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  • HeBIS  (25)
  • KOBV  (16)
  • OLC Ethnologie
  • Durham : Duke University Press  (31)
  • English Studies  (31)
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  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478024491
    Language: English
    Pages: 1 Online-Ressource (248 p.)
    DDC: 305.4209797
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    Abstract: Revolutionary Feminists tells the story of the radical women's liberation movement in Seattle in the 1960s and 1970s from the perspective of a founding member, Barbara Winslow. Drawing on her collection of letters, pamphlets, and photographs as well as newspaper accounts, autobiographies, and interviews, Winslow emphasizes the vital role that Black women played in the women's liberation movement to create meaningful intersectional coalitions in an overwhelmingly White city. Winslow brings the voices and visions of those she calls the movement's "ecstatic utopians" to life. She charts their short-term successes and lasting achievements, from organizing women at work and campaigning for subsidized childcare to creating women-centered rape crisis centers, health clinics, and self-defense programs. The Seattle movement was essential to winning the first popular vote in the United States to liberalize abortion laws. Despite these achievements, Winslow critiques the failure of the movement's White members to listen to Black, Latina, Indigenous, and Asian American and Pacific Islander feminist activists. Reflecting on the Seattle movement's accomplishments and shortcomings, Winslow offers a model for contemporary feminist activism.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
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    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
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    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9781478021452
    Language: English
    Pages: 1 online resource (313 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.362
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    Keywords: Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Slavery-Political aspects-America ; Slavery-Economic aspects-America ; Women slaves-America ; Electronic books
    Abstract: Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (ix, 254 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/896073
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    Keywords: Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    DDC: 305.48896073
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    Abstract: Samantha Pinto explores how histories of and the ongoing fame of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta generate new ways of imagining black feminist futures.
    Note: Description based on publisher supplied metadata and other sources
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  • 10
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478003281
    Language: English
    Pages: 1 Online-Ressource (296 p.) , 4 illustrations
    Edition: 2019
    DDC: 306.3/620973
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    Keywords: Geschichte 1970-2000 ; Fortpflanzung ; Schwarze Frau ; Ersatzmutterschaft ; Feminismus ; Sklaverei ; Geschichtsphilosophie ; USA
    Abstract: In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 12
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370468 , 9780822370550
    Language: English
    Pages: xiii, 291 Seiten
    Series Statement: Consent not to be a single being [v. 3]
    Series Statement: Consent not to be a single being
    Parallel Title: Erscheint auch als Moten, Fred, author Universal machine
    Parallel Title: Erscheint auch als Moten, Fred, 1962 - The universal machine
    DDC: 305.89601
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    Keywords: Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Racism Philosophy ; Schwarze ; Identität ; Rassismus ; Philosophie ; Schwarze ; Identität ; Rassismus ; Philosophie
    Abstract: There is no racism intended -- Refuse, refuge -- The case of blackness
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  • 13
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370581 , 9780822370437
    Language: English
    Pages: xii, 321 Seiten , 24 cm
    Series Statement: Consent not to be a single being [v. 2]
    Series Statement: Consent not to be a single being
    Parallel Title: Erscheint auch als Moten, Fred, author Stolen life
    Parallel Title: Erscheint auch als Moten, Fred, 1962 - Stolen life
    DDC: 305.896
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    Keywords: Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Rassismus ; Soziale Situation ; Geschichte ; Schwarze ; Identität ; Rassismus ; Philosophie
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references (pages 269-308) and index
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822372240
    Language: English
    Pages: 1 Online-Ressource (200 p.) , 7 illustrations
    Edition: 2017
    DDC: 261.8/357082
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    Keywords: Schwarze Frau ; Sexualverhalten ; Massenmedien ; Kirche
