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  • HeBIS  (16)
  • Bayreuth UB  (4)
  • Online Resource  (18)
  • Image  (2)
  • 2000-2004  (20)
  • 2002  (20)
  • Musicology  (20)
Datasource
Material
Language
Years
  • 2000-2004  (20)
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Hit me, Fred : recollections of a side man (2002)
    Durham : Duke University Press
    Details
    ISBN: 9780822386957 , 082238695X
    Language: English
    Pages: 1 Online-Ressource (xiv, 326 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Wesley, Fred ; Wesley, Fred ; Trombonists United States ; Biography ; Funk musicians United States ; Biography ; Autobiografie ; Electronic books ; Wesley, Fred 1943- ; Autobiografie
    Note: "Foreword by Rickey Vincent"--Jacket. - Includes discography (pages [313]-316) and index , A musical upbringing -- Higher education -- Uncle Sam's army -- James Brown -- California -- James Brown again -- Bootsy's rubber band and Parliament/Funkadelic -- Count Basie -- Hollywood, Hollywood -- Mile high in Denver -- JB horns -- Star time
    DOI: 10.1215/9780822386957
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BVB
    Bayreuth UB
  • 2
    Online Resource
    Online Resource
    American Klezmer : Its Roots and Offshoots (2002)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520935655
    Language: English
    Pages: 1 Online-Ressource (255 Seiten)
    Edition: 1st edition
    DDC: 781.62924
    RVK:
    LS 33120
    Keywords: Klezmer ; Jews -- Music -- Congresses ; Klezmer music -- Congresses ; USA ; Konferenzschrift 1996 ; Konferenzschrift 1996 ; Conference papers and proceedings ; Konferenzschrift 1996
    Abstract: Klezmer, the Yiddish word for a folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States with the late-nineteenth-century Jewish immigrants from Eastern Europe. Although it had declined in popularity by the middle of the twentieth century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad in the world music and accompany Jewish celebrations. The outstanding essays collected in this volume investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributors to American Klezmer include every kind of authority on the subject--from academics to leading musicians--and they offer a wide range of perspectives on the musical, social, and cultural history of klezmer in American life. The first half of this volume concentrates on the early history of klezmer, using folkloric sources, records of early musicians unions, and interviews with the last of the immigrant musicians. The second part of the collection examines the klezmer "revival" that began in the 1970s. Several of these essays were written by the leaders of this movement, or draw on interviews with them, and give firsthand accounts of how klezmer is transmitted and how its practitioners maintain a balance between preservation and innovation.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.1525/california/9780520227170.001.0001
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    Online Resource
    HeBIS
  • 3
    Online Resource
    Online Resource
    What is this thing called jazz? : African American musicians as artists, critics, and activists (2002)
    Berkeley, Calif. : University of California Press
    Details
    ISBN: 0520218728 , 0520232968
    Language: English
    Pages: xxi, 404 p.
    Series Statement: Music of the African diaspora 6
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/089/96073
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Geschichte 1900-2000 ; Schwarze. USA ; Jazz History and criticism ; African American jazz musicians ; African Americans Intellectual life 20th century ; Jazz ; Geschichte ; Schwarze ; USA ; USA ; Jazz ; Schwarze ; Geschichte
    Description / Table of Contents: A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon
    Note: Includes bibliographical references (p. 337-382) and index
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
  • 4
    Online Resource
    Online Resource
    What to listen for in rock : a stylistic analysis (2002)
    New Haven : Yale University Press
    Details
    ISBN: 9780300128239 , 0300128231
    Language: English
    Pages: Online Ressource (xvii, 253 p.) , zahlr. Notenbeisp.
    Edition: Online-Ausg.
    Parallel Title: Print version What to listen for in rock
    DDC: 781.66117
    RVK:
    LS 48000
    Keywords: Rock music Analysis, appreciation ; Rock (Musique) Analyse et appréciation ; Rock music Analysis, appreciation ; Rock music Analysis, appreciation ; MUSIC ; Genres & Styles ; Punk ; MUSIC ; Genres & Styles ; Heavy Metal ; MUSIC ; Genres & Styles ; Rock ; Rock music ; Analysis, appreciation ; Electronic books ; Rockmusik ; Musikalischer Stil ; Stilistik
    Abstract: In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles
    Description / Table of Contents: Phrase rhythmKey and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit.
