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  • HeBIS  (18)
  • English  (18)
  • Cham : Springer International Publishing
  • The Hague : OAPEN FOUNDATION
  • Musicology  (18)
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  • 1
    Online Resource
    Online Resource
    Oakland : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383920 , 9780520383937
    Language: English
    Pages: 1 Online-Ressource (227 p.)
    DDC: 782.421649
    RVK:
    Keywords: Rap & Hip-Hop ; Music ; Hip-hop
    Abstract: How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop’s introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre’s diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre’s growing popularity transformed ideas about who constitutes the mainstream. “Here it is—bam! The definitive story of rap, race, radio, and marketplace during hip hop’s Golden Age. Amy Coddington combines an archivist’s rigor and a raconteur’s wit in documenting what those of us of a certain age remember but, perhaps, never fully grasped: how, amidst expanding racial inequalities and against all odds, rap music became the most popular genre in America.” — Anthony Kwame Harrison, author of Hip Hop Underground: The Integrity and Ethics of Racial Identification “Making use of trade publications that have received little scholarly attention, Coddington has crafted a provocative and lucid alternative history that tracks how the radio industry’s engagement with hip hop in the 1980s and 1990s both reflected and shaped changing ideas about race and music.” — Loren Kajikawa, author of Sounding Race in Rap Songs...
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031219559
    Language: English
    Pages: 1 Online-Ressource(XXVI, 466 p. 69 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.44
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    Keywords: Music—History and criticism. ; Civilization—History. ; Sociolinguistics. ; Anthropological linguistics. ; Race. ; Civilization ; Music ; Aufsatzsammlung
    Abstract: INTRODUCTION:Hip Hop’s here, there… and everywhere: An introduction to Global Hiphopography.-PART I – NOW CHECK THE METHOD.-CHAPTER 1:Public Enemy, public scholarship: Hiphopography and the co-production of knowledge with Chuck D.-CHAPTER 2:Rappin’ for rap’s sake: Towards T.R.A.P. research for collective liberation.-CHAPTER 3:Recalculating…: Hiphopography and decentring scholarship.-CHAPTER 4:Relational hiphopography: Some notes on shared study .-CHAPTER 5:Homeboys: A photo essay on Delhi’s underground hip hop culture.PARTII – FEMININE ENERGY.-CHAPTER 6:Decolonizing African Studies approaches to research on African women in Hip-Hop -- CHAPTER 7:Sisters in the hood: Re-centring gender balance in HipHop by creating safe spaces for women -- PART III – MIND, BODY AND SOUL.-CHAPTER 8:How I know, be, move: Embodied Hip Hop Pedagogies as teaching, research, writing, and living praxis .-CHAPTER 9:Flipping the academic discourse: Reflections on corporeal knowledge and gender negotiations in breaking.-CHAPTER 10:Graffuturism: Hiphopographic futures for urban art -- PART IV – FEAR OF A BLACK PLANET.-CHAPTER 11:Translocal hip hop aesthetics: Contemporary performances in Brazilian hip hop.-CHAPTER 12:Racialization and strategic / normalized otherness: A hiphopography of Danish and Finnish rap scenes -- PART V – POLITRICKS -- CHAPTER 13:Real and hypocrisy: The “moral turn” in Chinese Hip Hop music.-CHAPTER 14:Transidiomatism in Da Billas’ Mafohlana rap song: The socio-cultural integration of Mozambican migrants in South Africa -- PART VI – THIS IS A JOURNEY INTO SOUND:CHAPTER 15:The mixtape as Hip Hop historiography: A systematic analysis of record releases of German 1980s Hip Hop.-CHAPTER 16:‘My space trips from Chimoio’: Notes about space and temporality in sampling.-CHAPTER 17:Black sound designs: Reflections on one Brazilian DJ’s approach to a profession .
