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  • KOBV  (4)
  • Englisch  (4)
  • Unbestimmte Sprache
  • 2020-2024  (3)
  • 2010-2014  (1)
  • 1985-1989
  • 1975-1979
  • New Haven : Yale University Press  (4)
  • Kunst  (3)
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  • Englisch  (4)
  • Unbestimmte Sprache
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  • 2020-2024  (3)
  • 2010-2014  (1)
  • 1985-1989
  • 1975-1979
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  • 1
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    Bild
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Sprache: Englisch
    Seiten: 356 Seiten , Illustrationen , 29 cm
    Serie: Studies in the history of art 83
    Serie: Symposium papers 60
    Serie: Studies in the history of art
    RVK:
    Schlagwort(e): Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Kurzfassung: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Anmerkung: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    ISBN: 0300263929 , 9780300263923
    Sprache: Englisch
    Seiten: 80 Seiten , Illustrationen , 30 cm
    DDC: 704.0396073
    RVK:
    RVK:
    Schlagwort(e): Whitten, Jack ; Simpson, Lorna ; Gallagher, Ellen ; Leigh, Simone ; Cleveland Museum of Art Catalogs ; Art, Black History and criticism ; Art Moral and ethical aspects ; Art, Black ; Art - Moral and ethical aspects ; Criticism, interpretation, etc ; The Cleveland Museum of Art ; Kunst ; Person of Color ; Wahrnehmung ; Whitten, Jack 1939-2018 ; Simpson, Lorna 1960- ; Gallagher, Ellen 1965- ; Leigh, Simone 1968-
    Kurzfassung: 'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art
    Beschreibung / Inhaltsverzeichnis: Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New Haven : Yale University Press
    ISBN: 9780300198447
    Sprache: Englisch
    Seiten: xiii, 284 Seiten , Illustrationen, Karten, Pläne , 29 cm
    DDC: 720.954
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Hindu architecture ; Hindu monasteries ; Architecture, Medieval ; Architecture and society ; Indien ; Hinduismus ; Kloster ; Architektur ; Geschichte
    Kurzfassung: In search of Drunken Peacocks : mapping monastic histories from forest to state -- Inscribing asceticism : epigraphic practices and the materiality of text -- From hermit's hut to guru's mansion : ascetic practice and monastic life at Kadwaha and Ranod -- Expanding arenas of devotion : temple icons and living sages at Terahi and Surwaya -- Constructing the guru : religious networks in the kingdom of the Kalachuris -- Epilogue and aftermath : the legacy of the Drunken Peacocks
    Beschreibung / Inhaltsverzeichnis: In search of Drunken Peacocks : mapping monastic histories from forest to stateInscribing asceticism : epigraphic practices and the materiality of text -- From hermit's hut to guru's mansion : ascetic practice and monastic life at Kadwaha and Ranod -- Expanding arenas of devotion : temple icons and living sages at Terahi and Surwaya -- Constructing the guru : religious networks in the kingdom of the Kalachuris -- Epilogue and aftermath : the legacy of the Drunken Peacocks.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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