Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • KOBV  (64)
  • Bayreuth UB  (7)
  • OLC Ethnologie
  • Image  (70)
  • Schwarze
Datasource
Material
Language
Keywords
  • 1
    ISBN: 9781913620752 , 1913620751
    Language: English
    Pages: 444 Seiten , 26 cm
    Edition: First edition
    DDC: 770.92396042
    RVK:
    RVK:
    Keywords: 1900-1999 ; Women photographers ; Photographers, Black ; Photography, Artistic ; Photographie artistique ; Femmes photographes - Grande-Bretagne ; Photographes noirs - Grande-Bretagne ; art photography ; Photography, Artistic ; Social conditions ; Pictorial works ; Great Britain Pictorial works Social conditions 20th century ; Grande-Bretagne - Conditions sociales - 20e siècle - Ouvrages illustrés ; Great Britain ; Bildband ; Bildband ; Großbritannien ; Fotografin ; Weibliche Person of Color ; Fotografie ; Geschichte 1980-2000 ; Großbritannien ; Schwarze ; Fotografin ; Geschichte 1980-2000
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Image
    Image
    Oakland, California : University of California Press
    ISBN: 9780520392458 , 9780520359567
    Language: English
    Pages: x, 305 Seiten , Illustrationen
    DDC: 709.5
    RVK:
    Keywords: Art, Comparative ; Art and race ; Artists, Black ; Kunstsoziologie ; Asien ; Schwarze ; Kunst ; Geschichte 1960-2020
    Abstract: "How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--
    Description / Table of Contents: Coincident intensities: friendship, comparison, and the Afro Asian body -- Angles of incidence: photographing interracial encounters in postwar Asia -- Integral tangents: Black arts of Asia -- Planes of collaboration: non-consensus spaces -- Circling Afro China: the new global majority.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Image
    Image
    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Image
    Image
    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300269772 , 0300269773
    Language: English
    Pages: vii, 255 Seiten , Illustrationen , 26 cm
    Series Statement: Seminar papers / Center for Advanced Study in the Visual Arts 4
    RVK:
    Keywords: Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Abstract: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Description / Table of Contents: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Note: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    ISBN: 9781606067857
    Language: English
    Pages: xiii, 137 Seiten , Illustrationen , 27 cm
    Parallel Title: Erscheint auch als Balthazar
    DDC: 704.9/484
    Keywords: Balthazar Art ; Art, Medieval Themes, motives ; Art, Renaissance Themes, motives ; Black people in art ; Africans in art ; Magi Art ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Drei Könige ; Balthasar Heiliger ; Afrikaner ; Schwarze ; Kunst ; Geschichte 1000-1600
    Abstract: "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--
    Note: Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Image
    Image
    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Image
    Image
    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
    RVK:
    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 11
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
    RVK:
    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 12
    ISBN: 9789492852885 , 9492852888
    Language: Dutch
    Pages: 507 Seiten , Illustrationen
    Parallel Title: Parallele Sprachausgabe Perrée, Rob, 1947 - A black collage
    DDC: 700.411
    Keywords: USA ; Schwarze ; Kunst ; Museum ; Ausstellung ; Kunstbetrieb ; Geschichte 1990-2023
    Abstract: In dit boek vertelt Rob Perrée zijn geschiedenis met Afrikaans-Amerikaanse kunst. Van 1990 tot 2023. Hij doet dat door middel van een chronologische collage van nieuwe teksten, verbindende teksten, eerder gepubliceerde artikelen, essays, interviews, recensies, columns en korte verhalen. De nieuwe teksten plaatsen de andere in context. Tezamen geven ze de ontwikkeling van de Afrikaans Amerikaanse kunst weer en laten ze zien hoe de appreciatie ervoor en de perceptie ervan in de loop van de tijd is veranderd, in de VS, maar vooral ook in Nederland, bij het publiek, maar ook bij de instituties. Het is een blik achter de schermen die zijn passie voor deze kunst zichtbaar maakt.00Rob Perrée is kunsthistoricus, onafhankelijk schrijver en curator, oprichter van het online tijdschrift Africanah.org. Zijn artikelen zijn verschenen in diverse (kunst)tijdschriften, kranten en catalogi. Hij woont en werkt in Amsterdam en Brooklyn
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 13
    Image
    Image
    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 14
    ISBN: 9781984859433
    Language: English
    Pages: 283 Seiten , 27 cm
    Edition: First graphic edition
    Parallel Title: Erscheint auch als
    DDC: 741.5973
    Keywords: Rassismus ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; Rassendiskriminierung ; Schwarze ; USA ; Racism / United States / History / Comic books, strips, etc ; United States / Race relations / Comic books, strips, etc ; Race discrimination / Political aspects / United States / Comic books, strips, etc ; Race discrimination / Economic aspects / United States / Comic books, strips, etc ; African Americans / Social conditions / History / Comic books, strips, etc ; African Americans / Social conditions / Comic books, strips, etc ; Racism against Black people / United States / Comic books, strips, etc ; Anti-racism / Comic books, strips, etc ; Social justice / Comic books, strips, etc ; Race Relations / history ; Black or African American ; Social Conditions / history ; Educational comics ; Graphic novel adaptations ; Comic ; Comic ; Comic ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Soziale Gerechtigkeit ; Ethnische Beziehungen
    Abstract: "A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists."--
    Note: Includes index , Cotton Mather -- , Thomas Jefferson -- , William Lloyd Garrison -- , W.E.B. Du Bois -- , Angela Davis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 15
