Anmerkung: Ab 9.1995 als Schriftenreihe

Anmerkung: Ersch. unregelmäßig

Anmerkung: Ersch. unregelmäßig

Anmerkung: Includes passages in Sanskrit

Anmerkung: Bibliografie: Seite 166-168

Anmerkung: "Vol. 65, no. 3, March 2014"--Title page verso; simultaneously issued in serial format as an issue of Mārg

Anmerkung: Literaturangaben

Anmerkung: Literaturverz. S. 234 - 243

Anmerkung: Beitr. teilw. dt., teilw. engl

Anmerkung: Literaturverz. S. 460 - 465

Anmerkung: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Anmerkung: Verz. der Konzerte S. 650 - 668. - Verz. der Tonträger S. 684 - 691. [Bildband zur Geschichte der Jazz-Festival-Veranstaltungen in Willisau]

Anmerkung: What every driver must know , Bifurcations of Iraq's visual culture , A barbarian in Rome: excerpts from a diary , Putting contemporary Iraqi art on the map: a conversation with Maysaloun Faraj , The assassination of Iraqi academic life: a personal testimony , My own private Munich , Hassan Abdulrazzak: a selection , Reframing Sunni and Shii discussions , Invisible mirror: aggression and the thumb-generation response , Iraq: a long phantasmagorical dream for those who are not part of the new capitalism or retired communism , Migratory sacred spaces: (re)creating ʻAshūrāʼ ; Dena Al-Adeeb ; Liberal mass media (mis)communication and Iraqi (dis)connections , Sophisticated ways: destruction of an ancient city , My trips to the unknown , A tale of two exiles , 1001 nights , Arab-Jews, diasporas, and multicultural feminism: a conversation with Ella Habiba Shohat , A film-training project for young Iraqis , Lyrical resistance: the example of Saadi Youssef , Larsa , Ur's echo: cosmopolitans and radical loss , Identity of the numbers

Anmerkung: Text teilw. dt., teilw. franz.

Anmerkung: Begleitschrift zu einer Ausstellung im Knauf-Museum, Iphofen, 17.3. bis 9.6.2013

Anmerkung: Enth.: Literaturverz. S. 394 - 404

Anmerkung: De Gruyter ; De Gruyter , In German

Anmerkung: Text span. u. engl.

Anmerkung: Literaturverz. S. 336 - 346

Anmerkung: Literaturverz. S. 135 - 136 , CD-ROM enth.: Anlagen und Karten

Anmerkung: The genealogy of the politics of the body in contemporary Chinese culture , Fragments of the body in Chinese contemporary art , The politics and poetics of the body , A talk with Xiang Jing , Portrayal, definition and reconstruction of "the body" in contemporary Chinese photography , Caught in art's haze , Physical odyssey , The physical body on the grass stage , Physical rebels , Female memory begins with the body , Theatre : memory in progress , The body as strategy for action in the Taiwanese cultural field : three stages of practice and progress, from martial law, abrogation, to the post martial law period , Edges of the modernist framework and beyond : the lifework of Hsieh Tehching, Hsieh Ying-Chun, Wu-Chong-Wei, Graffitist Huabng, Dino and Tsai-Show-Zoo , Picture essay , Twelve flower months , A talk with Jin Feng , Discussing the works of Xi Ya Die and Yan Xing , My art and the world , An interview , A concept of beauty

Anmerkung: Includes bibliographical references (pages 995-1045) and index , Introduction :The idea of northwest coast native art , Interpreting cultural symbols of the People from the Shore , Ḥilth Hiitinkis : from the beach , From explorers to ethnographers, 1770-1870 , Thresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art , Objects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 , "That which was most important" : Louis Shotridge on Crest art and clan history , Anthropology of art : shifting paradigms and practices, 1870s-1950 , Going by the book : missionary perspectives , The dark years , Surrealists and the New York avant-garde, 1920-60 , Northwest Coast art and Canadian national identity, 1900-50 , Art/craft in the early twentieth century , Welfare politics, late salvage, and indigenous (in)visibility, 1930-60 , Form first, function follows : the use of formal analysis in Northwest Coast art history , Democratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption , History and critique of the "renaissance" discourse , Starting from the beginning , Shifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era , Value added : the Northwest Coast art market since 1965 , "Where mere words failed" : Northwest Coast art and law , Art for whose sake? , "Fighting with property" : the double-edged character of ownership , Museums and Northwest Coast art , Collaborations : a historical perspective , Pushing boundaries, defying categories : Aboriginal media production on the Northwest Coast , Art claims in the age of Delgamuukw , Stop listening to our ancestors , NWC on the up- load : surfing for Northwest Coast art , The material and the immaterial across borders

