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  • HeBIS  (27)
  • MPI-MMG
  • GRASSI Mus. Leipzig
  • Berlin : Walter de Gruyter GmbH
  • Musicology  (27)
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  • 1
    Online Resource
    Online Resource
    Music and Change in the Eastern Baltics Before and After 1989 (2022)
    Boston, MA : Academic Studies Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781644698952
    Language: English
    Pages: 1 Online-Ressource (362 p.)
    Series Statement: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    LQ 80027
    Keywords: Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    DOI: 10.1515/9781644698952
    URL: https://doi.org/10.1515/9781644698952?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781644698952
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    Antagonistic Cooperation : Jazz, Collage, Fiction, and the Shaping of African American Culture (2022)
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    LS 48200
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    DOI: 10.7312/omea18918
    URL: https://doi.org/10.7312/omea18918
    URL: https://www.degruyter.com/isbn/9780231548212
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    The Pop Musical : Sweat, Tears, and Tarnished Utopias (2021)
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    LS 48050
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    DOI: 10.7312/mira19123
    URL: https://www.degruyter.com/isbn/9780231549295
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Who got the camera? : a history of rap and reality (2021)
    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (xii, 343 Seiten)
    Edition: First edition
    Edition: 2022
    Series Statement: American music series
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA
    DOI: 10.7560/321348
    URL: https://doi.org/10.7560/321348
    URL: https://www.degruyter.com/isbn/9781477323946
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Roadrunner (2021)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    LS 48050
    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: https://doi.org/10.1515/9781478021698?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021698
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Stairway to Paradise : Jews, Blacks, and the American Music Revolution (2021)
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    LS 48050
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    DOI: 10.1515/9783110723168
    URL: https://doi.org/10.1515/9783110723168
    URL: https://www.degruyter.com/isbn/9783110723168
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Musik ausstellen : Vermittlung und Rezeption musikalischer Themen im Museum (2021)
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839455357
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Museum Band 53
    DDC: 780.74
    RVK:
    LB 34000
    RVK:
    LR 57070
    Keywords: Musik ; Museum ; Kulturvermittlung ; Narrativität ; Spezialmuseum ; Ausstellung ; Musikausstellung; Museum; Musik; Europa; Kunstvermittlung; Emotion; Erinnerung; Rezeption; Narration; Kulturmanagement; Museumsmanagement; Praktische Museumskunde; Erinnerungskultur; Museumspädagogik; Music Display; Music; Europe; Art Education; Memory; Perception; Cultural Management; Museum Management; Practical Museography; Memory Culture; Museum Education; ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Musikausstellungen vermitteln historisches und musikalisches Wissen und können darüber hinaus Orte der Erinnerung, Kontemplation und spielerischen Unterhaltung sein. Entsprechend vielfältig sind inhaltliche Ausrichtungen, museale Vermittlungskonzepte sowie Ansprüche und Erwartungen von Seiten des Publikums. Die Autor*innen des Bandes präsentieren Erkenntnisse aus einem mehrjährigen empirischen Studienprojekt, bei dem Museen verschiedener europäischer Länder erstmalig systematisch-vergleichend als musikkulturelle Institutionen untersucht wurden.