    Abstract: This book brings together a range of hip hop scholars, artists and activists working on Hip Hop in the Global North and South with the goal of advancing Hiphopographic research as a critical methodology with critical fieldwork methods that can provide a critical perspective of our world. The authors’ focus in this volume is to present an anthology of essays that expand the remit of Hiphopography as an approach to the study of Hip Hop that is not only sensitive to the social, economic, political and cultural lives of Hip Hop Culture participants as interpreters and theorists, but one that continues to humanize the “whole person” behind the decks, on the mic, rocking on the linoleum floor, painting in front of a wall, and seeking that Knowledge of Self. This book will be relevant to Hip Hop scholars in fields such as cultural studies and history, sociolinguistics, linguistic anthropology and ethnography, and race studies, while Hip Hop heads themselves will find parts of this book that represent their culture in ethical and informative ways. Jaspal Naveel Singh is a hip hop head, knowledge producer and soul searcher. He currently works as a Lectuer in Applied Linguistics and English Language at the Open University, UK. His first monograph Transcultural Voices: Narrating Hip Hop Culture in Complex Delhi (2022) develops a hiphopographic approach called global hip hop linguistics to study breakers, graffiti artists, musicians and rappers in the emergent scenes in urban India. Originally from Germany, he has lived and worked in India, Hong Kong and Wales. Quentin Williams is Director of the Centre for Multilingualism and Diversities Research and an Associate Professor of Sociolinguistics in the Linguistics Department at the University of the Western Cape, South Africa. His most recent books are Struggles for Multilingualism and Linguistic Citizenship with Tommaso Milani and Ana Deumert (2022) and Neva Again: Hip Hop Art, Activism and Education in post-apartheid South Africa with Adam Haupt, H Samy Alim and Emile YX? (2019). .
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill | The Hague : OAPEN FOUNDATION
    ISBN: 9789004542723 , 9789004542716
    Language: English
    DDC: 306.48420943
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    Keywords: Modern history to 20th century: c 1700 to c 1900 ; Classical Music ; German Empire ; German History ; Migration ; Music ; Musicians ; National Socialism ; Professionalization ; Weimar Republic ; World War I ; World War II ; World War 1 ; World War 2
    Abstract: Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession 'from below' sheds new light on German musical life in the modern era.
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383937 , 9780520383920
    Language: English
    DDC: 782.421649
    RVK:
    Keywords: Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031164668 , 3031164660
    Language: English
    Pages: 1 Online-Ressource (XI, 213 Seiten)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als Hirsch, Lily E Insulting Music
    DDC: 781.63
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    Keywords: Popular music ; Music ; Popular Culture ; Popular Music ; Music ; Popular Culture ; Classical Music ; Pop and Rock
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030651893 , 3030651894
    Language: English
    Pages: 1 Online-Ressource (XIII, 291 Seiten) , 4 illus.
    Edition: 1st ed. 2021
    Series Statement: Palgrave Studies in (Re)Presenting Gender
    Parallel Title: Erscheint auch als Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music
    DDC: 305.3
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    Keywords: Sex ; Music ; Popular Culture ; Celebrities ; Ethnology ; Gender Studies ; Music ; Popular Culture ; Celebrity Studies ; Sociocultural Anthropology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (208 p.)
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; The arts ; Humanities ; Politics & government ; USA ; Arts ; humanities ; politics ; international relations
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 9
    Online Resource
    Online Resource
    Bielefeld, Germany : transcript Verlag | The Hague : OAPEN FOUNDATION
    ISBN: 9783839443583 , 9783839443583
    Language: English
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Theory of music & musicology ; Arts ; Music ; Politics ; Popular Culture ; Pop Music ; International Relations ; History of the 20th Century ; Cultural History ; Musicology
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
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  • 10
    Online Resource
    Online Resource
    Oakland : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520300804
    Language: English
    Pages: 1 Online-Ressource (288 p.)
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    Keywords: Musik ; Theory of music & musicology ; Iran ; Ethnomusicology ; Middle Eastern Studies
    Abstract: "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history. “Ann E. Lucas very effectively combines historical analysis, ethnomusicology, and musicology to provide a broad, holistic explanation for complex, nuanced processes of change. Well written and highly original in its approach, this is a major contribution to the field.” KAMRAN SCOT AGHAIE, Associate Professor of Iranian History, University of Texas “Music of a Thousand Years presents an innovative narrative of Persian music history and also provides important new perspectives on how to analyze the meaning of music and culture in historical perspective.” MOHSEN MOHAMMADI, Lecturer in Ethnomusicology, University of California, Los Angeles “Lucas turns the standard history of Persian music on its head, proving it is not a story of the survival of an ancient tradition, but rather the story of the invention of tradition. Revisionist in the best sense of the word.” JAMES L. GELVIN, author of The Modern Middle East: A History ANN E. LUCAS is Assistant Professor of ethnomusicology in the Department of Music at Boston College, where she also teaches in the Islamic Civilizations and Societies Program. She is recognized for her work on music historiography of the Middle East."...
