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  • KOBV  (7)
  • BVB
  • Bayreuth UB
  • OLC Ethnologie
  • Image  (7)
  • New Haven : Yale University Press  (7)
  • Schwarze  (7)
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  • 1
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    Beauty born of struggle : the art of black Washington (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    LO 96250
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
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    Black modernisms in the transatlantic world (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300269772 , 0300269773
    Language: English
    Pages: vii, 255 Seiten , Illustrationen , 26 cm
    Series Statement: Seminar papers / Center for Advanced Study in the Visual Arts 4
    RVK:
    LH 60220
    Keywords: Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Abstract: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Description / Table of Contents: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Note: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 3
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    Black artists in America : from civil rights to the bicentennial (2023)
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    Details
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    LO 94000
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 4
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    Multiplicity : Blackness in contemporary American collage (2023)
    Nashville, TN : Frist Art Museum | New Haven : Yale University Press
    Details
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    LO 96720
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 5
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    Called to the camera : Black American studio photographers (2023)
    New Orleans : New Orleans Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
    AP 99083
    RVK:
    AP 95740
    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 6
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    Fictions of emancipation : Carpeaux's "Why born enslaved!" reconsidered (2022)
    New York : The Metropolitan Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 9781588397447
    Language: English
    Pages: 139 Seiten , Illustrationen , 23 cm
    Edition: First printing
    Keywords: Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Abstract: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Abstract: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Note: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
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    Posing modernity : the black model from Manet and Matisse to today (2018)
    New Haven : Yale University Press | New York : The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York
    Details
    ISBN: 9780300229066
    Language: English
    Pages: XVII, 206 Seiten , 27 cm
    Additional Information: In Beziehung stehendes Werk Le modèle noir Paris : Musée D'Orsay, 2019 9782081480964
    Additional Information: 9782354332815
    RVK:
    LH 65020
    RVK:
    LH 84160
    RVK:
    LH 85000
    Keywords: African American models ; Art ; Artists and models in art ; Artists' models ; Blacks ; Modernism (Art) ; Modernism (Art) ; Bildband ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery, Columbia University 24.10.2018-10.02.2019 ; Ausstellungskatalog Musée d'Orsay 26.03.2019-14.07.2019 ; Bildband ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery, Columbia University 24.10.2018-10.02.2019 ; Ausstellungskatalog Musée d'Orsay 26.03.2019-14.07.2019 ; Schwarze ; Kunst ; Geschichte 1800-2018 ; Schwarze ; Modell ; Geschichte 1800-2018
    Abstract: This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today, organized by the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, and the Établissement public des musée d'Orsay et de l'Orangerie, Paris. The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019, Musée d'Orsay, Paris (as the expanded exhibition Le Modèle noir de Gericault à Matisse), March 26-July 14, 2019."
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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