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  • HeBIS  (6)
  • KOBV
  • Berkeley : University of California Press
  • Jazz  (6)
  • Musicology  (6)
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Why Jazz Happened (2012)
    Berkeley : University of California Press
    Details
    ISBN: 9780520268784 , 9780520953987 (Sekundärausgabe)
    Language: English
    Pages: 279 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520953987
    Edition: [Online-Ausg.]
    DDC: 781.65
    RVK:
    LS 48200
    Keywords: Sozialgeschichte ; Jazz ; Online-Publikation ; Online-Publikation
    Abstract: Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz's post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz's evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personaliti...
    Note: Description based upon print version of record , Online-Ausg.:
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    Online Resource
    HeBIS
  • 2
    Online Resource
    Online Resource
    Jazz/not jazz : the music and its boundaries (2012)
    Berkeley : University of California Press
    Details
    ISBN: 0520951352 , 9780520951358
    Language: English
    Pages: 1 Online-Ressource (ix, 301 pages)
    Series Statement: Roth Family Foundation music in America imprint
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    LS 48200
    Keywords: MUSIC / Genres & Styles / Jazz ; Jazz ; Jazz History and criticism ; Jazz ; Aufsatzsammlung ; Online-Publikation ; Jazz
    Note: Includes bibliographical references and index , What is jazz? What is gained--and what is lost--when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today , Chapter 1. Incorporation and Distinction in Jazz History and Jazz Historiography -- Chapter 2. Louis Armstrong Loves Guy Lombardo -- Chapter 3. The Humor of Jazz -- Chapter 4. Creating Boundaries in the Virtual Jazz Community -- Chapter 5. Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just ... Jazz -- Chapter 6. Jazz with Strings: Between Jazz and the Great American Songbook -- Chapter 7. "Slightly Left of Center": Atlantic Records and the Problems of Genre -- Chapter 8. The Praxis of Composition-Improvisation and the Poetics of Creative Kinship -- Chapter 9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz -- Chapter 10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education -- Chapter 11. Crossing the Street: Rethinking Jazz Education -- Chapter 12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies
    URL: Volltext
    URL: http://dx.doi.org/10.1525/california/9780520271036.001.0001
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    HeBIS
    BVB
  • 3
    Online Resource
    Online Resource
    Jazz Matters : Sound, Place, and Time since Bebop (2010)
    Berkeley : University of California Press
    Details
    ISBN: 9780520266889 , 9780520947399 (Sekundärausgabe)
    Language: English
    Pages: 211 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520947399
    Edition: [Online-Ausg.]
    DDC: 781.65
    RVK:
    LS 48100
    Keywords: Jazz ; Musikphilosophie
    Abstract: What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He u...
    Note: Description based upon print version of record , Online-Ausg.:
    URL: http://dx.doi.org/10.1525/california/9780520266889.001.0001
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    Online Resource
    HeBIS
  • 4
    Online Resource
    Online Resource
    Making the Scene : Contemporary New York City Big Band Jazz (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940161
    Language: English
    Pages: 1 Online-Ressource (420 pages)
    Edition: 1st ed.
    DDC: 784.481
    RVK:
    LQ 89400
    RVK:
    LS 48100
    Keywords: Big Band ; Musik ; Jazz ; New York, NY
    Abstract: The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "rehearsal band" scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.1525/california/9780520249530.001.0001
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    Online Resource
    HeBIS
  • 5
    Online Resource
    Online Resource
    Jazz cultures (2002)
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
    RVK:
    HD 370
    RVK:
    LS 48200
    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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  • 6
    Online Resource
    Online Resource
    Classic Jazz : a Personal View of the Music and the Musicians (2000)
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780520928985 , 0520928989
    Language: English
    Pages: 1 Online-Ressource (362 pages)
    DDC: 781.65
    RVK:
    LS 48100
    Keywords: Jazz ; Jazzmusiker ; USA
    Abstract: Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a.
    URL: http://dx.doi.org/10.1525/california/9780520213609.001.0001
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    Online Resource
    HeBIS
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