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
    RVK:
    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 16
    Image
    Image
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 17
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 18
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 19
    Image
    Image
    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 20
    ISBN: 9781588397447
    Language: English
    Pages: 139 Seiten , Illustrationen , 23 cm
    Edition: First printing
    Keywords: Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Abstract: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Abstract: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Note: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 21
    Image
    Image
    New Heaven : Yale University Press
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 22
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
    RVK:
    RVK:
    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 23
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
    RVK:
    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 24
    Image
    Image
    London : Book Works | Southend-on-Sea : Focal Point Gallery
    ISBN: 9781912570140 , 1912570149
    Language: English
    Pages: 141 Seiten , Illustrationen , 20 cm
    Additional Material: 2 Beilagen (1 Leporello, 1 Blatt mit Stickern)
    Series Statement: Co-series no. 22
    Series Statement: Printet matter / Focal Point Gallery #107
    Series Statement: Co-Series
    Series Statement: Printed matter
    RVK:
    RVK:
    Keywords: 2000-2099 ; Art, Modern 21st century ; Feminism ; Women, Black ; Popular culture ; Women artists, Black ; Black people in art Exhibitions ; Performance art ; Art, Modern ; Feminism ; Popular culture ; Women, Black ; Great Britain ; Großbritannien ; Schwarze ; Frauenkunst ; Performance ; Geschichte 2000-
    Abstract: "Comprising of new writing and works drawn from, and a part of, Uddoh's 2021 exhibition at Focal Point Gallery, Practice Makes Perfect focuses on themes of radical self-love, inspired by black feminist practice and writing. Through performance, film, installation and sound, Uddoh explores an infatuation with places, objects and celebrities in British popular culture, and the effects of these on self-formation. She is influenced by her architectural background, rooting stories in specific spaces and materials. Co-published by Book Works and Focal Point Gallery as part of our Co-Series, in association with the Bluecoat, and The Bower." -- publisher's description
    Note: Umschlagtitel
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 25
    ISBN: 9788836651702 , 8836651704
    Language: Italian
    Pages: 134 Seiten , Illustrationen, Karten, Diagramme , 24 cm
    DDC: 709
    Keywords: Noirs ; Dans l'art ; Italie (nord) ; Noirs ; Conditions sociales ; 1500-1800 ; Noirs ; Conditions sociales ; 19e siècle ; Peinture ; Italie (nord) ; Thèmes, motifs ; Esclavage ; Dans l'art ; Italie (nord) ; Catalogues d'exposition ; Italie (nord) ; 16e siècle ; Italie (nord) ; 17e siècle ; Italie (nord) ; 18e siècle ; Italie (nord) ; 19e siècle ; Ausstellungskatalog MUDEC 13.05.2022-18.09.2022 ; Aufsatzsammlung ; Ausstellungskatalog MUDEC 13.05.2022-18.09.2022 ; Aufsatzsammlung ; Oberitalien ; Geschichte ; Schwarze ; Soziale Situation ; Soziale Stellung ; Lebensbedingungen ; Gemälde ; Malerei ; Sklaverei ; Diener ; Ausstellung ; Mailand ; MUDEC ; Ausstellungskatalog ; Oberitalien ; Kunst ; Sklave ; Schwarze ; Geschichte 1500-1900
    Abstract: Catalog of an exhibition held at the MUDEC, Milan, Italy May 13-September 18, 2022
    Abstract: "Il volume offre un primo contributo a un tema poco indagato della storia dell'Italia settentrionale : la presenza, fra Cinquecento e Ottocento, di persone orginarie del continente africano. La ricerca svolta su dipinti, sculture e opere a stampa fornisce una testimonianza diretta del loro ruolo nella società, della loro vita caratterizzata spesso da stenti e umiliazioni derivanti dalla schiavitù, ma a volte anche da percorsi di riscatto e perfino di successo personale. Il racconto si articola in sezioni dedicate alle diverse modalità di raffigurazione delle presenze africane - ora considderate per il loro ruolo storico o morale, ora per il loro valore mitico o leggendario, fra stereotipi e storie vere - e si chiude con i lavori di Theophilus Imani, ricercatore visivo italiano di origine ghanese, che attraverso i suoi dittici fotografici evidenzia il contrasto fra l'iconografia classica occidentale e la rappresentazione del corpo nero nella contemporaneità."
    Note: Seite [6]: La Voce Delle Ombre. Presenze Africane Nell'Arte Dell'Italia Settentrionale (XVI-XIX Secolo), 13 maggio-18 settembre 2022 , Veranstalter und Verfasser von Seite [6] und Umschlag , Literaturverzeichnis S. 126-134 , Autres auteurs : Silvio Leydi, Federica Morelli, Carolina Orsini, Sara Rizzo, Luca Tosi, Stefano Bruzzese, Carla Campanini, Claudia Cieri Via, Alessandra Di Gennaro, Stefano L'Occaso, Marco Pizzo
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 26
    ISBN: 9788535934007 , 8535934006
    Language: Portuguese
    Pages: 687 pages, 32 unnumbered pages of plates , illustrations (some color) , 23 cm
    Keywords: Blacks Biography ; Encyclopedias ; Blacks ; Biographies ; Encyclopedias ; Brazil ; Biografie ; Biografie ; Biografie ; Brasilien ; Schwarze
    Note: Includes bibliographical references (pages 581-625) and index
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 27
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
    RVK:
    RVK:
    RVK:
    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 28
    Image
    Image
    [Paris] : The Eyes Publishing
    ISBN: 9791092727470
    Language: English
    Pages: 232 Seiten , 24 cm
    Series Statement: The eyes #12
    Series Statement: The eyes
    Uniform Title: Eyes number 12
    Keywords: Bildband ; Bildband ; Europa ; Schwarze ; Identität ; Fotografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 29
    ISBN: 9781849767668 , 1849767661
    Language: English