    Note: Includes discography (p. 195-196), bibliographical references (p. 197-217), and index. - Description based on print version record
    URL: lizenzpflichtig
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    HeBIS
  • 5
    Online Resource
    Online Resource
    Seems like murder here : southern violence and the blues tradition (2002)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226311007 , 9780226310985 , 9780226311005
    Language: English
    Pages: 1 Online-Ressource (xiv, 341 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.643/0975
    RVK:
    LS 48500
    Keywords: Fine Arts ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; African Americans / Intellectual life ; African Americans / Social conditions ; American literature / African American authors ; Blues (Music) ; Intellectual life ; Literature ; Race relations ; Violence ; Blues ; Rassenkonflikt ; Blues ; Gewalttätigkeit ; Geschichte ; Literatur ; Schwarze. USA ; African Americans Intellectual life ; African Americans Social conditions ; Blues (Music) History ; Blues (Music) in literature ; Violence in literature ; Race relations in literature ; American literature African American authors ; History and criticism ; Violence History ; Gewalt ; Blues ; USA Südstaaten ; USA Südstaaten ; Gewalt ; Blues
    Note: Includes bibliographical references (pages 313-326) and index , "I'm tore down" -- Lynching and the birth of a blues tradition -- "Make my getaway" -- Southern violence and blues entrepreneurship in W.C. Handy's Father of the blues -- Dis(re)memberment blues -- Narratives of abjection and redress -- "Shoot myself a cop" -- Mamie Smith's "Crazy blues" as social text -- Guns, knives, and buckets of blood -- The predicament of blues culture -- "The blade already crying in my flesh" -- Zora Neale Hurston's blues narratives , Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W.C. Handy, David Honeyboy Edwards, and B.B. King to the poetry of Langston Hughes and the novels of Zora Neal
    URL: Volltext
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226311005.001.0001/upso-9780226310978
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    BVB
  • 6
    Online Resource
    Online Resource
    Jazz cultures (2002)
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
    RVK:
    HD 370
    RVK:
    LS 48200
    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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    HeBIS
  • 7
    Online Resource
    Online Resource
    The Cambridge companion to jazz (2002)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    ISBN: 0521663202 , 0521663881
    Language: English
    Pages: 1 Online-Ressource (XXII, 403 S.) , Ill., Notenbeisp.
    Edition: 1. publ.
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge collections online
    DDC: 781.65
    RVK:
    LP 12250
    RVK:
    LS 48000
    RVK:
    LS 48200
    Keywords: Jazz - Histoire et critique ; Jazz ; Jazz -- History and criticism ; Jazz ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz
    Abstract: Notes -- Works cited -- Principal musicians cited -- Index
    Abstract: Publisher's description: The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory, a multi-disciplinary endeavour, drawing in critical perspectives from social and cultural history to music analysis, from economics to ethnography. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented
    Note: Includes bibliographical references and index
    DOI: 10.1017/CCOL9780521663205
    URL: Volltext
    URL: Volltext
    URL: https://doi.org/10.1017/CCOL9780521663205
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    Online Resource
    München BSB
    München UB
    Würzburg UB
    HeBIS
    BVB
  • 8
    Online Resource
    Online Resource
    The rise of a jazz art world (2002)
    Cambridge [u.a.] : Cambridge University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780511489495 , 0511489498 , 0511019890 , 9780511019890 , 0511047711 , 9780511047718
    Language: English
    Pages: 1 Online-Ressource (vii, 294 pages)
    DDC: 781.65/09
    RVK:
    HD 370
    RVK:
    LS 48100
    Abstract: This book presents a unique sociological vision of the evolution of jazz music in the twentieth century. Analysing organizational structures and competing discourses in the field of American music, Paul Lopes shows how musicians and the art world that grew around them transformed the meaning and practice of jazz.
    Note: Includes bibliographical references (pages 279-286) and index
    URL: https://doi.org/10.1017/CBO9780511489495
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  • 9
    Online Resource
    Online Resource
    Performing Africa (2002)
    Princeton, N.J. : Princeton University Press
    Details
    ISBN: 0691074887 , 0691074895
    Language: English
    Pages: 1 Online-Ressource (xviii, 244 p.)
    Edition: Sekundärausgabe Alexandria, VA Alexander Street Press 2012 (Anthropology online)
    Parallel Title: Reproduktion von Ebron, Paulla A. Performing Africa
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/96345
    RVK:
    LS 46525
    RVK:
    LS 47940
    Keywords: Musik ; Folklore Performance ; Griots Music ; History and criticism ; Mandingo (African people) Music ; History and criticism ; Music History and criticism ; Musik ; Afrika ; Malinke ; Gambia ; Gambia ; Musik ; Afrika ; Malinke ; Musik
    Note: Includes bibliographical references (p. 225-235) and index
    URL: Volltext
    URL: Volltext
    URL: Volltext
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    Online Resource
    KOBV
    BVB
    Bayreuth UB
  • 10
    Online Resource
    Online Resource
    Die siebenbürgischen Landler : eine Spurensicherung (2002)
    Wien : Böhlau
    Details
    Language: German
    Edition: Online-Ausgabe Wien FWF [2012] 1 Online-Ressource
    Parallel Title: Elektronische Reproduktion von Die siebenbürgischen Landler
    RVK:
    LS 20430
    RVK:
    NR 9600
    Note: Erscheint in 2 Teilbänden , Online-Ausgabe:
    Library Location Call Number Volume/Issue/Year Availability
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    HeBIS
  • 11
    Online Resource
    Online Resource
    The Rise of a Jazz Art World (2002)
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780511157363
    Language: English
    Pages: 1 Online-Ressource (304 pages)
    DDC: 306.4
    RVK:
    HD 370
    RVK:
    LS 48100
    Abstract: A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002.