    DOI: 10.1515/9783839455357
    URL: https://www.degruyter.com/document/doi/10.1515/9783839455357/html?locatt=mode:legacy
    URL: https://doi.org/10.1515/9783839455357
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839455357
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    URL: Cover
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    URL: lizenzpflichtig
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  • 8
    Online Resource
    Online Resource
    Musik & politischer Konflikt aus der Türkei : Kurdische, alevitische und linke Musik in Deutschland (2020)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
    RVK:
    LS 38550
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    DOI: 10.1515/9783839454763
    URL: https://doi.org/10.1515/9783839454763?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839454763
    URL: Cover
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    HeBIS
    BVB
    Bayreuth UB
  • 9
    Online Resource
    Online Resource
    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2019)
    Chicago : The University of Chicago Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.620972976
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Guadeloupe
    DOI: 10.7208/9780226631806
    URL: https://www.degruyter.com/document/doi/10.7208/9780226631806/html
    URL: https://doi.org/10.7208/9780226631806
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  • 10
    Online Resource
    Online Resource
    Music of a Thousand Years : A New History of Persian Musical Traditions (2019)
    Berkeley, CA : University of California Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780520972032
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    DDC: 780.955
    RVK:
    LS 37060
    Keywords: Musik ; Iran ; Electronic books
    Abstract: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
    DOI: 10.1515/9780520972032
    URL: kostenfrei
    URL: Cover
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  • 11
    Online Resource
    Online Resource
    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
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    BSZ
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  • 12
    Online Resource
    Online Resource
    On Site, In Sound : Performance Geographies in América Latina (2018)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822372653
    Language: English
    Pages: 1 Online-Ressource (256 p.) , 15 illustrations
    Edition: 2018
    Series Statement: Refiguring American Music
    DDC: 780.98
    RVK:
    LR 56500
    RVK:
    LS 48800
    Abstract: In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    DOI: 10.1515/9780822372653
    URL: https://www.degruyter.com/isbn/9780822372653
    URL: Cover
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  • 13
    Online Resource
    Online Resource
    Protestchöre : Zu einer neuen Ästhetik des Widerstands (2018)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839444054
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Theater 112
    Dissertation note: Dissertation Freie Universität Berlin 2017
    RVK:
    MD 8440
    RVK:
    LR 12560
    RVK:
    LR 12568
    RVK:
    AP 71300
    RVK:
    LB 47000
    Keywords: Protestbewegung ; Arabischer Frühling ; Occupy Wall Street ; Chor ; Protest ; Widerstand ; Ästhetik ; Protestbewegung ; Arabischer Frühling ; Occupy Wall Street ; Chor ; Protest ; Widerstand ; Ästhetik ; Occupy-Bewegung ; Theaterwissenschaft ; Stuttgart 21 ; Stuttgart 21 ; Hochschulschrift
    Abstract: Protestformen haben sich im globalen Maßstab und über kulturelle wie politische Grenzen hinweg verändert. Die sozial- und politikwissenschaftliche Protestforschung verfolgt dies aufmerksam, wobei die ästhetischen Dimensionen oft unterbelichtet bleiben.Stefan Donath beschreibt am Beispiel einer der ältesten Ausdrucksformen des europäischen Theaters - dem Chor - den Wandel in den Darstellungsformen von Protest. Er zeigt: Im Rahmen von Stuttgart 21, des Arabischen Frühlings und der Occupy-Bewegung verweisen Protestchöre auf eine neue Ästhetik des Widerstands.
    Abstract: The chorus as a form of protest: Stefan Donath describes what it means to current protest movements and how it is being made political as a form of articulation of current resistance.
    Note: Literaturverzeichnis: Seiten 439-478 , Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
    DOI: 10.1515/9783839444054
    URN: urn:nbn:de:101:1-2018082606270167777390
    URL: https://doi.org/10.1515/9783839444054?locatt=mode:legacy
    URL: Cover
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  • 14
    Online Resource
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    Heavy Metal in der DDR : Szene, Akteure, Praktiken (2018)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839444306
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: texte zur populären musik 10
    DDC: 780
    RVK:
    LC 87015
    RVK:
    LC 87016
    RVK:
    LQ 80107
    RVK:
    LS 48635
    RVK:
    MS 2350
    Keywords: Geschichte ; Heavy Metal ; Jugendkultur ; 1980er-Jahre ; 1980s ; Cultural History ; DDR ; GDR (East Germany),Practices ; Jugendkultur ; Kulturgeschichte ; Music ; Musicology ; Musik ; Musikwissenschaft ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Praktiken ; Scene ; Subculture ; Subkultur ; Szene ; Youth Culture ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: DDR und Heavy Metal? Wolf-Georg Zaddach rückt eine in der Forschung lange Zeit vernachlässigte Jugendkultur in den Fokus und erläutert - erstmalig in diesem Umfang - die alltäglichen Praktiken und Entwicklungen der Heavy Metal-Szene im DDR-Sozialismus der 1980er-Jahre. Die empirische Grundlage hierfür bieten bisher unveröffentlichte Quellen wie Songtexte auf Karteikarten, Fan-Briefe und Akten der »Stasi« (Ministerium für Staatssicherheit). Es kommen aber auch zahlreiche Zeitzeugen wie die Macher der Kultradiosendung »Tendenz Hard bis Heavy« sowie diverse Fans und Musiker zu Wort.