    Pages: 383 Seiten , Illustrationen , 25 cm
    DDC: 704.0396041
    Keywords: Art, Caribbean 20th century ; Art, Caribbean 21st century ; Art, British 20th century ; Art, British 21st century ; Artists, Black ; African diaspora in art ; Art, British ; Art, Caribbean ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Karibik ; Kulturaustausch ; Künste ; Geschichte 1920-2020 ; Karibik ; Einwanderung ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1920-2020 ; Caribbean Artists Movement
    Note: Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 30
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
    RVK:
    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 31
    ISBN: 9781588384522 , 1588384527
    Language: English
    Pages: 121 pages , illustrations , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 323.1196/073076147
    Keywords: Montgomery Bus Boycott, Montgomery, Ala., 1955-1956 Influence ; Civil rights movements ; Civil rights movements ; Anti-apartheid movements ; Anti-apartheid movements ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Informational works ; Alabama ; Montgomery ; Great Britain ; South Africa ; United States ; Alabama ; Großbritannien ; Südafrika ; Montgomery Bus Boycott ; Schwarze ; Bürgerrechtsbewegung ; Antiapartheidbewegung ; Geschichte 1955-1956
    Abstract: "The Unlikely World of the Montgomery Bus Boycott analyzes the global influences and impact of the 1955-56 mass protest that many historians peg as the start of the twentieth-century civil rights movement. Author Cole S. Manley moves beyond the borders of Alabama, and even beyond the U.S., to interrogate how Black Montgomery boycotters thought about their movement alongside global freedom struggles, from the anti-apartheid movement in South Africa to the anti-color bar battles in the United Kingdom. With each day of the year-long boycott, news of the movement traveled farther, reaching White pacifists in New York, Black internationalists in London, and, not long thereafter, anti-apartheid leaders in South Africa. Manley's book calls for a new reading of the civil rights movement, one which can encompass the expansive thinking and radical dreams of leaders like Rosa Parks, Martin Luther King Jr., and Jo Ann Robinson. The Montgomery boycott was much more than a battle over fair bus seating. It remains an example of the power of protest and solidarity which still inspires struggles for racial and economic justice."--Back cover
    Note: Includes bibliographical references (pages 91-103) and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 32
    ISBN: 9781737292807
    Language: English
    Pages: 164 pages , chiefly color illustrations , 34 cm
    DDC: 305.800974811
    Keywords: 1900-1999 ; African Americans Comic books, strips, etc History 20th century ; African Americans Biography ; Comic books, strips, etc ; Noirs américains - Pennsylvanie - Philadelphie - Histoire - 20e siècle - Bandes dessinées ; Noirs américains - Pennsylvanie - Philadelphie - Biographies - Bandes dessinées ; African Americans ; Race relations ; Social conditions ; Biographies ; Comics (Graphic works) ; Graphic novels ; History ; Graphic novels ; Biographies ; Biographies ; Philadelphia (Pa.) Comic books, strips, etc Race relations 20th century ; Philadelphia (Pa.) Comic books, strips, etc Social conditions 20th century ; Pennsylvania - Philadelphia ; Biography ; Bildband ; Comic ; Biography ; Bildband ; Comic ; USA ; Philadelphia, Pa. ; Schwarze ; Emanzipation ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Geschichte 1850-2000
    Abstract: "Black Lives Always Mattered! represents a powerful project, documenting in a graphic novel genre African American Philadelphians who over the last century have both achieved individually while simultaneously fighting against the structures of racism. These stories demonstrate the long-distance race of Black empowerment across generations. Each story demonstrates the power of resilience in the face of challenge, and how building strong social networks and drawing on the cultural resources that have sustained peoples of African descent from the beginning of our presence in this country create success not only for our individual efforts but our collective well-being. "--Back cover
    Description / Table of Contents: Foreword -- Introduction -- Charles L. Blockson Afro-American Collection -- Art Director's statement -- Writer's statement -- Hidden heroes -- Julian F. Abele -- Ethel D. Allen -- Marian Anderson -- W.E.B Du Bois -- Crystal Bird Fauset -- Ruth Wright Hayre -- Alain Locke -- Walter P. Lomax -- Frederick Massiah -- Cecil B. Moore -- John W. Mosley -- Christopher J. Perry -- Reverend Leon H. Sullivan -- Father Paul M. Washington -- Assignments/activities for students -- BLAM! Noisemakers bios -- Noisemakers sketchbook -- Photo credits -- Further reading.
    Note: Produced by the Charles L. Blockson Afro-American Collection with the support of the Pew Center for Arts & Heritage , "Printed by: Neibauer Press"--Page 1
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 33
    ISBN: 9781946433275 , 1946433276
    Language: English
    Pages: 215 Seiten , Illustrationen
    Edition: First edition
    DDC: 709.47
    RVK:
    RVK:
    Keywords: Rudd, Wayland ; Art ; Mass media ; Black people in art ; Black people in mass media ; Black people ; Art - URSS ; Médias - URSS ; Personnes noires dans l'art ; Personnes noires dans les médias ; Noirs - URSS ; Art ; Mass media ; Race relations ; Soviet Union Race relations ; Soviet Union ; Sowjetunion ; Kunst ; Massenmedien ; Person of Color ; Rassismus ; Geschichte 1923-1980 ; Schwarze
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 34
    ISBN: 9781597114783
    Language: English
    Pages: 485 Seiten , Illustrationen
    Edition: First edition
    DDC: 770.973
    RVK:
    RVK:
    RVK:
