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  • KOBV  (2)
  • English  (2)
  • Undetermined
  • 2010-2014  (1)
  • 1985-1989  (1)
  • 1975-1979
  • 1940-1944
  • Cambridge : Cambridge University Press  (2)
  • Kunst
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  • English  (2)
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  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511977695
    Language: English
    Pages: 1 online resource (xvi, 431 pages)
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.2/37094
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1600-1700 ; Geschichte 1500-1600 ; Geschichte 1450-1750 ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Night ; Night / Social aspects / Europe ; Nightlife / Europe ; Nachtleben ; Finsternis ; Kultur ; Literatur ; Nacht ; Kunst ; Nacht ; Europa ; Europe / Social life and customs ; Europe / History / 16th century ; Europe / History / 17th century ; Europa ; Europa ; Nacht ; Finsternis ; Nachtleben ; Geschichte 1450-1750 ; Europa ; Literatur ; Kunst ; Nacht ; Geschichte 1450-1750 ; Europa ; Kultur ; Nacht ; Geschichte 1450-1750
    Abstract: What does it mean to write a history of the night? Evening's Empire is a fascinating study of the myriad ways in which early modern people understood, experienced, and transformed the night. Using diaries, letters, and legal records together with representations of the night in early modern religion, literature and art, Craig Koslofsky opens up an entirely new perspective on early modern Europe. He shows how princes, courtiers, burghers and common people 'nocturnalized' political expression, the public sphere and the use of daily time. Fear of the night was now mingled with improved opportunities for labour and leisure: the modern night was beginning to assume its characteristic shape. Evening's Empire takes the evocative history of the night into early modern politics, culture and society, revealing its importance to key themes from witchcraft, piety, and gender to colonization, race, and the Enlightenment
    Description / Table of Contents: 1. An early modern revolution -- 2. Darkness and the devil, 1450-1650 -- 3. Seeking the Lord in the night, 1530-1650 -- 4. Princes of darkness: the night at court, 1600-1750 -- 5. "An entirely new contrivance": the rise of street lighting, 1660-1700 -- 6. Colonizing the urban night: resistance, gender and the public sphere -- 7. Colonizing the rural night? -- 8. Darkness and enlightenment -- 9. Conclusion
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511571039
    Language: English
    Pages: Online-Ressource (1 online resource (216 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Series Statement: American Sociological Association Rose Monographs
    Series Statement: The Arnold and Caroline Rose monograph series of the American Sociological Association
    Parallel Title: Druckausg. Greenfeld, Liah Different worlds
    DDC: 306.47095694
    RVK:
    Keywords: Art and society Israel ; Art, Israeli Themes, motives ; Art and society ; Art, Israeli Themes, motives ; Art and society ; Israel ; Art, Israeli ; Themes, motives ; Israel ; Kunst ; Israel ; Kunstsoziologie
    Abstract: Using a wealth of data collected in Israel, this study depicts a complete system in which art is created and evaluated - the scale of Israeli society allowing for a comprehensive and detailed description of all the agents involved in the production and consumption of modern art. The author analyses the patterns of social relations and behaviour created around two art worlds - the world of abstract avant-garde art and the world of traditional figurative painting. She argues that the two worlds differ radically both in terms of the factors that affect the formation of taste, the process of evaluation and the patterns of success in them and in the ways in which these factors exert their influence.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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