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  • HeBIS  (19)
  • English  (19)
  • Swahili
  • Cambridge, UK : Cambridge University Press
  • Musicology  (19)
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  • English  (19)
  • Swahili
  • 1
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
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    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
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  • 2
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787444638
    Language: English
    Pages: 1 Online-Ressource (xi, 303 pages)
    DDC: 782.421640973/091732
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    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Abstract: An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019)
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  • 3
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787442481
    Language: English
    Pages: 1 Online-Ressource (xxviii, 151 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology v. 8
    DDC: 781.62/963957
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    Keywords: Music Social aspects ; Music and identity politics
    Abstract: Examines how the Kawuugulu Clan-Royal Musical Ensemble uses musical performance and storytelling to manage, structure, model, and legitimize power relations among the Baganda people of south-central Uganda.
    Note: Title from publisher's bibliographic system (viewed on 11 Jun 2021)
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  • 4
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781782049210
    Language: English
    Pages: 1 Online-Ressource (viii, 224 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology v. 6
    DDC: 781.6200285
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    Abstract: The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.
    Note: Title from publisher's bibliographic system (viewed on 27 Apr 2018)
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781316569207
    Language: English
    Pages: 1 Online-Ressource (xvi, 366 pages)
    Series Statement: Cambridge companions to music
    DDC: 782.4209
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    Keywords: Liedermacher ; Popmusik ; Sänger ; Songwriting ; Musiksoziologie ; Aufsatzsammlung
    Abstract: Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West.
    Note: Title from publisher's bibliographic system (viewed on 13 Jul 2016)
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781316181478
    Language: English
    Pages: 1 Online-Ressource (xii, 287 pages)
    Series Statement: Cambridge cultural social studies
    DDC: 780.794
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    Keywords: Electronic books ; Electronic books
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 7
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139151214
    Language: English
    Pages: 1 Online-Ressource (xiii, 293 pages)
    Series Statement: Cambridge companions to music
    DDC: 780.89924
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    Keywords: Juden ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.
    Note: Title from publisher's bibliographic system (viewed on 26 Jan 2016)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139871846
    Language: English
    Pages: 1 Online-Ressource (vii, 269 pages)
    Edition: First published
    DDC: 781.49/023
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    Keywords: Schallplattenproduktion
    Abstract: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139021357
    Language: English
    Pages: 1 Online-Ressource (xx, 294 pages)
    Series Statement: Cambridge companions to music
    DDC: 781.65092
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    Keywords: Ellington, Duke ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy.
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015)
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  • 10
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139051682
    Language: English
    Pages: 1 Online-Ressource (xiv, 327 pages)
    Series Statement: Music since 1900
    DDC: 780.9/04
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 11
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139029476
    Language: English
    Pages: 1 Online-Ressource (xxvi, 851 Seiten)
    Series Statement: The Cambridge history of music
    DDC: 780.9
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    Keywords: Weltmusik ; Folk music ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
    Note: Literaturangaben
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  • 12
    Online Resource
    Online Resource
    Singapore : Institute of Southeast Asian Studies | Cambridge, UK : Cambridge University Press
    ISBN: 9789814345248
    Language: English
    Pages: 1 Online-Ressource (xxiii, 278 pages)
    DDC: 306.484209595
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    Abstract: This book discusses three major elements - MTV, the Music of Malaysia, and the Music of Indonesia - and how these three interact in the modern cultural setting. The research objective behind the book was to study the impact of globalization, in the form of the MTV onslaught on the youth musical culture and identities of Indonesia and Malaysia, and to determine what theoretical basis could explain the new cultural products which have risen in response to this process. The book goes on to examine whether the nasyid and irama Malaysia music genres in Malaysia and dangdut in Indonesia are part of this process and how it is achieved...
