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  • KOBV  (2)
  • BVB  (1)
  • MPI Ethno. Forsch.
  • 1995-1999  (2)
  • 1960-1964
  • 1998  (2)
  • 1995
  • Berkeley [u.a.] : Univ. of California Press
  • Comparative Studies. Non-European Languages/Literatures  (2)
Datasource
Material
Language
Years
  • 1995-1999  (2)
  • 1960-1964
Year
Author, Corporation
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520208013 , 0520208021
    Language: English
    Pages: Online-Ressource
    Parallel Title: Erscheint auch als Bierman, Irene A. Writing signs
    DDC: 302.2244096209021
    RVK:
    Keywords: Written communication History ; Egypt ; Arabic language Social aspects ; Fatimites Language ; Written communication ; Egypt ; History ; Arabic language ; Social aspects ; Fatimites ; Language ; Fatimidenreich ; Arabische Schrift ; Inschrift ; Kairo ; Arabische Schrift ; Inschrift ; Geschichte 969-1171
    Abstract: One visual sign found in contemporary multi-cultural cities is the public presence of different alphabets. Signs written in different alphabets appear on buildings large and small, on store fronts, on billboards flanking the road, on busses passing through the streets. In Los Angeles, along parts of Wilshire Boulevard, signs written in Persian, Korean, Greek, Hebrew, Spanish, and English differentiate places, marking zones. These written signs in public places indicate the presence of a community. They are embedded in a whole range of socially constructed institutions and practices. The full potency of what these writing signs convey depends on the social position from which you view them. For some viewers, these signs with strange alphabets strengthen differences.
    Note: A digital reproduction is available from E-Editions, a collaboration of the University of California Press and the California Digital Library's eScholarship program
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520211510
    Language: English
    Pages: XVI, 278 S. , Ill.
    DDC: 306/.0952
    RVK:
    Keywords: Takarazuka Kagekidan ; Androgynie ; Populaire cultuur ; Alltag, Brauchtum ; Ethnology ; Musicals ; Popular culture ; Sex role ; Social structure ; Theater ; Musical ; Sexualität ; Volkskultur ; Geschlechterrolle ; Japan Social life and customs ; Japan ; Japan ; Volkskultur ; Sexualität ; Japan ; Musical ; Geschlechterrolle
    Abstract: The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan. The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways.
    Library Location Call Number Volume/Issue/Year Availability
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