaking care, political passion, and intellectual daring, Wiegman analyzes the biological and cultural bases of racial and gender bias in order to reinvigorate the discussion of identity politics. She concludes that, for very different reasons, identity proves to be dangerous to minority and majority alike.
    DOI: 10.1515/9780822399476
    URL: https://doi.org/10.1515/9780822399476?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822399476
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
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