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 12
    Online Resource
    Online Resource
    The Sounds of Milan, 1585-1650 (2002)
    Cary : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780195350562
    Language: English
    Pages: 1 Online-Ressource (551 pages)
    DDC: 306.4841
    RVK:
    LN 45411
    RVK:
    LQ 82000
    RVK:
    LQ 82004
    Keywords: Geschichte 1585-1650 ; Musik ; Mailand
    Abstract: In this book, a follow-up to his 1996 monograph Celestial Sirens, Robert Kendrick examines the cultural contexts of music in early-modern Milan. This book describes the churches and palaces that served as performance spaces in Milan, analyzes the power structures in the city, discusses thedevotional rites of the Milanese, and explores the connections among city politics, city-scape, and music.
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 13
    Online Resource
    Online Resource
    Echoes from Dharamsala : music in the life of a Tibetan refugee community (2002)
    Berkeley : Univ. of California Press
    Details
    ISBN: 0520230434 , 0520230442 , 9780520230439 , 9780520230446 , 0520936000 (Sekundärausgabe) , 9780520936003 (Sekundärausgabe)
    Language: English
    Pages: XXV, 312 S. , Ill.
    Edition: Online-Ausg. New York, NY JSTOR [2013] Online-Ressource ISBN 0520936000 (electronic bk.)
    Edition: ISBN 9780520936003 (electronic bk.)
    Edition: ISBN (falsch) 0585468788 (electronic bk.)
    Edition: ISBN (falsch) 9780585468785 (electronic bk.)
    Edition: [Online-Ausg.]
    DDC: 780/.89/954054
    RVK:
    LB 56385
    RVK:
    LC 87385
    RVK:
    LS 40100
    Keywords: Online-Publikation
    Abstract: In this book, Keila Diehl uses music to understand the experiences of Tibetans living in Dharamsala, a town in the Indian Himalayas that for more than 40 years has been home to Tibet's government-in-exile.
    Note: Online-Ausg.:
    DOI: 10.1525/j.ctt1ppgp2
    URL: http://www.jstor.org/stable/10.1525/j.ctt1ppgp2
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    BVB
  • 14
    Online Resource
    Online Resource
    Out of sight : the rise of African American popular music, 1889 - 1895 (2002)
    Jackson, Miss. : Univ. Press of Mississippi
    Details
    ISBN: 1417506997 (Sekundärausgabe)
    Language: English
    Pages: XVII, 510 S. , Ill.
    Edition: Online-Ausg. Boulder, Colo. NetLibrary 2002 Online-Ressource NetLibrary ISBN 1417506997
    Edition: [Online-Ausg.]
    Series Statement: American made music series
    DDC: 781.64/089/96073
    RVK:
    LS 48050
    Keywords: Geschichte 1889-1895 ; Afroamerikanische Musik
    Note: Online-Ausg.:
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
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    BVB
  • 15
    Online Resource
    Online Resource
    Performing Africa (2002)
    Princeton, NJ [u.a.] : Princeton Univ. Press
    Details
    ISBN: 0691074895 , 0691074887 , 9781400825219 (Sekundärausgabe) , 1400825210 (Sekundärausgabe)
    Language: English
    Pages: XVIII, 244 S.
    Edition: Online-Ausg. New York, NY JSTOR Online-Ressource ISBN 9781400825219 (electronic bk.)
    Edition: ISBN 1400825210 (electronic bk.)
    Edition: [Online-Ausg.]
    Series Statement: Anthropology, cultural studies
    DDC: 781.6296345
    RVK:
    LS 46525
    RVK:
    LS 47940
    Keywords: Mandingvölker ; Musik ; Performance ; Gambia ; Online-Publikation
    Abstract: The jali--a member of a hereditary group of Mandinka professional performers--is a charismatic but contradictory figure. He is at once the repository of his people's history, the voice of contemporary political authority, the inspiration for African American dreams of an African homeland, and the chief entertainment for the burgeoning transnational tourist industry. Numerous journalists, scholars, politicians, and culture aficionados have tried to pin him down. ...
