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  • HeBIS  (2)
  • FID-SKA-Lizenzen
  • MARKK
  • OLC Ethnologie
  • 2000-2004  (2)
  • Bodroghkozy, Aniko  (2)
  • Berlin : Walter de Gruyter GmbH  (2)
Datasource
  • HeBIS  (2)
  • FID-SKA-Lizenzen
  • MARKK
  • OLC Ethnologie
Material
Language
Years
  • 2000-2004  (2)
Year
Publisher
  • 1
    ISBN: 9780822383505
    Language: English
    Pages: 1 Online-Ressource (760 p.) , 63 b&w photos
    DDC: 306/.0973
    Abstract: Hop on Pop showcases the work of a new generation of scholars-from fields such as media studies, literature, cinema, and cultural studies-whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O'Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi...
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822380085
    Language: English
    Pages: 1 Online-Ressource (335 p.) , 34 b&w photographs
    Series Statement: Console-ing passions: television and cultural power : 49
    DDC: 302.23/45/08350973
    Abstract: Critics often claim that prime-time television seemed immune-or even willfully blind-to the landmark upheavals rocking American society during the 1960s. Groove Tube is Aniko Bodroghkozy's rebuttal of this claim. Filled with entertaining and enlightening discussions of popular shows of the time-such as The Monkees, The Smothers Brothers Comedy Hour, The Mod Squad-this book challenges the assumption that TV programming failed to consider or engage with the decade's youth-lead societal changes.Bodroghkozy argues that, in order to woo an increasingly lucrative baby boomer audience, television had to appeal to the social and political values of a generation of young people who were enmeshed in the hippie counterculture, the antiwar movement, campus protests, urban guerilla action-in general, a culture of rebellion. She takes a close look at the compromises and negotiations that were involved in determining TV content, as well as the ideological difficulties producers and networks faced in attempting to appeal to a youthful cohort so disaffected from dominant institutions. While programs that featured narratives about hippies, draft resisters, or revolutionaries are examined under this lens, Groove Tube doesn't stop there: it also examines how the nation's rebellious youth responded to these representations. Bodroghkozy explains how, as members of the first "TV generation," some made sense of their societal disaffection in part through their childhood experience with this powerful new medium.Groove Tube will interest sociologists, American historians, students and scholars of television and media studies, and others who want to know more about the 1960s.
    URL: Cover
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