    Abstract: Wolf-Georg Zaddach explores the practices and developments of an originally Western music for teens during the last decade of the German Democratic Republic.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)
    DOI: 10.1515/9783839444306
    URL: https://doi.org/10.1515/9783839444306?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444306
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444306
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444306
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444306
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444306
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444306
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    Regensburg UB
    KOBV
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    BVB
  • 15
    Online Resource
    Online Resource
    Pop weiter denken : Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte (2018)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839446645
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 44
    DDC: 305.800943
    RVK:
    LS 48010
    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Cultural Studies ; Jazz Studies ; Jazz ; Jazzforschung ; Kulturwissenschaft ; Music ; Musicology ; Musik ; Musikphilosophie ; Musiktheorie ; Musikwissenschaft ; Philosophy of Music ; Popkultur ; Popular Culture ; Popular Music ; Popularmusik ; Theory of Music ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung
    Abstract: Pop weiter denken versammelt Aufsätze, die sich diesemMotto auf zwei Weisen nähern: Zum einen wollen siepopuläre Musik weiter denken, den Begriff also öffnen undeinen stilistisch breiteren und historisch umfassenderenZugang abbilden. Zum anderen will der Band Ansätze derPopforschung weiterdenken, also wieder aufgreifen undfortspinnen, die einst selbstverständliche Bestandteile desDenkens über Musik waren, in den letzten Jahren aber ausunserem Blickfeld geraten sind: die aktuelle Jazzforschungund die Musikphilosophie. In diesem Kontext werden auchmusiktheoretische Zugänge zu populärer Musik weitergedacht, die in den USA seit vielen Jahren selbstverständlichund fruchtbar, hierzulande indes kaum gebräuchlich sind.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
    DOI: 10.1515/9783839446645
    URN: urn:nbn:de:101:1-2018123004381798321998
    URL: https://doi.org/10.1515/9783839446645?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839446645
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Popmusik in Zeiten der Digitalisierung : Veränderte Aneignung - veränderte Wertigkeit (2018)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839444825
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Popmusik ; Digitalisierung ; Soziologie ; Wirtschaft ; Musikerlebnis ; Sozialisation ; Medienkonsum ; Popmusik ; Musikerlebnis ; Sozialisation ; Digitalisierung ; Medienkonsum ; Cultural Studies ; Culture ; Digitalisierung ; Digitalization ; Kultur ; Media Appropriation ; Medienaneignung ; Mediensoziologie ; Music ; Musicology ; Musik ; Musikwissenschaft ; Perception ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Rezeption ; Sociology of Media ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Aug 2018)
    DOI: 10.1515/9783839444825
    URN: urn:nbn:de:101:1-2018082606300073287637
    URL: https://doi.org/10.1515/9783839444825?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444825
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://static.onleihe.de/content/transcript/20180810/9783839444825/v9783839444825.pdf
    URL: https://static.onleihe.de/images/transcript/20180810/9783839444825/tn9783839444825l.jpg
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    Regensburg UB
    BSZ
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    BVB
  • 17
    Online Resource
    Online Resource
    Collaborative Intimacies in Music and Dance : Anthropologies of Sound and Movement (2017)
    Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781785334542
    Language: English
    Pages: 1 Online-Ressource (282 p.)
    Series Statement: Dance and Performance Studies 10
    DDC: 306.484
    RVK:
    CX 7500
    RVK:
    LC 87000
    RVK:
    LC 88000
    RVK:
    LR 56500
    Keywords: Musikanthropologie ; Weltmusik ; Soziale Funktion ; Aufsatzsammlung
    Abstract: Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.