    Note: Online-Ausg.:
    DOI: 10.2307/j.ctt7s6ph
    URL: https://www.jstor.org/stable/10.2307/j.ctt7s6ph
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
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    BVB
  • 16
    Image
    Image
    Cuba musical : Adalberto Álvarez, Arsenio Rodríguez, Benny Moré, César Portillo de la Luz, Chano Pozo, Chucho Valdés, Compay Segundo, Enrique Jorrín, Félix Chapotín, Ibrahim Ferrer, José Luis Cortés, Juan de Marcos González, Miguel Matamoros, Miguelito Cuní, Ñico Saquito, Omara Portuondo, Orlando "Cachaíto" López, Pablo Milanés, Pancho "El Bravo", Polo Montañez, Puntillita, Rubén González, Sindo Garay, Tata Güines ... (2002)
    Sommières : Pages
    Details
    ISBN: 2843501164
    Language: French
    Pages: 152 S. , überw. Ill.
    Additional Material: 1 CD (12 cm)
    DDC: 780
    RVK:
    LS 48700
    Keywords: Álvarez, Adalberto ; Geschichte 1900-2000 ; Musiciens - Cuba - Biographies ; Musiciens - Cuba - Ouvrages illustrés ; Musiciens - Cuba - Portraits ; Musique - Cuba - 20e siècle - Histoire et critique ; Musik ; Music History and criticism 20th century ; Musical groups Biography ; Musik ; Musikgruppe ; Kuba ; Bildband ; Biografie ; Bildband ; Biografie ; Kuba ; Musikgruppe ; Kuba ; Musik
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    BVB
    Bayreuth UB
  • 17
    Image
    Image
    Musiciens de jazz (2002)
    Louvain-la-Neuve : Versant Sud
    Details
    ISBN: 2930358076
    Language: French
    Pages: 173 S. , überw. Ill.
    DDC: 780
    RVK:
    LS 48100
    Keywords: Geschichte 1970-2000 ; Jazz - 1981-1990 - Histoire et critique ; Jazz - 1991-2000 - Histoire et critique ; Musiciens de jazz - Portraits ; Jazz musicians Portraits ; Jazz History and criticism 1981-1990 ; Jazz History and criticism 1991-2000 ; Jazzmusiker ; Bildband ; Bildband ; Jazzmusiker ; Geschichte 1970-2000
    Library Location Call Number Volume/Issue/Year Availability
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    Bayreuth UB
  • 18
    Online Resource
    Online Resource
    The Cambridge companion to blues and gospel music (2002)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    ISBN: 0521001072 , 0521806356
    Language: English
    Pages: 1 Online-Ressource (XVIII, 208 S.) , Ill.
    Series Statement: The companions to music
    Series Statement: Cambridge collections online
    DDC: 781.643
    RVK:
    LS 48500
    Keywords: Blues - États-Unis ; Blues - États-Unis - Analyse et appréciation ; Blues ; Gospel - États-Unis ; Gospel - États-Unis - Analyse et appréciation ; Gospels ; Blues (Music) History and criticism ; Gospel music History and criticism ; Blues ; Gospelsong ; Aufsatzsammlung ; Aufsatzsammlung ; Blues ; Gospelsong
    Abstract: From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of 20th-century culture. This is an overview of blues and gospel music as an expression of 20th-century black US experience.
    DOI: 10.1017/CCOL9780521663205
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: https://doi.org/10.1017/CCOL9780521806350
    URL: Volltext
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    Online Resource
    München BSB
    München UB
    Würzburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 19
    Online Resource
    Online Resource
    Who needs classical music? : cultural choice and musical value (2002)
    New York : Oxford University Press
    Details
    ISBN: 9780195146813 , 9780199849246 (Sekundärausgabe)
    Language: English
    Pages: 140 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780199849246
    Edition: [Online-Ausg.]
    DDC: 306.484
    RVK:
    LR 56800
    RVK:
    LR 56820
    Abstract: Considering the value of classical music in contemporary society, Julian Johnson argues that it is distinctive because it works differently to most of the other kinds of music that people are exposed to.
    Note: Includes bibliographical references and index , Online-Ausg.:
    DOI: 10.1093/acprof:oso/9780195146813.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195146813.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 20
    Online Resource
    Online Resource
    Something to live for : the music of Billy Strayhorn (2002)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199868711
    Language: English
    Pages: 1 Online-Ressource (xxiii, 328 p.) , Ill., music, ports.
    DDC: 781.65092
    RVK:
    LS 48100
    Keywords: Strayhorn, Billy Criticism and interpretation ; Ellington, Duke Criticism and interpretation ; Strayhorn, Billy
    Abstract: Walter van de Leur traces the origins of Billy Strayhorn's music, with its roots in European and American idioms, and uncovers hitherto unknown works that cast a new light on his development as a composer and orchestrator.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195124484.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195124484.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
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    HeBIS
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