    Abstract: In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women's sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God. Providing churchwomen a space to candidly discuss these issues, these popular ministries exist largely beyond the traditional church, with dialogues about sex taking place in chat rooms and through text messages, social media, email, and other media. Moultrie foregrounds televangelist Juanita Bynum's construction of the black Christian sexual identity these ministries promote while emphasizing how churchwomen reconcile these prescriptive identities with their individual experiences. What does it mean for senior women to exercise sexual agency when their church standing could be questioned? What does celibacy mean for women who experience same-sex desire while believing that such desire goes against God's will? Advancing a womanist sexual ethics, Moultrie reframes biblical interpretations and conceptions of what constitutes a healthy relationship to provide a basis for sexual decision making that does not privilege monogamy or deny female pleasure, thereby calling on black churchwomen to experience responsible and life-enhancing sex.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372028 , 0822372029
    Language: English
    Pages: 1 Online-Ressource (xii, 321 pages)
    Series Statement: Consent not to be a single being [v. 2]
    Parallel Title: Erscheint auch als
    DDC: 305.896
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    Keywords: Geschichte ; Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Schwarze ; Identität ; Soziale Situation ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Geschichte ; Philosophie ; Soziale Situation
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9780822370048 , 9780822369998
    Language: English
    Pages: xi, 187 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Moultrie, Monique Nicole, 1978- author Passionate and pious
    DDC: 261.8/357082
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    Keywords: Schwarze Frau ; Sexualverhalten ; Massenmedien ; Kirche
    Abstract: For all the single ladies: black women's stories of faith and sexuality -- Sexual purity as PR: tracing the impact of religious media -- Reading "our" Bynum as text: for a black woman by a black woman -- Beyond Bynum: analyzing contemporary faith-based sexuality ministries -- Why I gotta be gay? Approaches to womanist sexual hospitality -- The Lord still has work for me to do?: analyzing senior sexuality and faith-based sexuality ministries -- Horny and holy: saved women seeking sexual pleasure -- Living sexually before God: a contemporary womanist sexual ethics
    Note: Includes bibliographical references and index
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  • 17
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372226
    Language: English
    Pages: 1 Online-Ressource (361 pages)
    Series Statement: Consent Not to Be a Single Being Ser v.[v. 1]
    Parallel Title: Print version Moten, Fred Black and Blur
    DDC: 305.896
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    Keywords: African Americans--Race identity ; African Americans ; Race identity ; Electronic books
    Abstract: In Black and Blur--the first volume in his consent not to be a single being trilogy--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life, exploring a wide range of thinkers, musicians, and artists
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- 1. Not In Between -- 2. Interpolation and Interpellation -- 3. Magic of Objects -- 4. Sonata Quasi Una Fantasia -- 5. Taste Dissonance Flavor Escape (Preface to a Solo by Miles Davis) -- 6. The New International of Rhythmic Feel/ings -- 7. The Phonographic Mise-en Scène -- 8. Liner Notes for Lick Piece -- 9. Rough Americana -- 10. Nothing, Everything -- 11. Nowhere, Everywhere -- 12. Nobody, Everybody -- 13. Remind -- 14. Amuse-Bouche -- 15. Collective Head -- 16. Cornered, Taken, Made to Leave -- 17. Enjoy All Monsters -- 18. Some Extrasubtitles for Wildness -- 19. To Feel, to Feel More, to Feel More Than -- 20. Irruptions and Incoherences for Jimmie Durham -- 21. Black and Blue on White. In and And in Space. -- 22. Blue Vespers -- 23. The Blur and Breathe Books -- 24. Entanglement and Virtuosity -- 25. Bobby Leeâs Hands -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V
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    URL: Cover
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822361534
    Language: English
    Pages: 1 Online-Ressource (321 p)
    Series Statement: Religious Cultures of African and African Diaspora People
    Series Statement: Religious Cultures of African and African Diaspora People Ser
    Parallel Title: Print version Winters, Joseph R Hope Draped in Black : Race, Melancholy, and the Agony of Progress
    DDC: 305.800973
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    Keywords: African Americans - Race identity - United States ; African Americans - Race identity - United States ; Electronic books ; Electronic books
    Abstract: In Hope Draped in Black Joseph R. Winters responds to the belief that America follows a constant trajectory of racial progress, using African American literature and film to construct an idea of hope that embraces melancholy in order to acknowledge and mourn America's traumatic history
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction -- One. Unreconciled Strivings: Du Bois, the Seduction of Optimism, and the Legacy of Sorrow -- Two. Unhopeful but Not Hopeless: Melancholic Interpretations of Progress and Freedom -- Three. Hearing the Breaks and Cuts of History: Ellison, Morrison, and the Uses of Literary Jazz -- Four. Reel Progress: Race, Film, and Cinematic Melancholy -- Five. Figures of the Postracial: Race, Nation, and Violence in the Age of Obama and Morrison -- Conclusion -- Notes -- Select Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K
    Abstract: L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822358541 , 9780822358480
    Language: English
    Pages: xx, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chatelain, Marcia, 1979- South Side girls
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1910-1940 ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Chicago, Ill.
