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  • HeBIS  (4)
  • HBZ
  • Englisch  (4)
  • Tschechisch
  • Slowenisch
  • 2000-2004  (4)
  • Birmingham, AL, USA : EBSCO Industries, Inc.
  • USA  (4)
  • Aufsatzsammlung
  • Bildband
  • Indien
  • Kultur
  • Anglistik  (2)
  • Wirtschaftswissenschaften  (2)
  • Kunstgeschichte
  • Pädagogik
  • Romanistik
  • Theologie/Religionswissenschaften
Datenlieferant
Materialart
Sprache
  • Englisch  (4)
  • Tschechisch
  • Slowenisch
Erscheinungszeitraum
Jahr
Fachgebiete(RVK)
  • 1
    Online-Ressource
    Online-Ressource
    London [u.a.] : Pluto Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781435661011 , 143566101X , 9781849644990 , 1849644993
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 189 pages)
    DDC: 306.4/0973
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945- ; Weiße ; Schriftsteller ; Literaturproduktion ; Ökonomische Anthropologie ; USA
    Kurzfassung: Explores the way business is portrayed in American culture and examines the emergence of cultural studies as a discipline.
    Anmerkung: Includes bibliographical references and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780198031918 , 0198031912 , 9780195139433 , 0195139437 , 0195183908 , 9780195183900
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 226 pages) , Illustrations
    Serie: Pivotal moments in American history
    DDC: 781.66/0973
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Rockmusik ; Sozialgeschichte ; USA
    Kurzfassung: "The birth of rock 'n roll ignited a firestorm of controversy--one critic called it 'musical riots put to a switchblade beat'--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's 'switchblade beat' opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought 'race music' into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties."--Publisher description.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Amsterdam [u.a.] : Elsevier | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585474230 , 9780585474236
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 370 pages)
    DDC: 658.4/052
    RVK:
    Schlagwort(e): Geschäftsverbindung ; Verhandlungsführung ; Telefonieren ; Konversationsanalyse ; Japan ; USA
    Anmerkung: Includes bibliographical references (pages 339-357) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
    RVK:
    RVK:
    Schlagwort(e): Jazz ; USA
    Kurzfassung: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Anmerkung: Includes bibliographical references (pages 177-208) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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