ISBN:
0199733864
,
9780199733866
Sprache:
Englisch
Seiten:
X, 735 S.
,
Ill., Notenbeisp.
Paralleltitel:
Erscheint auch als The Oxford handbook of new audiovisual aesthetics
DDC:
302.23
Schlagwort(e):
Mass media Aesthetics
;
Digital media Technological innovations
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Ästhetik
;
Neue Medien
Beschreibung / Inhaltsverzeichnis:
Includes bibliographical references and index
Anmerkung:
Introduction
,
Michel Chion: The audio-logo-visual and the sound of languages in recent film ; Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property ; Anahid Kassabian: The end of diegesis as we know it? ; Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence ; Annette Davison: Title Sequences for contemporary television serials ; Carter Burwell: No country for old music ; Janet K. Halfyard: Cue the big theme? the sound of the superhero ; Michael Chanan: Video speech in Latin America ; Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack ; Randy Thom: Notes on sound design in contemporary animated films ; Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music ; Musical moments and transformations. Caryl Flinn: The mutating musical ; Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen ; John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud ; Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic ; Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic ; Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" ; Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand ; Mathias Bonde Korsgaard: Music video transformed ; Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video ; Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation ; Gaming. Rob Bridgett: Contextualizing game audio aesthetics ; Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"? ; Mark Kerins: Multi-channel gaming aesthetics of interactive surround ; Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema ; Jeff Smith: The sound of intensified continuity ; K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack ; Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica ; Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks ; Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films ; Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance ; Joseph Lanza: foreground flatland ; Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use ; Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility ; Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens.
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