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  • KOBV  (6)
  • MFK München
  • 2020-2024  (6)
  • 1940-1944
  • London : Bloomsbury Visual Arts  (6)
  • Kunst  (6)
  • Ethnologie
Datasource
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    London : Bloomsbury Visual Arts
    ISBN: 9781350299955
    Language: English
    Pages: 1 Online-Ressource (viii, 281 Seiten)
    Parallel Title: Erscheint auch als Duncum, Paul Images of childhood
    DDC: 700.4523
    Keywords: Children-Social conditions ; Children in art ; Innocence (Psychology) ; Kunst ; Visuelle Medien ; Kind ; Geschichte
    Abstract: Cover -- Contents -- Introduction -- Defining childhood -- Conflicting conceptions -- Modern childhood -- Childhood and adult psychology -- Pictures of childhood -- Scope and outline -- 1 Children as Worthy Subjects -- Antiquity -- Medieval morphology and limited pictorial functions -- The sacred and secular of the Renaissance -- Seventeenth-century developments -- Eighteenth-century sentiment -- Nineteenth-century Romanticism -- Mass production and photography -- Twentieth-century proliferation -- Twenty-first-century digital saturation -- 2 Children as Family Members -- Families are not all the same -- Families as spiritual union -- Families as bonds of ancestry and property -- Families as bonds of affection -- Happy snaps and power -- Digitally networked families -- Public families as pedagogy -- Dysfunctional families as pedagogy -- Controlling the image -- 3 Children as Gendered -- Patriarchy and feminism -- Clothes and color -- Attributes and activities -- Girls fight back -- Shifting sands -- 4 Children as Adults -- Historical integration -- Exceptional children -- Premature sexuality -- Dependence reasserted -- Separation ensured -- 5 Children as Schooled -- Students as organic wholes -- Students as God-fearing -- Students as good citizens in the making -- Students as consumers -- Students realizing their individual potential -- Control and agency -- 6 Children as Aesthetic Objects -- Aesthetics and aestheticism -- Aesthetically beautiful children -- The culture of cuteness -- Aesthetics and its opposites -- Aestheticism and anxiety -- Aestheticism, innocence, and reality -- 7 Children as Victims -- Child sacrifice -- Infanticide and filicide -- War and famine -- Destitution -- Beatings and abuse -- Child labor -- Child pornography -- Memorializing children -- Counternarratives -- Sins and sorrows -- 8 Children as Threats.
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  • 2
    ISBN: 1350122955 , 9781350122956
    Language: English
    Pages: x, 211 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Skelly, Julia Skin Crafts
    DDC: 700/.4561
    RVK:
    Keywords: Human beings in art ; Art, Modern 20th century ; Handicraft in art ; Violence in art ; Skin in art ; Art, Modern ; Handicraft in art ; Human beings in art ; Skin in art ; Violence in art ; Kunst ; Kunsthandwerk ; Gewalt ; Haut ; Geschichte 1900-1999 ; Frau ; Diskriminierung ; Gewalt ; Rassismus ; Kunst
    Abstract: Narco-violence, Femicide, and Gore Capitalism: Teresa Margolles's Piercing Textile Works -- Facing Slavery and Survival: Lubaina Himid's Overpainted Ceramics -- “A Skin for a Skin”: Sherry Farrell Racette's Textile Paintings -- Festering Wounds and Stitched Scars in Works by Rebecca Belmore and Nadia Myre -- Concrete and Caresses: The Case of Doris Salcedo.
    Abstract: "Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."--Publisher description
    Note: Includes bibliographical references (pages 189-205) and index
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  • 3
    ISBN: 9781350164147 , 9781350164123
    Language: English
    Pages: 1 Online-Ressource (x,342 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Bendall, Sarah A. Shaping femininity
    DDC: 391/.20942
    Keywords: Foundation garments History ; Human body Social aspects ; History ; Women Physiology ; Philosophy ; Femininity (Philosophy) ; History of fashion ; Electronic books ; Electronic books ; Geschichte 1560-1650 ; England ; Damenmode ; Frauenbild ; Weiblichkeit ; Körper ; Körperbild ; Geschichte 1560-1650 ; Geschichte 1560-1650 ; England ; Frau ; Kunst
    Abstract: List of Illustrations -- Acknowledgements -- Notes on the Text -- Introduction -- 1. The Material and Metaphorical Body: Foundation Garments and the Female Body -- 2. The Artificial Body: The Court, its Critics and Disputed Visions of Femininity in Elizabethan and Early Stuart England -- 3. The Mobile Body: Shaping the Ambitions of the Middling and Common Sorts -- 4. The Body Makers: Making and Buying Foundation Garments in Early Modern England -- 5. The Everyday Body: Health, Physicality and the Lived Experience -- 6. The Sexual Body: Eroticism, Reproduction and Control -- 7. The Respectable Body: Changing Sensibilities of Consumption in late Seventeenth-Century England -- Conclusion -- Glossary -- Notes -- Bibliography -- Index.