    Note: Literaturverzeichnis Seite 215-231
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  • 21
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 22
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359388 , 9780822359197
    Language: English
    Pages: ix, 213 Seiten , Illustrationen
    DDC: 305.896073
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    Keywords: Schwarze ; Soziale Situation ; Überwachung ; Ethnische Beziehungen ; Nordamerika ; Afroamerikaner
    Note: Literaturverzeichnis: Seite [191]-202
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375708
    Language: English
    Pages: 1 Online-Ressource (XX, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.2308996073077311
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1910-1940 ; Geschichte ; African American girls History 20th century ; African American girls Social conditions 20th century ; African American girls Migrations 20th century ; History ; Soziale Situation ; Mädchen ; Binnenwanderung ; Schwarze ; Chicago (Ill.) History 1875- ; Chicago (Ill.) Social conditions 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Chicago, Ill. ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Geschichte 1910-1940
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375852 , 0822375850
    Language: English
    Pages: 1 online resource (xiii, 290 pages)
    Parallel Title: Erscheint auch als Sylvia Wynter
    DDC: 300.1
    RVK:
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    Keywords: Wynter, Sylvia ; Social sciences Philosophy ; Civilization, Modern Philosophy ; Race Philosophy ; Human ecology Philosophy ; Wynter, Sylvia ; Social sciences ; Philosophy ; Civilization, Modern ; Philosophy ; Race ; Philosophy ; Human ecology ; Philosophy ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Wynter, Sylvia 1928- ; Kulturphilosophie
    Abstract: Yours in the intellectual struggle : Sylvia Wynter and the realization of the living / Katherine McKittrick -- Unparalleled catastrophe for our species? Or, to give humanness a different future : conversations / Sylvia Wynter and Katherine McKittrick -- Before man : Sylvia Wynter's rewriting of the modern episteme / Denise Ferreira da Silva -- Sylvia Wynter : what does it mean to be human? / Walter D. Mignolo -- Still submerged : the uninhabitability of urban redevelopment / Bench Ansfield -- Axis, bold as love : on Sylvia Wynter, Jimi Hendrix, and the promise of science / Katherine McKittrick -- Strategic anti-essentialism : decolonizing decolonization / Nandita Sharma -- Genres of human : multiculturalism, cosmo-politics, and the Caribbean Basin / Rinaldo Walcott -- From masquerade to maskarade : Caribbean cultural resistance and the rehumanizing project / Carole Boyce Davies -- "Come on kid, let's go get the thing" : the sociogenic principle and the being of being Black/human / Demetrius L. Eudell.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 25
    ISBN: 9780822375920 , 0822375923
    Language: English
    Pages: 1 Online-Ressource (vii, 283 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 909.09/71241
    RVK:
    Keywords: Commonwealth ; Books / History / Great Britain ; Imperialism / Historiography ; Literatur ; Englisch ; Englisch ; Literatur ; Commonwealth
    Abstract: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony Ballantyne -- Jane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 26
    ISBN: 9780822389385 , 082238938X
    Language: English
    Pages: xvi, 383 p.
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
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    Keywords: Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Abstract: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Note: Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822388616
    Language: English
    Pages: 1 Online-Ressource (327 pages)
    Series Statement: e-Duke books scholarly collection.
    DDC: 303.4821724008996073
    RVK:
    Keywords: Geschichte 1960-1979 ; Schwarze ; Minderheit ; Politisches Handeln ; Radikalismus ; Soziale Gerechtigkeit ; USA ; Entwicklungsländer
    Abstract: A cultural history of activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the "long 1960s.".