    Keywords: Zealy, Joseph T. ; Weems, Carrie Mae ; Agassiz, Louis ; Peabody Museum ; Geschichte 1850 ; Geschichte 2003-2017 ; Geschichte 1850-1976 ; Rassismus ; Sklave ; Aktfotografie ; Sklaverei ; Rasse ; Schwarze ; Sklavin ; Visuelle Ethnologie ; Fotografie ; Kriminalität ; Daguerreotypie ; Rassismus ; Person of Color ; Anthropologie ; South Carolina ; USA ; Aufsatzsammlung ; Interview ; Konferenzschrift ; Aufsatzsammlung ; Interview ; USA ; Sklaverei ; Fotografie ; Daguerreotypie ; Visuelle Ethnologie ; Rassismus ; Zealy, Joseph T. 1812-1893 ; Agassiz, Louis 1807-1873 ; Peabody Museum ; South Carolina ; Daguerreotypie ; Schwarze ; Sklave ; Sklavin ; Visuelle Ethnologie ; Geschichte 1850-1976 ; Weems, Carrie Mae 1953- ; USA ; Fotografie ; Schwarze ; Rassismus ; Kriminalität ; Geschichte 2003-2017 ; Weems, Carrie Mae 1953- ; Zealy, Joseph T. 1812-1893 ; Fotografie ; Anthropologie ; Aktfotografie ; Rasse ; Person of Color ; Geschichte 1850
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 35
    ISBN: 9783777435541 , 3777435546
    Language: English
    Pages: 192 Seiten , 30.5 cm x 22.9 cm
    DDC: 704.0899607477137
    RVK:
    Keywords: Geschichte ; Schwarze ; Haar ; Kultur ; Schwarze ; Kunst ; Haar ; Foreign languages ; Fotografie ; Kunst- und Kulturgeschichte ; Kunstgewerbe ; Zeitgenössische Kunst ; Zeitgenössische Kunst ; Kulturgeschichte ; Fotografie ; Kunsthandwerk ; Photography ; Art and Cultural History ; Arts and Crafts ; Contemporary Art ; Contemporary art ; Cultural history ; Photography ; Handicraft ; Aufsatzsammlung ; Ausstellungskatalog Kent State University Museum 10.09.2021-14.08.2022 ; Bildband ; Ausstellungskatalog Kent State University. Museum 10.09.2021-14.08.2022 ; Bildband ; Ausstellungskatalog Kent State University. Museum 10.09.2021-14.08.2022 ; Bildband ; Ausstellungskatalog Kent State University. Museum 10.09.2021-14.08.2022 ; Bildband ; Haar ; Schwarze ; Kunst ; Kultur ; Geschichte ; Kunst ; Schwarze ; Haar ; Geschichte ; Schwarze ; Haar ; Kultur ; Geschichte
    Note: Imprint: "This book is published on the occasion of the exhibition 'Textures: The History and Art of Black Hair', Kent State University Museum, Kent, Ohio, USA, September 10, 2021-August 14, 2022"
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 36
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
    RVK:
    RVK:
    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 37
    Image
    Image
    Raleigh : In association with the North Carolina African American Heritage Commission | Raleigh : North Carolina Office of Archives and History
    ISBN: 9780865265011 , 0865265011
    Language: English
    Pages: xix, 288 Seiten , Illustrationen, Karten , 28 x 22 cm
    Edition: Revised edition
    DDC: 306.09
    Keywords: Rassenunruhen ; Schwarze ; Wilmington, NC ; Wilmington, NC ; Schwarze ; Rassenunruhen ; Geschichte 1898
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 38
    Image
    Image
    Ciudad de México, México : UACM, Universidad Autónoma de la Ciudad de México
    ISBN: 9786079465414 , 6079465418
    Language: Spanish
    Pages: 163 Seiten , Illustrationen , 25 cm
    Edition: Primera edición
    Keywords: Blacks Social conditions ; Blacks Social life and customs ; Blacks Race identity ; Lehrmittel ; Lehrmittel ; Mexiko ; Schwarze ; Lebensbedingungen ; Kulturelle Identität
    Note: Includes bibliographical references (page 163)
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 39
    Image
    Image
    Chicago ; London : University of Chicago Press
    ISBN: 9780226176079 , 9780226653037
    Language: English
    Pages: vi, 234 Seiten, 7 ungezählte Blätter Tafeln , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 306.4842440977311
    Keywords: Sozialgeschichte 1960-1980 ; Soul music / Illinois / Chicago / History and criticism ; Soul music / Social aspects / Illinois / Chicago ; Soul music / Political aspects / Illinois / Chicago ; Soul musicians / Illinois / Chicago ; African Americans / Illinois / Chicago / Music / History and criticism ; African Americans / Music ; Soulmusiker ; Soul ; Schwarze ; Chicago, Ill. ; Chicago, Ill. ; Schwarze ; Soulmusiker ; Soul ; Sozialgeschichte 1960-1980
    Description / Table of Contents: Hallways and airwaves: changing neighborhoods and emerging media inspire new music -- I'm a-telling you: artists and entrepreneurs step up in a new decade -- We're a winner: musicians, activists, and educators build an expanding industry -- Psychedelic soul: Chicago's 1960s counterculture redirects social and musical cues -- A new day: Afrocentric philosophy and sharp statements answer 1960s challenges -- Rhythm ain't all we got: organizational drive shapes 1970s black music, commerce, and politics -- Sound power: funk and disco highlight connections, divisions, and aspirations -- Future telling: reissues, sampling, and young artists reconsider soul history
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 40
    Image
    Image
    Paris : Musée D'Orsay | Paris : Flammarion
    ISBN: 9782081480964 , 9782354332815
    Language: French
    Pages: 381 Seiten , 31 cm
    Additional Information: In Beziehung stehendes Werk Posing modernity New Haven : Yale University Press, 2018 9780300229066
    Additional Information: Rezensiert in Childs, Adrienne L. Le modèle noir de Géricault à Matisse 2019
    DDC: 709
    Keywords: African American models ; Art ; Artists and models in art ; Artists' models ; Blacks ; Modernism (Art) ; Modernism (Art) ; Bildband ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Bildband ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Europa ; USA ; Schwarze ; Kunst ; Geschichte 1800-2018 ; Europa ; USA ; Schwarze ; Modell ; Geschichte 1800-2018
    Abstract: « « Le modèle noir de Géricault à Matisse »; est né d'une collaboration fructueuse de part et d'autre de l'Atlantique. Il nous faut remercier d'emblée Denise Murrell, PhD, chercheuse postdoctorante de la Fondation Ford à la Wallach Art Gallery de New York, pour sa contribution essentielle au projet. C' est à partir de la thèse qu'elle soutint en 2013 à l'université Columbia, Seeing Laure : Race and Modernity from Manet's « Olympia »; to Matisse, Bearden and Beyond, que s'élabora toute notre réflexion et que furent posées les prémices d'un projet à l'ambition inégalée.