    DOI: 10.1515/9781785334542
    URL: https://doi.org/10.1515/9781785334542?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781785334542
    URL: Cover
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  • 18
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    Online Resource
    » Odin rules« : Religion, Medien und Musik im Pagan Metal (2017)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839434314
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Religion und Medien Band 3
    DDC: 200
    RVK:
    BE 7706
    RVK:
    LS 48635
    RVK:
    LS 48015
    Keywords: Heavy Metal ; Neuheidentum ; Religiosität ; Massenkultur ; Medien ; Heavy Metal ; Medien ; Medienästhetik ; Musik ; Pagan Metal ; Popkultur ; Popmusik ; Popular Culture,Media,Secularization,Music,Heavy Metal,Pagan Metal,Religious Studies,Pop Music,Media Aesthetics ; Populärkultur ; Religionswissenschaft ; Säkularisierung ; Hochschulschrift
    Abstract: Religion findet sich nicht nur in Kirchen und Moscheen, sondern auch an profanen Orten wie Heavy Metal-Konzerten. Mittels der Analyse von Konzerten, Liedtexten, CD-Covern und Interviews mit bekannten Musikern im Bereich des Pagan Metal diskutiert Serina Heinen das Verhältnis von Religion und Populärkultur.Dabei tritt ein wichtiger Aspekt von moderner Religion zutage, der in religionssoziologischen Debatten kaum Beachtung findet: Religion im populärkulturellen Kontext ist vieldeutig. Pagan Metal ist voller explizit religionsbezogener Symbolik, doch verstehen die Musiker ihre künstlerische Auseinandersetzung mit Religion nicht zwingend als religiöses Bekenntnis.
    Abstract: Religion is found not only in churches and mosques, but also in profane environments - even at heavy metal concerts. Through an analysis of concerts, lyrics, CD covers and interviews with famous musicians in the 'pagan metal' scene, Serina Heinen discusses the relationship between religion and popular culture. In the process, an important aspect of religion is brought to light that in the socio-religious debate on secularization and the return of religion is given hardly any attention: in a contemporary society strongly shaped by popular culture, religion does not necessarily have a religious connotation. The religious references in pagan metal are primarily used for stylistic purposes - and not as religious proclamations.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Apr. 18, 2017)
    DOI: 10.1515/9783839434314
    URN: urn:nbn:de:101:1-20170521952
    URL: http://d-nb.info/1132467160/34
    URL: https://doi.org/10.1515/9783839434314?locatt=mode:legacy
    URL: Cover
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  • 19
    Online Resource
    Online Resource
    Kultsounds : die prägendsten Klänge der Popmusik 1960-2014 (2017)
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839438916
    Language: German
    Pages: 1 Online-Ressource (448 Seiten)
    Series Statement: Musik und Klangkultur 23
    Parallel Title: Erscheint auch als Brockhaus, Immanuel, 190- Kultsounds
    Dissertation note: Dissertation Graduate School of the Arts Bern 2016
    DDC: 784
    RVK:
    LR 54607
    RVK:
    LR 54608
    RVK:
    LR 57790
    RVK:
    LR 57600
    RVK:
    LR 56820
    RVK:
    LS 48000
    RVK:
    LS 48070
    Keywords: Geschichte 1960-2014 ; Popmusik ; Sound ; And.Ypsilon ; Boris Blank ; Effekte ; Genres ; Klang ; Musik ; Musiktechnologie ; Musikwissenschaft ; Popmusik ; Produktion ; Roger Linn ; Sound,Pop Music,Music Technology,Production,Studio Recording,Effects,Styles,Genres,Synthesizer,Roge ; Sound ; Stile ; Studioaufnahme ; Synthesizer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Cult sounds - the most formative sounds of pop music 1960-2014. Including interviews with Roger Linn, Boris Blank, And.Ypsilon and many other prominent actors of the music industry.