    Note: Description based on publisher supplied metadata and other sources
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  • 28
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822386534 , 0822335018 , 0822335131 , 9780822386537 , 9780822335016 , 9780822335139
    Language: English
    Pages: Online-Ressource (xii, 247 p) , ill., ports , 24 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Perverse modernities
    Parallel Title: Print version Impossible Desires : Queer Diasporas and South Asian Public Cultures
    DDC: 306.76/6/089914
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    Keywords: Homosexuality in literature ; Homosexuality in music ; South Asians in mass media ; Gays in popular culture ; South Asians in literature ; Homosexuality in motion pictures ; South Asians Social conditions ; Electronic books
    Abstract: Argues for the uses of queer, feminist transnational theory in order to understanding South Asian and South Asian diasporic identities and cultural production
    Description / Table of Contents: Contents; Acknowledgments; 1. Impossible Desires: An Introduction; 2. Communities of Sound: Queering South Asian Popular Music in the Diaspora; 3. Surviving Naipaul: Housing Masculinity in ""A House for Mr. Biswas, Surviving Sabu"", and ""East Is East""; 4. Bollywood/Hollywood: Queer Cinematic Representation and the Perils of Translation; 5. Local Sites/Global Contexts: The Transnational Trajectories of ""Fire"" and ""The Quilt""; 6. Nostalgia, Desire, Diaspora: ""Funny Boy"" and ""Cereus Blooks at Night""; 7. Epilogue: Queer Homes in Diaspora; Notes; Bibliography; Filmography; Index
    Note: Includes bibliographical references (p. [221]-233) and index , Electronic reproduction; Available via World Wide Web
    URL: Cover
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822385868 , 0822385864
    Language: English
    Pages: ix, 280 p , 25 cm
    DDC: 305.896
    RVK:
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    Keywords: Blacks / Race identity ; Identity (Psychology) ; African diaspora
    Abstract: Introduction : Being and becoming Black in the West -- The European and American invention of the Black Other -- The trope of masking in the works of W.E.B. Du Bois, Léopold Sédar Senghor, and Aimé Césaire -- Some women disappear : Frantz Fanon's legacy in Black nationalist thought and the Black (male) subject -- How I got ovah : masking to motherhood and the diasporic Black female subject -- The urban diaspora : Black subjectivities in Berlin, London, and Paris -- Epilogue : If the Black is a subject, can the subaltern speak?
    Note: Includes bibliographical references (p. [261]-268) and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 9780822386315
    Language: English
    Pages: 1 Online-Ressource (371 pages)
    Series Statement: New Americanists
    DDC: 303.4827303209034
    RVK:
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    Keywords: Geschichte 1800-1900 ; Ägyptophilie ; USA
    Abstract: Explores the relation between nineteenth-century American interest in ancient Egypt in architecture, literature, and science, and the ways Egypt was deployed by advocates for slavery and by African American writers.
    Note: Description based on publisher supplied metadata and other sources
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822385317 , 0822331365 , 0822331233 , 9780822385318 , 9780822331360 , 9780822331230
    Language: English
    Pages: Online-Ressource (xx, 326 p) , ill , 24 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: a John Hope Franklin Center Book
    Parallel Title: Print version The Archive and the Repertoire : Performing Cultural Memory in the Americas
    DDC: 306.4/84
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    Keywords: Postcolonialism and the arts ; Ethnicity ; Minorities Social conditions ; North and south ; Memory Social aspects ; Performing arts Political aspects ; Postcolonialism ; Performance art Political aspects ; America Civilization ; America Ethnic relations ; Electronic books ; Electronic books ; Electronic books
    Abstract: An interdisciplinary study about the centrality of performance in Latin American culture and politics
    Description / Table of Contents: CONTENTS; List of Illustrations; Who, When, What, Why; 1. Acts of Transfer; 2. Scenarios of Discovery: Reflections on Performance and Ethnography; 3. Memory as Cultural Practice: Mestizaje, Hybridity, Transculturation; 4. La Raza Cosmética: Walter Mercado Performs Latino Psychic Space; 5. False Identifications: Minority Populations Mourn Diana; 6. ''You Are Here'': H.I.J.O.S. and the DNA of Performance; 7. Staging Traumatic Memory: Yuyachkani; 8. Denise Stoklos: The Politics of Decipherability; 9. Lost in the Field of Vision: Witnessing September 11; 10. Hemispheric Performances; Notes
    Description / Table of Contents: BibliographyIndex
    Note: "A John Hope Franklin Center book"--Half t.p , Includes bibliographical references (p. [303]-320) and index , Electronic reproduction; Available via World Wide Web
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