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  • KOBV  (2)
  • BVB
  • Bayreuth UB
  • OLC Ethnologie
  • Image  (2)
  • Washington : National Gallery of Art  (2)
  • Schwarze  (2)
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Subjects(RVK)
  • 1
    Image
    Image
    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 2
    Image
    Image
    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300269772 , 0300269773
    Language: English
    Pages: vii, 255 Seiten , Illustrationen , 26 cm
    Series Statement: Seminar papers / Center for Advanced Study in the Visual Arts 4
    RVK:
    Keywords: Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Abstract: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Description / Table of Contents: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Note: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
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