    Abstract: Einzelsounds prägen die Geschichte der Popmusik. Der Clap Sound, der Synthesizer-Bass, der Klang eines DX 7 E-Pianos oder Auto-Tune sind genuine Popsounds und stehen in hohem Maße für die Identifizierung von Stilen. Immanuel Brockhaus analysiert erstmals umfassend prägende Einzelsounds in ihrem Entstehungs- und Entwicklungskontext und liefert damit Einblicke in Technologie, Anwendungspraxis und Ästhetik von Kultsounds sowie den damit verbundenen Netzwerken. Interviews mit Roger Linn, Boris Blank, And.Ypsilon und vielen anderen bekannten Akteuren ergänzen die Studie und verdeutlichen die Popularität und Komplexität von Sounds und Soundeffekten.
    Note: Bibliographie: Seite 411-420
    DOI: 10.1515/9783839438916
    URL: https://doi.org/10.1515/9783839438916?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839438916
    URL: lizenzpflichtig
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  • 20
    Online Resource
    Online Resource
    Aneignungsformen populärer Musik : Klänge, Netzwerke, Geschichte(n) und wildes Lernen (2017)
    Bielefeld : transcript Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839438565
    Language: German
    Pages: 1 Online-Ressource (309 Seiten) , Illustrationen
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48060
    RVK:
    LS 48015
    Keywords: Weber, Bernhard ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Lernen ; Informelles Lernen ; Klang ; Musik ; Musik ; Musikwissenschaft ; Popkultur ; Popmusik ; Popular Music,Music,Popular Culture,Pop Music,Musicology ; Populäre Musik ; Systematische Musikpädagogik ; Systematische Musikwissenschaft ; Deutschland ; Deutschland ; Konferenzschrift 2016 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Abstract: Music, cultural and music pedagogical perspectives on the appropriation of popular music.
    Abstract: Ob Soul in Deutschland, progressive Landdiskotheken in der Provinz oder neue Mixingkonzepte im Loudness War - das Spektrum der Aneignungsformen populärer Musik ist vielfältig. Für die musikwissenschaftliche, kulturwissenschaftliche und musikpädagogische Forschung ist das Thema, das sich weitgehend außerhalb formaler Bildungskontexte abspielt, ein bislang unerschlossenes Gebiet. Der Band ändert dies. Er versammelt theoretische Perspektiven sowie historische und aktuelle Fallbeispiele und spiegelt den aktuellen internationalen Diskussionsstand wider. Daraus ergeben sich maßgebende Impulse für weiterführende Forschungsaktivitäten auch in verwandten Fachdisziplinen.
    Note: Literaturangaben
    DOI: 10.1515/9783839438565
    URN: urn:nbn:de:101:1-2017121211875
    URL: https://doi.org/10.1515/9783839438565?locatt=mode:legacy
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    Regensburg UB
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  • 21
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    Entgrenzen, Entfliehen, Entmachten : Zur sakralen Dimension in US-amerikanischen Hip-Hop-Videos (2017)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    RVK:
    LS 48650
    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; Amerika ; Anti-Religiosität ; Georges Bataille ; Kanye West ; Medienästhetik ; Musik ; Musikvideo ; Musikwissenschaft ; Popkultur ; Popmusik ; Religion ; Sakralisierung ; Sakraltheorie ; USA ; Video ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
    DOI: 10.1515/9783839438329
    URL: https://doi.org/10.1515/9783839438329?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839438329
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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  • 22
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    Straßenmusik in Berlin : Zwischen Lebenskunst und Lebenskampf (2016)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839433850
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 781.5320943155
    RVK:
    LC 87032
    RVK:
    LB 45032
    RVK:
    LQ 80508
    Keywords: Geschichte 2010-2011 ; Musikleben ; Straßenmusik ; Straßenmusikant ; Musiker ; Alltag ; Musikethnologie ; Feldforschung ; Auftrittskultur ; Berlin ; Deutschland ; Musik ; Musikethnologie ; Musikwissenschaft ; Popkultur ; Popmusik ; Stadt ; Straßenmusik ; Urban Studies ; Berlin ; Hochschulschrift
    Abstract: Wer macht in Berlin Straßenmusik und warum? Mark Nowakowski liefert ein detailliertes Portrait der Straßenmusik in Berlin sowie ihrer Akteure und damit die erste systematische Untersuchung dieser urbanen Auftrittskultur in Deutschland. Neben den Motiven d...
