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  • HeBIS  (8)
  • English  (8)
  • 2005-2009  (8)
  • Berkeley : University of California Press  (8)
  • Musicology  (8)
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Language
  • English  (8)
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Year
Author, Corporation
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    1989 : Bob Dylan didn't have this to sing about (2009)
    Berkeley : University of California Press
    Details
    ISBN: 052094464X , 1282772635 , 9780520944640 , 9781282772632
    Language: English
    Pages: 1 Online-Ressource (xiii, 187 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409/048
    RVK:
    LS 48000
    RVK:
    LS 48070
    Keywords: 1981 - 1990 ; Geschichte 1980-1990 ; Geschichte 1989 ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Grunge music ; Nineteen eighty-nine, A.D. ; Popular music ; Rap (Music) ; Underground dance music ; Popular music History and criticism 1981-1990 ; Rap (Music) History and criticism ; Underground dance music History and criticism ; Grunge music History and criticism ; Nineteen eighty-nine, A.D. ; Grungerock ; Rap ; Techno ; Gesellschaft ; Popmusik ; Rap ; Grungerock ; Techno ; Geschichte 1980-1990 ; Popmusik ; Gesellschaft ; Geschichte 1980-1990 ; Popmusik ; Gesellschaft ; Geschichte 1989
    Note: Includes bibliographical references and index , The Bourgeois and the Boulevard -- The Second Summer of Love -- Negative Creep -- The Billboard Consensus -- The Image-Event and the Blind Spot , In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility."
    URL: Volltext
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    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    Monk's music : Thelonious Monk and jazz history in the making (2008)
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
    URL: http://dx.doi.org/10.1525/california/9780520252004.001.0001
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  • 3
    Online Resource
    Online Resource
    Monk’s Music : Thelonious Monk and Jazz History in the Making (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940963
    Language: English
    Pages: 1 Online-Ressource (255 pages)
    Edition: 1st ed.
    DDC: 786.2165092
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Monk, Thelonious ; Biografie
    Abstract: Thelonious Monk (1917-1982) was one of jazz's greatest and most enigmatic figures. As a composer, pianist, and bandleader, Monk both extended the piano tradition known as Harlem stride and was at the center of modern jazz's creation during the 1940s, setting the stage for the experimentalism of the 1960s and '70s. This pathbreaking study combines cultural theory, biography, and musical analysis to shed new light on Monk's music and on the jazz canon itself. Gabriel Solis shows how the work of this stubbornly nonconformist composer emerged from the jazz world's fringes to find a central place in its canon. Solis reaches well beyond the usual life-and-times biography to address larger issues in jazz scholarship-ethnography and the role of memory in history's construction. He considers how Monk's stature has grown, from the narrowly focused wing of the avant-garde in the 1960s and '70s to the present, where he is claimed as an influence by musicians of all kinds. He looks at the ways musical lineages are created in the jazz world and, in the process, addresses the question of how musicians use performance itself to maintain, interpret, and debate the history of the musical tradition we call jazz.
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 4
    Online Resource
    Online Resource
    Proud to Be an Okie : Cultural Politics, Country Music, and Migration to Southern California (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940000
    Language: English
    Pages: 1 Online-Ressource (368 pages)
    Edition: 1st ed.
    Series Statement: American Crossroads v.22
    DDC: 781.642
    RVK:
    LS 48000
    Keywords: Geschichte 1900-2000 ; Politik ; Countrymusic ; Popkultur ; Kalifornien
    Abstract: Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.1525/california/9780520248885.001.0001
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  • 5
    Online Resource
    Online Resource
    Making the Scene : Contemporary New York City Big Band Jazz (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940161
    Language: English
    Pages: 1 Online-Ressource (420 pages)
    Edition: 1st ed.
    DDC: 784.481
    RVK:
    LQ 89400
    RVK:
    LS 48100
    Keywords: Big Band ; Musik ; Jazz ; New York, NY
    Abstract: The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "rehearsal band" scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.1525/california/9780520249530.001.0001
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  • 6
    Online Resource
    Online Resource
    Music and revolution : cultural change in socialist Cuba (2006)
    Berkeley : University of California Press
    Details
    ISBN: 0520247108 , 0520247116
    Language: English
    Pages: xvi, 350 p.
    Series Statement: Music of the African diaspora 9
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.972910904
    RVK:
    LQ 89907
    RVK:
    LQ 90100
    RVK:
    LR 57727
    RVK:
    LS 48700
    Keywords: Geschichte 1900-2000 ; Geschichte 1951-2001 ; Musik ; Politik ; Music Political aspects ; Music History and criticism 20th century ; Socialism and music ; Politik ; Musik ; Kuba ; Kuba ; Musik ; Politik ; Geschichte 1951-2001
    Description / Table of Contents: Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium
    Note: Includes bibliographical references (p. 317-339) and index
    URL: http://dx.doi.org/10.1525/california/9780520247109.001.0001
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  • 7
    Online Resource
    Online Resource
    From Afro-Cuban Rhythms to Latin Jazz (2006)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520939448
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    Series Statement: Music of the African Diaspora v.10
    DDC: 781.64097291
    RVK:
    LS 48700
    Abstract: This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians' substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research.
    Note: Description based on publisher supplied metadata and other sources
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  • 8
    Online Resource
    Online Resource
    Music and revolution : cultural change in socialist Cuba (2006)
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 1423789660 , 9781423789666 , 9780520939462 , 0520939468
    Language: English
    Pages: 1 Online-Ressource (xvi, 350 pages) , Illustrations, music
    Series Statement: Music of the African diaspora 9
    DDC: 780/.97291/0904
    RVK:
    LS 48700
    RVK:
    LC 86640
    Keywords: Geschichte 1951-2001 ; Politik ; Musik ; Kuba
    Abstract: Provides an introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959, and to the policies that have shaped artistic life. Tracing the development of dance styles, nueva trova, folkloric drumming, and other forms, this book describes how the arts have become a point of negotiation between individuals.
    Note: Includes bibliographical references (pages 317-339) and index
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