    Note: Title from publisher's bibliographic system (viewed on 24 Nov 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 13
    Online Resource
    Online Resource
    Amsterdam : IIAS / Amsterdam University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9789048508112
    Language: English
    Pages: 1 Online-Ressource (336 pages)
    Series Statement: IIAS publications series. Edited volumes 4
    DDC: 792.0959
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    Keywords: Darstellende Kunst ; Musik ; Ozeanien ; Südostasien ; Aufsatzsammlung
    Abstract: 〈div〉〈p〉In Austronesia' the region that stretches from Madagascar in the west to Easter Island in the east-music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, 〈i〉Austronesian Soundscapes〈/i〉 will fill this research gap, offering a comprehensive analysis of traditional and contemporary Austronesian music and, at the same time, investigating how music reflects the challenges that Austronesian cultures face in this age of globalization.〈/p〉〈/div〉...
    Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021)
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  • 14
    Online Resource
    Online Resource
    Cambridge : Cambridge Univ. Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139002745
    Language: English
    Pages: XXIII, 316 Seiten , Notenbeispiele
    Edition: 1. publ.
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Series Statement: Complete Cambridge companions
    DDC: 782.42166092/2
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    Keywords: The Beatles ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliografical references and index
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  • 15
    Online Resource
    Online Resource
    Johannesburg : Wits University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781868146987
    Language: English
    Pages: 1 Online-Ressource (311 pages)
    DDC: 781.5/990968
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    Keywords: Apartheid ; Musik
    Abstract: Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel's Messiah). Musical institutions and previously little-researched performers (such as the African National Congress's troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies. ...
    Note: Title from publisher's bibliographic system (viewed on 07 May 2018)
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  • 16
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781580466097
    Language: English
    Pages: 1 Online-Ressource (liv, 156 pages)
    Series Statement: Eastman studies in music
    DDC: 782.4216213
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    Keywords: Volksmusik ; Folk music History and criticism ; Musical notation ; Oral tradition ; Field recordings History ; USA
    Abstract: This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too long and was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . . She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read. The manuscript has been edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive (transcription as cultural preservation) and prescriptive (she intended that others would be able to perform these songs). In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of her own ideas on the topic. Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music. Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.
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  • 17
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 Online-Ressource (xii, 390 pages)
    DDC: 781.6409
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    Keywords: Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9780511586156
    Language: English , English
    Pages: 1 Online-Ressource (xii, 228 pages)
    Uniform Title: Rockmusik.
    DDC: 306.4/84
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    Abstract: Rock music - powerful, sensual, loud and full of energy. It has changed the face of modern music. But what is its fascination for, and its significance in contemporary society and what cultural values does it reflect? Peter Wicke addresses these issues in a stimulating and penetrating study of rock music tracing the genesis and influence of this diverse strand of popular music. Beginning with the advent of rock 'n' roll, Wicke chronicles the development through Elvis Presley and the Beatles to the current music industry, its performers, and the impact of the music video. The book will appeal to readers with an interest in music history, popular culture, and media studies.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : [Verlag nicht ermittelbar] | Cambridge, UK : Cambridge University Press
    ISBN: 9781139178631
    Language: English
    Pages: 1 Online-Ressource (100 pages)
    Series Statement: Cambridge library collection. Music
    DDC: 780.951
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    Keywords: Musik ; China
    Abstract: First published in 1884 by the Statistical Department of the Inspectorate General of Customs in Shanghai, this work is probably best known as a source of musical material for Puccini's opera Turandot. It was reprinted several times and remained the primary source in a Western language of detailed information on Chinese music until the mid-twentieth century. Van Aalst, born in Belgium in 1858, spent his working life with the Imperial Maritime Customs Service where his ability as a musician was noticed by the Inspector General, Robert Hart. It is thought likely that the work was published to coincide with the London Health Exhibition of 1884 in South Kensington to which Van Aalst had been sent to lecture. Different types of music (ritual and popular), the range of instruments, and musical notation are all explained, the intention being to enable a better understanding of Chinese music by those in the West.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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