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016) , Mode of access: Internet via World Wide Web.
    DOI: 10.1515/9783839433850
    URN: urn:nbn:de:101:1-201607312841
    URL: http://d-nb.info/110954135X/34
    URL: http://dx.doi.org/10.1515/9783839433850?locatt=mode:legacy
    URL: Cover
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  • 23
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    Online Resource
    Life and Death on the New York Dance Floor, 1980-1983 (2016)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822373926
    Language: English
    Pages: 1 Online-Ressource (600 p.) , 115 illustrations
    DDC: 781.64
    RVK:
    LS 48655
    RVK:
    LQ 89507
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
    DOI: 10.1515/9780822373926
    URL: https://doi.org/10.1515/9780822373926?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822373926
    URL: Cover
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  • 24
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    A Pure Solar World : Sun Ra and the Birth of Afrofuturism (2016)
    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781477311172
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2021
    DDC: 781.65092
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Sun Ra ; Afrofuturism ; Jazz musicians Biography ; Jazz History and criticism ; MUSIC / Individual Composer & Musician
    Abstract: Sun Ra said he came from Saturn. Known on earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the "Arkestra." Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created "space music" as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers a spirited introduction to the life and work of this legendary but underappreciated musician, composer, and poet. Paul Youngquist explores and assesses Sun Ra's wide-ranging creative output-music, public preaching, graphic design, film and stage performance, and poetry-and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, Youngquist masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
    DOI: 10.7560/726369
    URL: https://doi.org/10.7560/726369
    URL: https://www.degruyter.com/isbn/9781477311172
    URL: Cover
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  • 25
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    Rap im 21. Jahrhundert : eine (Sub-)Kultur im Wandel (2016)
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839432273
    Language: German
    Pages: 1 Online-Ressource (202 Seiten)
    Series Statement: Cultural studies Band 46
    RVK:
    MS 2350
    RVK:
    LS 48650
    RVK:
    LC 87000
    Keywords: Geschichte 2000-2015 ; Rap ; Musikleben ; Jugendkultur ; Sozialer Wandel ; Digitalisierung ; Musikproduktion ; Rezeption ; 21. Jahrhundert ; Cultural Studies ; Deutschland ; Internet ; Kulturwissenschaft ; Musik ; Popkultur ; Popmusik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
    DOI: 10.1515/9783839432273
    URL: https://doi.org/10.1515/9783839432273?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839432273
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    URL: Inhaltsverzeichnis
    URL: Cover
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    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
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    URL: Cover
    URL: lizenzpflichtig
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    HU Berlin
    München BSB
    Regensburg UB
    BSZ
    GBV
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  • 26
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    The Sonic Color Line : Race and the Cultural Politics of Listening (2016)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479899081
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Postmillennial Pop 17
    DDC: 305.800973
    RVK:
    LB 48000
    RVK:
    MS 3450
    RVK:
    LR 56600
    RVK:
    LR 57720
    Abstract: The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
    DOI: 10.18574/nyu/9781479899081.001.0001
    URL: https://www.degruyter.com/isbn/9781479899081
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
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    Austronesian Soundscapes : Performing Arts in Oceania and Southeast Asia (2012)
    Amsterdam : Amsterdam University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9789048508112
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: IIAS Publications 4
    RVK:
    LS 49500
    RVK:
    LS 40000
    RVK:
    LC 87690
    RVK:
    LC 87400
    Keywords: Musik ; Darstellende Kunst ; Ozeanien ; Südostasien
    Abstract: In Austronesia-the region that stretches from Madagascar in the west to Easter Island in the east-music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, Austronesian Soundscapes will fill this research gap, offering a comprehensive analysis of traditional and contemporary Austronesian music and, at the same time, investigating how music reflects the challenges that Austronesian cultures face in this age of globalization.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
    DOI: 10.1515/9789048508112
    URL: https://doi.org/10.1515/9789048508112
    URL: Cover
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