Anmerkung: "This publication was realised within the project 'Mongolian Ethnographica of the Austrian Collector Hans Leder in European Museums"

Anmerkung: Preface / Maria-Katharina LangI. The collector and the collections / Maria-Katharina Lang , II. Mongolian Buddhism : identity, practice, and politics / Lhagvademchig Jadamba , III. Tsakli, thangkas, prints, amulets and manuscripts / Olaf Czaja , IV. Types of votive plaque (tshatsha) in the Leder collections / Béla Kelényi , V. A Maitreya (tshatsha) in the Leder collections / Béla Kelényi , VI. The Tsam figurines in Leder's collections : a reunion / Maria-Katharina Lang , VII. The Khüree-Tsam and its relations with the Tsam figures of the Leder collections / Krisztina Teleki , VIII. Cagān Öwgön : the White Old Man in the Leder collections : the textual and iconographic tradition of the cult of the White Old Man among the Mongols / Ágnes Birtalan , IX. The depictions of the Five Personal Protective Deities in the Leder collections / Béla Kelényi , X. Equestrian warrior deities in the Leder collections : some aspects of the Mongolian war god / Ágnes Birtalan , XI. Various depictions of Zanabazar / Maria-Katharina Lang , XII. Different types of prayer flag in the Leder collections / Béla Kelényi , XIII. The stronghold of good luck : a unique representation connecting to the cult of prayer flag / Béla Kelényi.

Anmerkung: Includes bibliographical references and index , Introduction : rethinking the workshop / Till Förster and Sidney Littlefield Kasfir , The contributions to this book / Sidney Littlefield Kasfir and Till Förster. Production, education, and learning. Grace Dieu Mission in South Africa : defining the modern art workshop in Africa / Elizabeth Morton , Follow the wood : carving and political cosmology in Oku, Cameroon / Nicolas Argenti , Masters, trend-makers, and producers : the village of Nsei, Cameroon, as a multisited pottery workshop / Silvia Forni , An artist's notes on the Triangle Workshops, Zambia and South Africa / Namubiru Rose Kirumira and Sidney Littlefield Kasfir. Audience and encounters. Stitched-up women, pinned-down men : gender politics in Weya and Mapula needlework, Zimbabwe and South Africa / Brenda Schmahmann , Rethinking Mbari Mbayo : Osogbo workshops in the 1960s, Nigeria / Chika Okeke-Agulu , Working on the small difference : notes on the making of sculpture in Tengenenge, Zimbabwe / Christine Scherer , Navigating Nairobi : artists in a workshop system, Kenya / Jessica Gerschultz. Patronage and domination. Lewanika's workshop and the vision of Lozi Arts, Zambia / Karen E. Milbourne , Artesãos da nossa pátria : Makonde blackwood sculptors, cooperatives, and the art of socialist revolution in postcolonial Mozambique / Alexander Bortolot , Frank McEwen and Joram Mariga : patron and artist in the Rhodesian workshop school setting, Zimbabwe / Elizabeth Morton , "A matter of must" : continuities and change in the Adugbologe woodcarving workshop in Abeokuta, Nigeria / Norma H. Wolff. Comparative aspects. Work and workshop : the iteration of style and genre in two workshop settings, Côte d'Ivoire and Cameroon / Till Förster , Apprentices and entrepreneurs : the workshop and style uniformity in Sub-Saharan Africa / Sidney Littlefield Kasfir. Coda : apprentices and entrepreneurs revisited : twenty years of workshop changes, 1987-2007 / Sidney Littlefield Kasfir.

Anmerkung: Introduction: the work of interviews , Talking to people about art , Ghostly stories: interviews with artists in Dakar and the productive space around absence , Can the artist speak?: Hamid Kachmar's subversive redemptive art of resistance , Photography, narrative inventions, and (cross) cultural representations , Narrating the artist: Seyni Camara and the multiple constructions of the artistic persona , Interview: Akinbode Akinbiyi , Interweaving narratives of art and activism: Sandra Kriel's heroic women , Politics of narrative at the African burial ground in New York City: the final monument , Who owns the past?: constructing an art history of a Malian masquerade , Framing practices: artists' voices and the power of self-representation , Undisciplined knowledge