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478090359 , 9780822372646
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    RVK:
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören ; Theory of music & musicology ; voice ; race ; timbre
    Abstract: In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
    URL: Volltext  (kostenfrei)
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  • 12
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783319924717 , 3319924710
    Language: English
    Pages: 1 Online-Ressource (XXIV, 362 Seiten) , 63 illus., 39 illus. in color.
    Edition: 1st ed. 2018
    Parallel Title: Erscheint auch als Performing Music History
    DDC: 306
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    Keywords: Popular Culture ; Music ; Actors ; Performing arts ; Theater ; Culture ; Popular Culture ; Music ; Performers and Practitioners ; Theatre and Performance Arts ; Global and International Culture
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  • 13
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783319770130 , 3319770136
    Language: English
    Pages: 1 Online-Ressource (V, 158 Seiten)
    Edition: 1st ed. 2018
    Parallel Title: Erscheint auch als Lefkovitz, Aaron Jimi Hendrix and the Cultural Politics of Popular Music
    DDC: 306
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    Keywords: Hendrix, Jimi ; Pop-Kultur ; Politik ; Popular Culture ; Music ; Ethnology—America ; Culture ; Sex ; Race ; Popular Culture ; Music ; American Culture ; Gender Studies ; Race and Ethnicity Studies ; USA
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  • 14
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9789462984035
    Language: English
    DDC: 950
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    Keywords: South East Asia ; history ; southeast asia ; popular music
    Abstract: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.
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  • 15
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9789048534555 , 9789462984035
    Language: English
    Pages: 1 Online-Ressource (84 p.)
    DDC: 950
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    Keywords: Music ; Light orchestral & big band music ; World music ; Asian history ; Society & culture: general ; Politics & government
    Abstract: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.
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  • 16
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478093251 , 9780822363705
    Language: English
    DDC: 780.8996073
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    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Theory of music & musicology ; Music ; Ethnic studies ; USA ; Afrika ; Music ; Sociology ; African Studies
    Abstract: In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity's promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity's determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
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  • 17
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill | The Hague : OAPEN FOUNDATION
    ISBN: 9789004259867 , 9789004261778
    Language: English
    Pages: 1 Online-Ressource (1 Online-Ressource (388 p.)
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    Abstract: Sonic Modernities analyses the interplay between the production of popular music, shifting ideas of the modern and, in its aftermath, processes of social differentiation in twentieth-century Southeast Asia...
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  • 18
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN FOUNDATION
    ISBN: 9783837621792 , 9783839421796
    Language: English
    Pages: 1 Online-Ressource (1 Online-Ressource ( p.)
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    Keywords: Geschichte 1920-2010 ; Urbanität ; Darstellung ; Geräusch ; Museum ; Audiovisuelle Medien ; Berlin ; London ; Amsterdam ; Aufsatzsammlung
    Abstract: We cannot simply listen to our urban past. Yet we encounter a rich cultural heritage of city sounds presented in text, radio and film. How can such 'staged sounds' express the changing identities of cities? This volume presents a collection of studies on the staging of Amsterdam, Berlin and London soundscapes in historical documents, radio plays and films, and offers insights into themes such as film sound theory and museum audio guides. In doing so, this book puts contemporary controversies on urban sound in historical perspective, and contextualises iconic presentations of cities. It addresses academics, students, and museum workers alike. With contributions by Jasper Aalbers, Karin Bijsterveld, Carolyn Birdsall, Ross Brown, Andrew Crisell, Andreas Fickers, Annelies Jacobs, Evi Karathanasopoulou, Patricia Pisters, Holger Schulze, Mark M. Smith and Jonathan Sterne...
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