    Abstract: "Shaping Femininity is the first large-scale study of the materiality, production, consumption and meanings of foundation garments for women in 16th and 17th-century England, when the female silhouette underwent a dramatic change. With a nuanced approach that incorporates transdisciplinary methodologies and a stunning array of visual and written sources, the book reorients discussions about female foundation garments in English and wider European history. It argues that these objects of material culture, such as bodies, busks, farthingales and bum-rolls, shaped understandings of the female body and of beauty, social status, health, sexuality and modesty in early modern England, and thus influenced enduring western notions of femininity. Beautifully illustrated in full colour throughout, this book offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture, and the history of the body, as well as curators and reconstructors."--
    Note: Includes bibliographical references and index , Mode of access: World Wide Web.
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  • 4
    ISBN: 9781350164130
    Language: English
    Pages: 1 Online-Ressource (x, 342 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Bendall, Sarah A. Shaping femininity
    DDC: 391/.20942
    Keywords: Electronic books ; England ; Damenmode ; Körper ; Einschnürung ; Körperbild ; Weiblichkeit ; Frauenbild ; Geschichte 1560-1650 ; Unterwäsche ; Korsett ; Korsage ; Geschichte 1560-1650 ; England ; Frau ; Kunst ; Geschichte 1560-1650
    Abstract: Cover page -- Halftitle page -- Title page -- Copyright page -- Contents -- Acknowledgements -- Notes to the reader -- List of abbreviations -- Introduction Investigating the structured female body -- Gender and the dressed body -- Making, consumption and meaning: examining women's lives through material culture -- Experimental history and the embodied turn -- Chapter outline -- 1 The foundations of the body Foundation garments and the early modern female silhouette -- Women's structural fashions before the mid-sixteenth century -- The sculptural body: the Elizabethan and Jacobean silhouette -- The softer body: the superficial relaxation of the Caroline silhouette -- Ambiguous bodies: underwear, outerwear and the Restoration silhouette -- Conclusion -- 2 The artificial body Courtiers, gentlewomen and disputed visions of femininity, 1560-1650 -- Shaping the aristocratic body -- Critiques of fashion and the artificial body -- Anti-court sentiments and disputed visions of femininity -- Conclusion -- 3 The socially mobile body Consumption of foundation garments by middling and common women, 1560-1650 -- Evidence of consumption of foundation garments by the middling and common sorts -- Affordability and modes of consumption -- Foundation garments and upward social mobility -- Conclusion -- 4 The body makers Commissioning and making foundation garments in early modern England -- The body-making and farthingale-making trades -- Commissioning and buying foundation garments: interactions between consumers and artisans -- Making and observation: the evolution in design and tacit skills of body-makers -- Making and experimentation: recovering the artisanal knowledge of farthingale-makers -- Conclusion -- 5 The everyday body Assumptions, tropes and the lived experience -- The life cycle, disease and deformity -- Bodies: movement and everyday life.
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  • 5
    Online Resource
    Online Resource
    London : Bloomsbury Visual Arts
    ISBN: 9781350122628 , 9781350115347 , 9781350115354
    Language: English
    Pages: 1 Online-Ressource (xvi, 280 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Miller, Sanda Images on the page
    DDC: 391
    Keywords: Fashion Social aspects ; Clothing and dress Social aspects ; Signs and symbols ; Fashion design & theory ; Electronic books ; Electronic books ; Mode ; Kunst ; Mode ; Geschichte ; Gesellschaft ; Sozialstatus ; Kleidung
    Abstract: Introduction: (A new tool for the fashion image: iconography) -- Renaissance books of clothes -- The seventeenth century: A new profession: the gentleman journalist writing for Le Mercure galant -- The eighteenth century: from the fashion doll to the fashion plate -- Capturing modernity in nineteenth century France and England -- Modernism. Fashion and art; is fashion art? -- The photographed image on the page -- The fashion show: fashion as 'spectacle'.
    Abstract: "This book is a guide to using Art History's theory of iconography to interpret fashion imagery, thereby uncovering meanings related to society, class, culture and the history of dress"--
    Note: Includes bibliographical references and index , Mode of access: World Wide Web.
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  • 6
    ISBN: 9781350192898
    Language: English
    Pages: xxi, 260 Seiten, 32 ungezählte Seiten Tafeln , Illustrationen
    Series Statement: Material culture of art and design
    Parallel Title: Erscheint auch als Materials, practices and politics of shine in modern art and popular culture
    DDC: 701/.18
    RVK:
    Keywords: Reflection (Optics) in art ; Materials Appearance ; Senses and sensation Psychological aspects ; Popular culture Psychological aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Massenkultur ; Glanz ; Glamour ; Flitter ; Wahrnehmung ; Kunst ; Innenarchitektur ; Mode ; LGBT
    Abstract: Dissemination of shine in popular culture -- Temporalities of shine within material culture : between nostalgia, appropriation and expropriation -- Glimmer, sparkle, glitter : performing queer identities -- Shiny surfaces in the art of the 1960s (and beyond)
    Abstract: "Shine allures and awakens desire. As a phenomenon of perception shiny things and materials fascinate and tantalize. They are a formative element of material culture, promising luxury, social distinction and the hope of limitless experience and excess. Since the early twentieth century the mass production, dissemination and popularization of synthetic materials that produce heretofore-unknown effects of shine have increased. At the same time, shine is subjectified as "glamor" and made into a token of performative self-empowerment. The volume illuminates genealogical as well as systematic relationships between material phenomena of shine and cultural-philosophical concepts of appearance, illusion, distraction and glare in bringing together renowned scholars from various disciplines"--
    Note: Literaturangaben
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