    Note: Rückseite Titelblatt: "Cet ouvrage a été publié à l'occasion de l'exposition 'Le Modèle noir de Géricault à Matisse' Paris, Musée d'Orsay, 26 mars au 21 juillet 2019, Pointe-à-Pitre, Mémorial ACTe, 13 septembre-29 décembre 2019. Précédemment présentée sous la titre 'Posing Modernity: The Black Model from manet and matisse to Today' New York, The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York 24 octobre 2018-10 février 2019"
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 41
    Image
    Image
    Berlin : Sternberg Press | Eindhoven : Van Abbemuseum
    ISBN: 3956794664 , 9783956794667
    Language: English
    Pages: 415 Seiten, 11 ungezählte Seiten , zahlreiche Illustrationen , 25 cm
    DDC: 704.0396041
    Keywords: Artists, Black History 20th century ; Authors, Black History 20th century ; British Intellectual life 20th century ; History ; Artists, Black ; Authors, Black ; British ; Intellectual life ; Great Britain ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1980-1990 ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1980-1990
    Note: "The publication developed from the exhibition and research project The Place Is Here (2016-19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s. Within the context of Thatcherism and a racist art establishment, a new generation of black artists and intellectuals produced some of the most compelling ideas and images in recent British cultural history. Across four exhibitions, The Place Is Here brought together over one hundred works by forty artists and collectives, spanning painting, sculpture, installation, photography, video, and expanded archival displays. Richly illustrated, the book includes thematic essays, close readings of works, and a series of panel discussions bringing together key scholarly, critical, and artistic voices foundational to art in Britain in the 1980s. The result is an intergenerational dialogue around pressing intellectual, political, and aesthetic debates, highlighting the significance of the work of these artists for the present. "--Publisher's website (viewed on July 8, 2019) , Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 42
    ISBN: 9781597114431
    Language: English
    Pages: 143 Seiten
    Edition: First edition
    DDC: 770.92
    RVK:
    Keywords: Brathwaite, Kwame Exhibitions ; Photograhy, Artistic Exhibitions ; African American photographers Biography ; Exhibitions ; Photographers Biography ; Exhibitions ; African Americans Pictorial works ; Exhibitions ; African Americans Exhibitions Intellectual life 20th century ; African American arts Sources History 20th century ; Exhibitions ; Harlem Renaissance Exhibitions ; Bildband ; Ausstellungskatalog Skirball Cultural Center, Los Angeles, Calif. 2019 ; Bildband ; Ausstellungskatalog Skirball Cultural Center, Los Angeles, Calif. 2019 ; Brathwaite, Kwame 1938- ; Porträtfotografie ; Person of Color ; Geschichte 1964-1968 ; Brathwaite, Kwame 1938- ; Porträtfotografie ; USA ; Schwarze ; Jazz ; Black power ; Geschichte 1960-1970
    Abstract: Foreword / by Kwame Brathwaite -- Kwame Brathwaite : black is beautiful / by Tanisha C. Ford -- African Jazz-Art Society -- Think black, buy black -- The Grandassa models -- Afterword, Kwame Brathwaite : black is beautiful, then and now / by Deborah Willis.
    Note: Coincides with a touring exhibition of Brathwaite's work May 2019 , Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 43
    ISBN: 9781526133267
    Language: English
    Pages: xi, 271 Seiten , Illustrationen, Portraits , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 306.846
    RVK:
    RVK:
    Keywords: Interethnische Liebesbeziehung ; Schwarze ; Kind ; US-Soldat ; Großbritannien ; World War, 1939-1945 / Blacks ; Racially mixed children ; Oral history ; Social history / 20th century ; World War (1939-1945) ; Blacks ; Oral history ; Racially mixed children ; Social history ; 1900-1999 ; Großbritannien ; US-Soldat ; Schwarze ; Interethnische Liebesbeziehung ; Kind
    Abstract: This book recounts a little-known history of the estimated 2,000 babies born to black GIs and white British women in the second world war. The African-American press named these children 'brown babies'; the British called them 'half-castes'. Black GIs, in this segregated army, were forbidden to marry their white girl-friends. Nearly half of the children were given up to children's homes but few were adopted, thought 'too hard to place'. There has been minimal study of these children and the difficulties they faced, such as racism in a (then) very white Britain, lack of family or a clear identity. The book will present the stories of over fifty of these children, their stories contextualised in terms of government policy and attitudes of the time. Accessibly written, with stories both heart-breaking and uplifting, the book is illustrated throughout with photographs
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 44
    Image
    Image
    New Haven : Yale University Press | New York : The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York
    ISBN: 9780300229066
    Language: English
    Pages: XVII, 206 Seiten , 27 cm
    Additional Information: In Beziehung stehendes Werk Le modèle noir Paris : Musée D'Orsay, 2019 9782081480964
    Additional Information: 9782354332815
    RVK:
    RVK:
    RVK:
    Keywords: African American models ; Art ; Artists and models in art ; Artists' models ; Blacks ; Modernism (Art) ; Modernism (Art) ; Bildband ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery, Columbia University 24.10.2018-10.02.2019 ; Ausstellungskatalog Musée d'Orsay 26.03.2019-14.07.2019 ; Bildband ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery, Columbia University 24.10.2018-10.02.2019 ; Ausstellungskatalog Musée d'Orsay 26.03.2019-14.07.2019 ; Schwarze ; Kunst ; Geschichte 1800-2018 ; Schwarze ; Modell ; Geschichte 1800-2018
    Abstract: This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today, organized by the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, and the Établissement public des musée d'Orsay et de l'Orangerie, Paris. The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019, Musée d'Orsay, Paris (as the expanded exhibition Le Modèle noir de Gericault à Matisse), March 26-July 14, 2019."
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 45
    ISBN: 9781498553599
    Language: English
    Pages: viii, 216 Seiten , Illustrationen , 23 cm
    Series Statement: Critical perspectives on race, crime, and justice
    Parallel Title: Erscheint auch als
    DDC: 363.230973
    RVK:
    Keywords: Police ; Police-community relations ; Discrimination in law enforcement ; Black lives matter movement ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Bürgerinitiative ; Strafverfolgung ; Polizei ; Diskriminierung ; Schwarze ; Hispanos
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 46
    ISBN: 9780745338651 , 0745338658 , 9780745338668 , 0745338666 , 9781771133890 , 1771133899
    Language: English
    Pages: xiii, 287 pages , illustrations, facsimiles , 22 cm
    Series Statement: Black critique
    DDC: 305.896/07
    Keywords: Black power History 20th century ; Blacks Social conditions 20th century ; Radicalism History 20th century ; Blacks Race identity ; Authors, Black Congresses 20th century ; African American authors Congresses 20th century ; Quelle ; Quelle ; Schwarze ; Congress of Black Writers and Artists Montréal 1968 ; Black power ; Ethnische Identität ; Soziale Situation ; Radikalismus ; Geschichte 1968
    Abstract: Introduction:The dialect of liberation: the Congress of Black Writers at 50--and beyond /David Austin --The psychology of subjection: race relations in the United States of America /Alvin Poussaint --The Haitian Revolution and the history of slave revolt /C. L. R. James --The fathers of the modern revolt: Marcus Garvey and the origins of Black Power /Robert Hill --African history in the service of the Black Liberation /Walter Rodney --The civilizations of ancient Africa /Richard B. Moore --Black history in the Americas /Richard B. Moore --Race in Britain and the way out /Richard Small --Moving against the system: new directions for the black struggle /Harry Edwards --Frantz Fanon and the Third World /James Forman --Black Power in the USA /Stokely Carmichael --A black woman speaks out /Barbara Jones --You don't play with revolution: an interview with C. L. R. James /Michael Smith --On the banning of Walter Rodney from Jamaica /C. L. R. Jamesat Montreal rally --Letter to C. L. R. James from Rosie Douglas, June 9, 1968 --Letter to Rosie Douglas from C. L. R. James, June 27, 1968.
