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  • HeBIS  (5)
  • Online Resource  (5)
  • Ake, David Andrew  (3)
  • Bagnall, Roger S.
  • Berkeley : University of California Press  (5)
  • 1
    ISBN: 0520951352 , 9780520951358
    Language: English
    Pages: 1 Online-Ressource (ix, 301 pages)
    Series Statement: Roth Family Foundation music in America imprint
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: MUSIC / Genres & Styles / Jazz ; Jazz ; Jazz History and criticism ; Jazz ; Aufsatzsammlung ; Online-Publikation ; Jazz
    Note: Includes bibliographical references and index , What is jazz? What is gained--and what is lost--when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today , Chapter 1. Incorporation and Distinction in Jazz History and Jazz Historiography -- Chapter 2. Louis Armstrong Loves Guy Lombardo -- Chapter 3. The Humor of Jazz -- Chapter 4. Creating Boundaries in the Virtual Jazz Community -- Chapter 5. Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just ... Jazz -- Chapter 6. Jazz with Strings: Between Jazz and the Great American Songbook -- Chapter 7. "Slightly Left of Center": Atlantic Records and the Problems of Genre -- Chapter 8. The Praxis of Composition-Improvisation and the Poetics of Creative Kinship -- Chapter 9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz -- Chapter 10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education -- Chapter 11. Crossing the Street: Rethinking Jazz Education -- Chapter 12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies
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  • 2
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520948525 , 0520948521
    Language: English
    Pages: Online Ressource (xiv, 179 p.) , ill.
    Edition: Online-Ausg.
    Series Statement: Sather classical lectures v. 69
    Parallel Title: Erscheint auch als Bagnall, Roger S Everyday writing in the Graeco-Roman East
    DDC: 302.224409394
    Keywords: Written communication History ; Egypt ; Written communication History ; Middle East ; Manuscripts, Greek (Papyri) Egypt ; Printed ephemera History ; Graffiti History ; Coptic inscriptions Egypt ; Syriac language Texts ; Egypt ; Middle East ; Ostraka ; Written communication History ; Manuscripts, Greek (Papyri) ; Printed ephemera History ; Graffiti History ; Written communication History ; Coptic inscriptions ; Syriac language Texts ; LANGUAGE ARTS & DISCIPLINES ; Literacy ; SOCIAL SCIENCE ; Archaeology ; Coptic inscriptions ; Graffiti ; Manuscripts, Greek (Papyri) ; Ostraka ; Printed ephemera ; Syriac language ; Written communication ; History ; Texts ; Egypt ; Middle East ; Electronic books History ; Texts
    Abstract: Reinterpreting the silences and blanks of the historical record, the author, a leading papyrologist, argues that ordinary people - from Britain to Egypt to Afghanistan - used writing in their daily lives far more extensively than has been recognized previously
    Note: Includes bibliographical references (p. 161-174) and index. - Description based on print version record
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520266889 , 9780520947399 (Sekundärausgabe)
    Language: English
    Pages: 211 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520947399
    Edition: [Online-Ausg.]
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Musikphilosophie
    Abstract: What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He u...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 4
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520275799
    Language: English
    Pages: Online-Ressource (197 p)
    Additional Information: Rezensiert in Trehuedic, Kevin [Rezension von: Roger S. Bagnall, Everyday writing in the graeco-roman east (Sather Classical Lectures ; 69)] 2013
    Series Statement: Sather Classical Lectures v.69
    Parallel Title: Print version Everyday Writing in the Graeco-Roman East
    DDC: 302.2/24409394 2 22
    Keywords: Coptic inscriptions - Egypt ; Electronic books ; Electronic books
    Abstract: Most of the everyday writing from the ancient world-that is, informal writing not intended for a long life or wide public distribution-has perished. Reinterpreting the silences and blanks of the historical record, leading papyrologist Roger S. Bagnall convincingly argues that ordinary people-from Britain to Egypt to Afghanistan-used writing in their daily lives far more extensively than has been recognized. Marshalling new and little-known evidence, including remarkable graffiti recently discovered in Smyrna, Bagnall presents a fascinating analysis of writing in different segments of society
    Description / Table of Contents: Cover; Contents; List of Illustrations; Preface; Introduction; 1. Informal Writing in a Public Place: The Graffiti of Smyrna; 2. The Ubiquity of Documents in the Hellenistic East; 3. Documenting Slavery in Hellenistic and Roman Egypt; 4. Greek and Coptic in Late Antique Egypt; 5. Greek and Syriac in the Roman Near East; 6. Writing on Ostraca: A Culture of Potsherds?; Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z
    Note: Description based upon print version of record
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  • 5
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
    RVK:
    RVK:
    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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