    Abstract: In 1968, as protests shook France and war raged in Vietnam, the giants of black radical politics descended on Montreal to discuss the unique challenges and struggles facing their black comrades all over the world. Against a backdrop of widespread racism in the West and ongoing colonialism and imperialism in the Global South, this group of activists, writers, and political figures gathered to discuss the history and struggles of people of African descent and the meaning of black power. For the first time since 1968, Austin brings alive the speeches and debates of the most important international gathering of black radicals of the era. Includes never-before-seen texts from Stokely Carmichael, Walter Rodney and C.L.R. James. --From publisher description
    Note: Includes bibliographical references (pages [255]-274) and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 47
    Image
    Image
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
    RVK:
    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 48
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
    RVK:
    RVK:
    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 49
    Image
    Image
    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
    RVK:
    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 50
    ISBN: 3854098022 , 9783854098027
    Language: German
    Pages: 238 Seiten , Illustrationen
    DDC: 305.8960436
    RVK:
    RVK:
    Keywords: Ausstellungskatalog Volkskundemuseum Wien 27.04.2016-21.08.2016 ; Ausstellungskatalog Volkskundemuseum Wien 27.04.2016-21.08.2016 ; Ausstellungskatalog Volkskundemuseum Wien 27.04.2016-21.08.2016 ; Österreich ; US-Soldat ; Schwarze ; Österreicherin ; Nichteheliches Kind ; Geschichte 1945-1955
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 51
    ISBN: 3837622037 , 9783837622034
    Language: German
    Pages: 277 S. , zahlr. Ill. , 225 mm x 148 mm, 468 g
    Series Statement: Image 46
    Series Statement: Image
    Parallel Title: Online-Ausg. Edema, Patricia Stella Bilder des Wandels in Schwarz und Weiß
    Parallel Title: Erscheint auch als Edema, Patricia Stella Bilder des Wandels in Schwarz und Weiß
    Parallel Title: Erscheint auch als Edema, Patricia Stella Bilder des Wandels in Schwarz und Weiß
    Dissertation note: Teilw. zugl.: Berlin, Freie Univ., Diss., 2011
    DDC: 770.973
    RVK:
    RVK:
    Keywords: Photography Social aspects 19th century ; History ; Photography Social aspects 20th century ; History ; African Americans Portraits ; African Americans Race identity ; Portrait photography History ; African Americans in art ; Hochschulschrift ; Bildband ; Hochschulschrift ; Bildband ; Hochschulschrift ; Bildband ; USA ; Schwarze ; Fotografie ; Geschichte 1880-1930 ; USA ; Schwarze ; Fotografie ; Identität ; Geschichte 1880-1930
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 52
    Image
    Image
    São Paulo : Museu Afro Brasil
    ISBN: 8563972073 , 9788563972071
    Language: Portuguese
    Pages: 395 pages , chiefly illustrations (chiefly color) , 30 cm
    Edition: 1a edição
    DDC: 306.460981
    Keywords: Art and technology Exhibitions History 19th century ; Blacks Exhibitions Material culture 19th century ; History ; Slaves Exhibitions Material culture 19th century ; History ; Industrial arts Exhibitions History 19th century ; Metalworking industries Exhibitions History 19th century ; Woodworking industries Exhibitions History 19th century ; Schwarze ; Sklave ; Sachkultur ; Handwerk ; Metallindustrie ; Holzindustrie ; Brasilien ; Ausstellungskatalog ; Ausstellungskatalog 2013 ; Ausstellungskatalog ; Ausstellungskatalog 2013
    Abstract: Arte, adorno, design e tecnologia no tempo da escravidão Emanoel Araujo, Diretor-curador do Museu Afro Brasil -- Tecnologia e fazer artístico do tempo do escravismo Henrique Cunha Junior -- Os ofícios mecânicos e os escravos Maria Helena Ochi Flexor -- As raizes na África negra da siderurgia brasileira José Roberto Teixeira Leite -- A técnica e sua história Julio Katinsky
    Note: Catalog accompanying an exhibition held at Museu Afro Brasil, 2013-2014 , Includes bibliographical references , Arte, adorno, design e tecnologia no tempo da escravidão , In Portuguese
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 53
    ISBN: 9782330002602
    Language: French
    Pages: 382 S. , überw. Ill.
    DDC: 069
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1800-1937 ; Europe / Colonies / Indigenous peoples / Exhibitions / History / 19th-20th centuries ; Indigenous peoples / Exhibitions / History / 19th century / Exhibitions ; Indigenous peoples / Exhibitions / History / 20th century / Exhibitions ; Geschichte ; Indigenes Volk ; Kolonie ; Schwarze ; Indigenes Volk ; Europe / Colonies / Exhibitions / 19th century / Exhibitions ; Europe / Colonies / Exhibitions / Exhibitions ; Europa ; Europa ; Ausstellungskatalog Etablissement Public du Musée du Quai Branly 29.11.2011-03.06.2012 ; Ausstellungskatalog ; Ausstellungskatalog Etablissement Public du Musée du Quai Branly 29.11.2011-03.06.2012 ; Ausstellungskatalog ; Europa ; Schwarze ; Indigenes Volk ; Geschichte 1800-1937
    Note: Bibliogr. p. 372 - 380. - Notes bibliogr.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 54
    ISBN: 9782707169211
    Language: French
    Pages: 359 S. , überw. Ill.
    DDC: 944.00496
    RVK:
    RVK:
    Keywords: Geschichte ; Schwarze ; Gruppenidentität ; Frankreich ; Bildband ; Aufsatzsammlung ; Schwarze ; Frankreich ; Gruppenidentität ; Geschichte
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 55
    Image
    Image
    New York : Lee & Low Books Inc
    ISBN: 9781584302674
    Language: English
    Pages: 94 Seiten
    Edition: First Edition
    DDC: 305.896
    RVK:
    Keywords: African American boys Comic books, strips, etc ; Murder Comic books, strips, etc ; Junge ; Mord ; Schwarze ; USA ; Chicago, Ill. ; Comic ; Chicago, Ill. ; USA ; Schwarze ; Junge ; Mord
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 56
    ISBN: 9783828909182
    Language: German
    Pages: 256 S. , zahlr. Ill , 26 cm
    Edition: Lizenzausg.
    DDC: 300
    RVK:
    RVK:
    RVK:
    Keywords: Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Deutschland ; Kolonialismus ; Werbung ; Sammelbild ; Schwarze
    Note: Lizenz des Links-Verl., Berlin
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 57
    ISBN: 9783861534990
    Language: German
    Pages: 256 Seiten , Illustrationen
    Edition: 1. Auflage
    DDC: 900
    RVK:
    RVK:
    Keywords: Kolonialismus ; Kolonialgeschichte ; Alltagskultur ; Werbung ; Reklamesammelbild ; Kolonialismus ; Werbung ; Sammelbild ; Bildband ; Germany Pictorial works Colonies 19th century ; History ; Germany Pictorial works Colonies 20th century ; History ; Deutschland ; Schwarze 〈Motiv〉 ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Deutschland ; Kolonialismus ; Werbung ; Sammelbild ; Schwarze
    Abstract: Für das späte 19. und beginnende 20. Jahrhundert sind die in vielen Ländern vertriebenen Reklamesammelbilder aus der Alltagskultur nicht wegzudenken. Die damals aufstrebende Werbebranche nutzte koloniale und exotische Motive als Blickfang, um Kaufl ust zu entfachen, Kunden zu binden und zugleich nationalen Stolz zu erzeugen. Das millionenfach unter die Menschen gebrachte Bildgut im Kleinformat reproduzierte so ziemlich alle Stereotype des Fremden, die im Umlauf waren. Deshalb waren die Kolonialsammelbildchen alles andere als ideologisch-politisch harmlos. Sie trugen zur Legitimation bei, den "Rest der Welt" zu unterwerfen und auszubeuten, auch wenn sie noch so bunt und freundlich daherkamen. Wer durch diese Bilderschule des Kolonialismus gegangen war, hatte seine Lektion vom weißen Herrenmenschen gelernt. In diesem einzigartigen Bild-Text-Band zur deutschen Kolonialgeschichte, der sich auf den Fundus der Sammlung Willi Goffart stützt, werden die verschiedenen Bildmotive nach Themen vorgestellt, analysiert und kritisch kommentiert.
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 58
    ISBN: 9789040084973 , 9789040084652 , 9789040084966 , 9789040084645
    Language: English
    Pages: 387 S. , zahlr. Ill.
    DDC: 700-9492
    Keywords: Blacks in art Exhibitions ; Art, Dutch Exhibitions ; Ausstellung ; Ausstellungskatalog ; Ausstellungskatalog 2008 ; Ausstellungskatalog ; Ausstellungskatalog 2008 ; Schwarze ; Malerei ; Geschichte 1330-2007 ; Niederlande ; Kunst
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 59
    ISBN: 9783779500650 , 3779500655
    Language: German
    Pages: 432 Seiten , Illustrationen, Karten , 25 cm
    RVK:
    RVK:
    RVK:
    Keywords: Arts, Black Exhibitions ; Blacks Exhibitions ; Ethnische Gruppe ; Schwarze ; Afrikaner ; Diaspora ; Kultur ; Anwesenheit ; Kunst ; Négritude ; Darstellende Kunst ; Kulturaustausch ; Frankreich ; Konferenzschrift ; Ausstellungskatalog 2006 ; Konferenzschrift ; Ausstellungskatalog 2006 ; Konferenzschrift ; Ausstellungskatalog 2006 ; Paris ; Kunst ; Schwarze ; Geschichte 1906-2005
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 60
    ISBN: 074965886X
    Language: English
    Pages: 32 S. , überw. Ill., graph. Darst.
    Edition: 1. publ.
    Series Statement: Communities in Britain
    DDC: 305.8969729041
    RVK:
    Keywords: Alltag, Brauchtum ; West Indians Juvenile literature ; West Indians Juvenile literature Social life and customs ; Schwarze ; Westinder ; Großbritannien ; Großbritannien ; Großbritannien ; Schwarze ; Westinder
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 61
    Image
    Image
    New York, NY : Universe
    ISBN: 078931357x , 0789313421
    Language: English
    Pages: [ca. 80] Bl. , überw. Ill.
    Edition: 1. publ.
    DDC: 305.38/896073
    RVK:
    Keywords: African American men Pictorial works ; Blacks Pictorial works ; Lifestyles Pictorial works ; Men Pictorial works ; Photography, Artistic ; Fotografie ; Schwarze ; USA ; Bildband ; USA ; Schwarze ; Fotografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 62
    Image
    Image
    Gent : Ludion
    ISBN: 9055445584
    Language: English , Dutch
    Pages: 136 S. , überw. Ill.
    RVK:
    Keywords: Kultur ; Schwarze ; Mode ; Niederlande ; Afrika ; Ausstellungskatalog 2005 ; Ausstellung ; Ausstellungskatalog ; Ausstellungskatalog 2005 ; Ausstellungskatalog ; Ausstellungskatalog ; Niederlande ; Schwarze ; Mode ; Kultur ; Afrika
    Note: Text engl. und niederländ.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 63
    Image
    Image
    Berlin : Haus der Kulturen der Welt
    ISBN: 9783980885157 , 3980885151
    Language: German
    Pages: 429 S. , Ill. , 275 mm x 215 mm
    Edition: 1. Aufl.
    DDC: 700
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: African diaspora ; Afrocentrism ; Afrocentrism History ; Blacks Cultural assimilation ; Blacks History ; Schwarze ; Afroamerikaner ; Diaspora ; Afrikanische Diaspora ; Europa ; Europa Vereinigte Staaten ; Lateinamerika ; Kultur/Sprache/Kunst ; Migration ; Africa Civilization ; Germany Black diaspora
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 64
    ISBN: 3935549849
    Language: German
    Pages: 790 Seiten , Illustrationen , 24 cm
    Edition: 1. Auflage
    DDC: 305.8960430904
    RVK:
    RVK:
    RVK:
    Keywords: Blacks Exhibitions ; History ; 20th century ; Germany ; Racism Exhibitions ; History ; 20th century ; Germany ; Schwarze ; Kulturgeschichte ; Sozialgeschichte ; Minderheit ; Nationalsozialismus ; NS ; Geschichte, 20. Jh. ; Deutschland ; Verfolgung ; Rassenhygiene ; Eugenik ; Rassismus ; Germany Exhibitions ; Race relations ; History ; 20th century ; Germany Exhibitions ; History ; 1918-1933 ; Germany Exhibitions ; History ; 1933-1945 ; Deutschland ; Schwarze ; Geschichte 1918-1945 ; Drittes Reich ; Rassenpolitik ; Diskriminierung
    Abstract: Ausstellung ; 2002 ; Unesco ; Begleitband
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 65
    Image
    Image
    Paris : Sorbier
    ISBN: 2732038180
    Language: English
    Pages: 45 S. , überw. Ill.
    Series Statement: La vie des enfants
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Esclavage - États-Unis - Histoire - Ouvrages pour la jeunesse ; Esclaves - Conditions sociales - Amérique du Nord - 17e siècle - Ouvrages pour la jeunesse ; Esclaves - États-Unis - Histoire - Ouvrages pour la jeunesse ; Esclaves - États-Unis - Histoire - Ouvrages pour la jeunesse ; Noirs américains - Ouvrages pour la jeunesse ; Geschichte ; Sklaverei ; Slavery Juvenile literature History ; Slaves Juvenile literature History ; Schwarze ; Sklaverei ; Afrikaner ; Amérique du Nord - 17e siècle - Ouvrages pour la jeunesse ; USA ; USA ; Bildband ; USA ; Schwarze ; Sklaverei ; Geschichte ; USA ; Sklaverei ; Afrikaner ; Geschichte
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 66
    ISBN: 3884232231
    Language: German
    Pages: 351 Seiten
    RVK:
    RVK:
    RVK:
    Keywords: Verger, Pierre ; Geschichte 1930-1960 ; Dokumentarfotografie ; Schwarze ; Candomblé ; Ausstellungskatalog Ethnologisches Museum Berlin 02.09.2004-07.11.2004 ; Ausstellungskatalog Museum der Weltkulturen 15.02.2005-29.05.2005 ; Ausstellungskatalog Linden-Museum Stuttgart 15.06.2005-28.08.2005 ; Ausstellungskatalog Staatliches Museum für Völkerkunde München 13.10.2005-30.01.2006 ; Ausstellungskatalog Museum für Völkerkunde ; Ausstellungskatalog Übersee-Museum Bremen ; Bildband ; Verger, Pierre 1902-1996 ; Dokumentarfotografie ; Schwarze ; Geschichte 1930-1960 ; Verger, Pierre 1902-1996 ; Dokumentarfotografie ; Candomblé
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 67
    ISBN: 3884232231
    Language: German
    Pages: 351 Seiten
    RVK:
    RVK:
    RVK:
    Keywords: Verger, Pierre ; Geschichte 1930-1960 ; Dokumentarfotografie ; Schwarze ; Candomblé ; Ausstellungskatalog Ethnologisches Museum Berlin 02.09.2004-07.11.2004 ; Ausstellungskatalog Museum der Weltkulturen 15.02.2005-29.05.2005 ; Ausstellungskatalog Linden-Museum Stuttgart 15.06.2005-28.08.2005 ; Ausstellungskatalog Staatliches Museum für Völkerkunde München 13.10.2005-30.01.2006 ; Ausstellungskatalog Museum für Völkerkunde ; Ausstellungskatalog Übersee-Museum Bremen ; Bildband ; Ausstellung ; Ausstellungskatalog ; Konferenzschrift ; Ausstellungskatalog Ethnologisches Museum Berlin 02.09.2004-07.11.2004 ; Ausstellungskatalog Museum der Weltkulturen 15.02.2005-29.05.2005 ; Ausstellungskatalog Linden-Museum Stuttgart 15.06.2005-28.08.2005 ; Ausstellungskatalog Staatliches Museum für Völkerkunde München 13.10.2005-30.01.2006 ; Ausstellungskatalog Museum für Völkerkunde ; Ausstellungskatalog Übersee-Museum Bremen ; Bildband ; Ausstellungskatalog 2004 ; Ausstellungskatalog Ethnologisches Museum 02.09.2004-07.11.2004 ; Ausstellungskatalog Museum der Weltkulturen 15.02.2005-29.05.2005 ; Ausstellungskatalog Linden-Museum 15.06.2005-28.08.2005 ; Ausstellungskatalog Staatliches Museum für Völkerkunde 13.10.2005-30.01.2006 ; Ausstellungskatalog 2004 ; Ausstellungskatalog Ethnologisches Museum 02.09.2004-07.11.2004 ; Ausstellungskatalog Museum der Weltkulturen 15.02.2005-29.05.2005 ; Ausstellungskatalog Linden-Museum 15.06.2005-28.08.2005 ; Ausstellungskatalog Staatliches Museum für Völkerkunde 13.10.2005-30.01.2006 ; Verger, Pierre 1902-1996 ; Dokumentarfotografie ; Schwarze ; Geschichte 1930-1960 ; Verger, Pierre 1902-1996 ; Dokumentarfotografie ; Candomblé
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 68
    Image
    Image
    New York : Artisan
    ISBN: 1579651127
    Language: English
    Pages: 256 S. , überw. Ill.
    Edition: 1. printing
    DDC: 391/.1/08996073
    RVK:
    RVK:
    Keywords: African American men Clothing ; Costume ; Fashion ; Kleidung ; Mode ; Schwarze ; USA ; USA ; Bildband ; USA ; Schwarze ; Mode ; USA ; Schwarze ; Kleidung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 69
    Image
    Image
    Zürich [u.a.] : Füssli
    Language: German
    Pages: 16, 65 S. , überw. Ill.
    Series Statement: Schaubücher 17
    Series Statement: Schaubücher
    RVK:
    RVK:
    RVK:
    Keywords: Fotografie ; Schwarze ; Subsaharisches Afrika ; Bildband ; Subsaharisches Afrika ; Schwarze ; Fotografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 70
    Image
    Image
    Zürich [u.a.] : Füssli
    Language: German
    Pages: 16, 65 S. , überw. Ill.
    Series Statement: Schaubücher 17
    Series Statement: Schaubücher
    RVK:
    RVK:
    RVK:
    Keywords: Fotografie ; Schwarze ; Subsaharisches Afrika ; Bildband ; Bildband ; Subsaharisches Afrika ; Schwarze ; Fotografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...